; オンラインWikipedia日英京都関連文書対訳コーパス(英和) 見出し単語一覧

オンラインWikipedia日英京都関連文書対訳コーパス(英和) 見出し単語一覧

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  1. The statue is assumed to have been made before Chuson Daishi-zo, around the 9th century, shortly after the death of Enchin.
  2. The statue is housed within the Daikuten-do hall along with a 1/10 size copy that is said to have been made by Hideyoshi who was particularly fond of this image.
  3. The statue is housed within the main hall and numerous Okame dolls and masks donated by believers are also displayed.
  4. The statue is large at 2.8 meters tall and is a typical of the style of Buddhist sculptor Jocho.
  5. The statue is large at over 2.8 m in height and inside is an ink inscription reading 'Year 9 of the XX era' in which the era name is illegible but it is known from the oriental zodiac to year 9 of the Tengyo era (946).
  6. The statue is made of camphor tree timber and the oldest work using the yosegi-zukuri technique.
  7. The statue is made of sandalwood that was imported from India and weighs 23 tons.
  8. The statue is normally withheld from public view and is only on display on December 16, the anniversary of Roben's death.
  9. The statue is not like Daikokuten, the god of fortune familiar in recent years, but more like an Indian god of war named Mahakala with a strained expression; it is also known as the three major Daikokuten statues in Japan.
  10. The statue is said to have been used as a substitute for the retired emperor when the temple was set ablaze by Yoshinaka, and is at the center of the Fudo-e festival that is still held every November 15.
  11. The statue is shown to the public 5 times a year, namely on the first three days of the new year, on January 10 and on July 24.
  12. The statue itself dates from the Kamakura period but the pedestal and halo were created during the Edo period.
  13. The statue itself was destroyed by fire in 1319 and rebuilt during the latter half of the 14th century before once again being destroyed by fire in 1881.
  14. The statue of "Shukongoshin" (Vajrapani) created in 1892 was selected as a work to be submitted to the World's Columbian Exposition in 1893, and he continued energetically creating his works and became a professor of casting in 1896.
  15. The statue of Aihime in a nun's attire kept in the Zuigan-ji Temple is beautiful and she seemed to be a woman as nicknamed "a beautiful princess".
  16. The statue of Aizen Myoo (Ragaraja, the love god)
  17. The statue of Amida Nyorai in the Hoo-do Hall of Byodo-in Temple: The one and only existing work of Jocho
  18. The statue of Amida was made by Kaikei.
  19. The statue of Amitabha made by a sculptor of Buddhist Statues named Tori, is known familiarly as Ukiashi no Nyorai (The Perfected One on Tiptoes).
  20. The statue of Asahi Daikokuten: this was the Jinenbutsu of Hideyoshi TOYOTOMI, and is thought to be the item that had been enshrined in the Tatsumiyagura Hall of Fushimi-jo Castle.
  21. The statue of Ashura - it is shaped as a figure with three faces and six arms.
  22. The statue of Ashura with three faces and six hands is most famous.
  23. The statue of Ayasaburo shown upper right was created based on his own photograph (he loved photography and even had the photograph of Takamori SAIGO, which was thought to be non-existing).
  24. The statue of Bencho: the 'Senchaku-shu' (Passages on the Selection of the Nenbutsu in the Original Vow) was endowed by Bencho.
  25. The statue of Birushana Buddha at Todai-ji Temple was constructed as a symbol of national pacification (chingo kokka).
  26. The statue of Buddha at Todai-ji Temple thus rivals or even exceeds the statue in India.
  27. The statue of Dainichi Nyorai was made by statue maker Kochin in 1497.
  28. The statue of Domyo-ji Temple in Fujiidera City, Osaka (a national treasure)
  29. The statue of Eizan-ji Temple (Gojo City, Nara Prefecture) - wooden statue, Muromachi period
  30. The statue of Enjo-ji Temple in Nara (late Heian period), made by Unkei
  31. The statue of Fudo was given to Kyogakuin Temple by a nearby temple which had been abolished.
  32. The statue of Gobujo - Shikikukyoten (heaven of the most rarefied form) in the highest grade of Shikikai and Gobujo Goten, a Tenbu of the lower grade.
  33. The statue of Gyoga is kept in Nara National Museum.
  34. The statue of Haga-ji Temple in Fukui (an important cultural property)
  35. The statue of Hase-dera Temple in Nara (an important cultural property)
  36. The statue of Hibakara - it is shaped as a somewhat older face with a beard, different from other statues.
  37. The statue of Hikokuro TAKAYAMA viewing and bowing the knee to the Imperial Palace
  38. The statue of Hokkai-ji Temple (Kyoto City, Kyoto Prefecture) - wooden statue, Kamakura period
  39. The statue of Hokke-ji Temple in Nara (a national treasure)
  40. The statue of Hokongo-in Temple in Kyoto (an important cultural property, seated statue)
  41. The statue of Honen: it was given to the people of Sanuki, but was later relocated to the temple.
  42. The statue of Horyu-ji Temple Saien-do (Ikaruga-cho, Ikoma-gun, Nara Prefecture) - wooden statue, Kamakura and Momoyama periods
  43. The statue of Hoshaku-ji Temple in Kyoto (an important cultural property)
  44. The statue of Hotei
  45. The statue of Ikaruga-dera Temple (Taishi-cho, Ibo-gun, Hyogo Prefecture) - wooden statue, Kamakura period
  46. The statue of Jomyo-ji Temple (Arida City, Wakayama Prefecture) - Kamakura period
  47. The statue of Juni Jinsho (the twelve divine generals) is often enshrined together as the followers of Yakushi Nyorai.
  48. The statue of Kanezane: this was the enshrined image for the Kujo family.
  49. The statue of Kangiten at Hokai-ji Temple in Kamakura City is a wooden statue over 150 cm tall and was beautifully made, so that it can be said to be a representative work among the Kangiten statues in Japan.
  50. The statue of Kannon-ji Temple in Kyotanabe City, Kyoto (a national treasure)
  51. The statue of Karura - the statue of Kofuku-ji Temple wears armor with a bird's head and a human body.
  52. The statue of Keisoku-ji Temple (Kinomoto-cho, Ika-gun, Shiga Prefecture) - mokushin kanshitsu-zukuri, wood-core dry lacquer, currently only three bodies in existence; Heian period
  53. The statue of Kendatsuba - it puts on armor and a lion crown.
  54. The statue of Kichijoten zo, with both hands raised to chest height, holds the nyoi hoju (a sacred jewel, said to remove suffering, capable of granting every wish) in the left hand, expressing its figure by turning right to the viewers.
  55. The statue of Kinnara is kept in Nara National Museum.
  56. The statue of Kofuku-ji Temple (Nara City, Nara Prefecture) a wooden print block, Heian period
  57. The statue of Kofuku-ji Temple Tokondo (Eastern Golden Hall) (Nara City, Nara Prefecture) - wooden statue, Kamakura period
  58. The statue of Kofuku-ji Temple is badly damaged and only the head and a part of the upper body are remained (besides this, the right hand of this statue is in the possession of Tokyo National Museum, which was donated by an individual owner in 1904 to the then Imperial Museum).
  59. The statue of Kogen-ji Temple (Dogan-ji Temple) in Shiga (a national treasure)
  60. The statue of Kongo Rikishi (Benevolent Kings): placed at Nandai-mon gate (the Great South Gate) of Todai-ji Temple, and carved by Unkei, Kaikei, and others
  61. The statue of Kongo Rikishi of Sekigan-ji Temple (Hyogo) bears the inscription that he was 59 years old in 1242, meaning that his birth year can be calculated backward to be 1184.
  62. The statue of Kongo Zao per se was made in the Edo period but the wooden core goes back to the time that the original statue was created in the Nara period and thus making it scientifically invaluable.
  63. The statue of Kongobu-ji Temple in Wakayama (early Heian period); principal image of Buddha in the former west tower.
  64. The statue of Koryu-ji Temple (Kyoto City, Kyoto Prefecture) - wooden statue, Heian period
  65. The statue of Kuhanda - it is shaped in the expression of anger with its hair stood on end and its eyes narrow.
  66. The statue of Meaka Fudo-son at Tajiri Fudo-do Hall (Tajiri-ku, Horigane-mura, Azumino City, Nagano Prefecture) is a tangible cultural property designated by Azumino City.
  67. The statue of Mie-ji Temple in Gifu (an important cultural property)
  68. The statue of Monju Bosatsu (Budhisattva), its principal image, is a Buddhist statue rarely shown to the public.
  69. The statue of Murou-ji Temple (Uda City, Nara Prefecture) - wooden statue, Kamakura period
  70. The statue of Murou-ji Temple in Nara (a national treasure)
  71. The statue of Nakayama-dera Temple in Takarazuka City, Hyogo (an important cultural property)
  72. The statue of Nyoirin Kannon frequently has six arms but the principle image of Ishiyama-dera Temple has two arms and sits directly on the bedrock.
  73. The statue of Okuma in the Diet Building was put on display along with those of Taisuke ITAGAKI and Hirobumi ITO in the central hall on the first floor in praise of the establishment of the first political party Cabinet in Japan.
  74. The statue of Okuma in the Okuma Memorial Hall in Saga City, Saga Prefecture was established at the site of his birthplace in April 1988.
  75. The statue of Priest Honen
  76. The statue of Rakuya-ji Temple in Shiga (an important cultural property, seated statue)
  77. The statue of Rokuharamitsu-ji Temple in Kyoto (a national treasure)
  78. The statue of Rushanabutsu (Deity Coming From The Sun): enshrined in Todai-ji Temple, and commonly called "Nara no Daibutsu" (Great Buddha in Nara)
  79. The statue of Ryosen-ji Temple (Nara City, Nara Prefecture) - wooden statue, Kamakura period
  80. The statue of Ryutoki was created by Koben, a son of Unkei, and that of Tentoki is assumed to have been created by the same person or a sculptor around him.
  81. The statue of Saigo in Ueno is different from the figure that Itoko criticized (the one in which he was walking around with a dress), rather, it is an image of him hunting rabbit.
  82. The statue of Sakatsura - it is shaped as a figure where a snake is wound around from the top of the head to the upper body and it has a sad look on its face like a boy.
  83. The statue of Sanpo Daikojin (literally, the great god of a cooking stove, or the god of three treasures) enshrined in Raigo-in is said to have been engraved by Kukai (Kobo daishi) (actually, the statue was made in the Kamakura period).
  84. The statue of Sanpokojin, a Japanese Buddhist deity, is also known for being worshiped as Kamado-gami.
  85. The statue of Sekkei-ji Temple (Kochi City, Kochi Prefecture) - wooden statue, Kamakura period
  86. The statue of Shigenobu OKUMA at Waseda University
  87. The statue of Shigenobu OKUMA at the Diet Building
  88. The statue of Shigenobu OKUMA in the Okuma Memorial Hall
  89. The statue of Shin-Yakushi-ji Temple (Nara City, Nara Prefecture) - statue, Nara period; 11 bodies among 12 bodies are national treasures
  90. The statue of Shinzan
  91. The statue of Shorin-ji Temple in Nara (a national treasure)
  92. The statue of Sozo (earthen image) of Emperor Gomizunoo
  93. The statue of Taishakuten wears a helmet and rides a white elephant with his left foot down.
  94. The statue of To-ji Temple (Kyoogokoku-ji Temple)(Kyoto city, Kyoto Prefecture) - wooden statue (attached on the foundation of the main image of Buddha at Kondo), Momoyama period
  95. The statue of Todai-ji Temple (Nara City, Nara Prefecture) - wooden statue, Heian period
  96. The statue of Tosan-ji Temple (Awaji City, Hyogo Prefecture) - wooden statue, Kamakura period
  97. The statue of Tosuke HIRATA, built in Kudanzaka Ushigafuchi in 1921 while he was still alive, was created by the sculptor Taketaro SHINKAI, and the base of the statue was designed by the architect Chuta ITO, who was Tosuke Hirata's nephew (a child of his older brother Yorisuke).
  98. The statue of Vairocana-Buddha in Todai-ji Temple was reconstructed using the money collected from Daikanjin (priest to collect contributions) run by Shunjobo Chogen, and a Buddhist memorial service of dedication for the Colossal Hall of the Great Buddha was held in 1195.
  99. The statue of Yokokura-ji Temple in Ibigawa-cho, Gifu (Kamakura period)
  100. The statue of Yoshiki at the Anan Municipal Awakubo Minzoku Shiryokan Museum in Anan City, Tokushima Prefecture, was modelled after the statue in Banna-ji Temple.
  101. The statue of Yuima-koji was supplemented afterward.
  102. The statue of Yukino-ji Temple (Ryuo-ji Temple) (Ryuo-cho, Gamo-gun, Shiga Prefecture) - wooden statue, Kamakura period
  103. The statue of Zaogongen was produced by Genkei, a sculptor of Buddhist statues, in 1226.
  104. The statue of a horse-riding Yoshisada is at the rotary in front of the Budaigawara Station (the Keio Line of Keio Electric Railway, the Nanbu Line of East Japan Railway Company) located in Fuchu City Tokyo (Tokyo).
  105. The statue of all four people
  106. The statue of dragon god and 1 out of 12 sheep gods are entrusted to Nara National Museum.
  107. The statue of principal image at Sanjusangendo Temple in Kyoto (seated statue) is a representative work of Tankei, a Busshi (a sculptor of Buddhist statues) in the Kamakura period and is a typical statue with 11 faces and 42 arms.
  108. The statue of sect founder Honen enshrined within has led to the building being called Miei-do.
  109. The statue of the To-ji Lecture Hall in Kyoto. The present statue was revived during the Muromachi period.
  110. The statue of the main deity of veneration, the Buddha Shakamuni (standing and flanked by Ananda and Mahakasyapa), is a Kamakura period original as it was relocated here from Manju-ji Temple after the fire of 1881.
  111. The statue of the principal image of Buddha at Kondo (Golden Hall) in Yakushi-ji Temple in Nara City is an old example of Yakushi sanzon statues and is one of the masterpieces in Japan.
  112. The statue of the principal image of Buddha at this temple is Eleven-Headed Kannon.
  113. The statue of the principle image which still exists today is from the late Heian Period, in around the eleventh century, and it is thought that the temple had already been built by this time.
  114. The statue on your left is Ungyo, which has one horn, with its mouth closed.
  115. The statue sits not in the kekkafuza style (the way of leg crossing used in Zazen practice) but in Anza style (sitting quietly), holding Shakujo (a pilgrim's staff or sistrum) in his right hand, and Hoju (a sacred gem) in his left hand.
  116. The statue stands 192cm tall.
  117. The statue stands at 90.0 centimeters in height.
  118. The statue stands at about 50 cm in height.
  119. The statue stands at approximately 123 centimeters in height, is made from red pine wood with Ichiboku-zukuri (wooden figure carved of one tree) and shows Maitreya deep in thought with the right hand gently touching the cheek.
  120. The statue was 75 cm tall, and the statue was pausing Chiken-in (the knowledge-fist mudra).
  121. The statue was built in 1917 at the site of the Gifu Incident, in which Itagaki suffered the disaster of being nearly assassinated.
  122. The statue was burnt in the fire that broke out at the main hall in 2000 (prescription period until May 9, 2007), but the items inside the statue were unaffected and continue to be designated Important Cultural Properties under the name 'Wooden Standing Statue of Ksitigarbha (damaged by a fire).'
  123. The statue was made a year after the Shonin's death in 1706.
  124. The statue was once owned by Chutaro NAKANO, an oil baron who lived in Nigata Prefecture, and was later transferred to the current owner.
  125. The statue was originally housed upstairs in Heiankyo's Rajomon Gate.
  126. The statue was previously housed at Sokuni-an Temple in modern-day Iwakura Kino-cho, Sakyo Ward.
  127. The statue with a full-dress uniform which is not as widely known and stands inside Okuma Hall was also made by Fumio ASAKURA and was his first statue of Okuma.
  128. The statue with this style is called 'Kiyomizu Temple-styled Senju Kannon.'
  129. The statue's body was carved crudely as it looks unfinished at first glance, though if one ignores the fact that it was made by Gyogi or not, it may have been carved by a practitioner who was not a professional sculptor of Buddhist statues.
  130. The statue's platform is adorned with mother-of-pearl inlay work and metal ornaments, the surrounding doors and walls are decorated by richly colored paintings, and the ceiling and pillars are also covered with colorful patterns.
  131. The statue, which based on a portfolio made by Koun TAKAMURA (the dog next to him was sculpted by Teiko GOTO), was built in Ueno Onshi Koen park which is located in Ueno which is in the Taito Ward of the Tokyo Metropolitan area.
  132. The statue, which holds hair in its left hand, is known as the 'Wig-wearing Ksitigarbha.'
  133. The statues and the canopy in the Golden Hall (Konjiki-in Hall of Chuson-ji Temple in Iwate)
  134. The statues are covered in gold leaf on Japanese lacquer.
  135. The statues at Saikon-do of Kofuku-ji Temple including Hachibushu are interpreted to have been produced based on Konkomyo saisho-kyo (Golden Light Sutra of the Most Victorious Kings) instead of Jobon of Hoke-kyo Sutra.
  136. The statues at Sanjusangendo Temple in Kyoto (1,001 standing statues) (important cultural property)
  137. The statues carved on a natural rock wall are Tangible Cultural Properties designated by the town.
  138. The statues have a striking Chinese Song Dynasty style, and feature realistic facial expressions and picturesque elaborate clothing.
  139. The statues in Kodo of To-ji Temple
  140. The statues of Amitabha, Kannon and Mahasthamaprapta are depicted coming to earth to escort the deceased to the Western Pure Land Paradise and are characteristic in that the two attendants are sitting in a Japanese formal manner.
  141. The statues of Buddha, including the principal image of Buddha were made in the Heian period and are older than its hall, so they are assumed to have been brought from other places.
  142. The statues of EN no Gyoja, Zenki and Goki (Oni demons at the front and back of the temple, and who serve En) are Tangible Cultural Properties designated by the town.
  143. The statues of Hachibushu in Kofuku-ji Temple
  144. The statues of Hosho Nyorai, Fukujoju Nyorai and Ashuku Nyorai were all made in the Edo period; the Amida Nyorai statue has a body that was made in the Edo period and a head that was reused from an older, Heian period statue.
  145. The statues of Juichimen Kannon that are placed in many Buzan-ha temples show these features, and consequently they are called 'Juichimen Kannon of the Hase-dera style.'
  146. The statues of Kenrei Mon-in and Awa no naiji were originally made of papier-m?sh? but the replicas were created in wood.
  147. The statues of successive Ashikaga Shogun housed within Reiko-den are given below.
  148. The statues of the Five Great Akasagarbha at Kanchi-in Temple in To-ji Temple (Chinese Tang Dynasty, Important Cultural Properties) were brought to Japan from Tang Dynasty China by Keiun and were originally kept at Ansho-ji Temple.
  149. The statues with six arms have Nyoi hoju and Horin, which are origins of its name, in two of the six hands.
  150. The status and rank of a Gundai was higher than that of a Daikan, but the scope of the work between the two was nearly the same.
  151. The status of "Nanboroku" in modern times
  152. The status of Dynastic polity explained above started to change from the mid-11th century.
  153. The status of Goshi (rural samurai) was generally middle class: somewhat lower than samurai (hanshi) residing in castle towns but, higher than peasants.
  154. The status of Monjo Hakase, who taught Chinese classical literature other than Confucianism, subsequently improved, their department, Kidendo (the study of the histories), became highly ranked.
  155. The status of Yonin differed between the various provinces in Japan however, generally speaking, in the larger domains the Yonin's status was not higher than the senior retainers and, there is no doubt that the smaller the domains there was a tendency for the Yonin's status to be relatively higher.
  156. The status of Zenji is conferred posthumously most of the time.
  157. The status of `Fudaiseki` (hereditary ranked families) were bestowed the title during a face-to-face meetings with superiors within the castle.
  158. The status of ashigaru is thought to have originated during the Heian period from the shimobe (miscellaneous servants and attendants) who served kebiishi (police and judicial chiefs) in the capacity of performing miscellaneous duties and acting as reserve soldiers.
  159. The status of daikan among hatamoto was the lowest with bestowed appanage of 150 bales (a bale is a traditional unit for rice, which is 60 kilograms) of rice, but his administering land was large and his power was big considering his status, which often resulted in making daikan's appearance as bad one in period dramas.
  160. The status of daikan as a bushi was low in various han, many daikan were in kachi (foot guard) class with appanage of below 10 koku and also were inherited by local powerful families.
  161. The status of lords of shoen was guaranteed by undertaking the demand of the superior lords (see the details in the feudalism).
  162. The status of monjo hakase was initially regarded as equivalent to the official court rank of Shoshichiinoge (senior seventh rank, lower grade) corresponding to that of an assistant teacher of myogyo-do.
  163. The status of monjo hakase was raised to be equivalent to the official court rank of Jugoinoge (junior fifth rank, lower grade) on March 15, 811, passing myogyo hakase, the then highest ranking post among various kinds of hakase, and becoming the only teacher within Daigaku-ryo with a Court noble status.
  164. The status of production in Japan
  165. The status of related Buddhist temples (in random order)
  166. The status of studying Chinese poetry, classics, and history, which were called Kidendo, was raised in the Daigaku-ryo, a governmental institution of learning.
  167. The status of the Fujiwara clan (Sekkan-ke [line of regents and advisers]) deteriorated in comparison to the Imperial Family.
  168. The status of the bangashira in a domain varied in details by domains, ranking in importance after the chief retainers, toshiyori and churo (middle-level retainers) in some cases, and lower than yojin (lord chamberlain) in other cases.
  169. The status of the clan was the second in precedence of the three Shugodai (provisional governors) of the Shiba clan, together with the Kai clan and the Oda clan.
  170. The status of the conflict in Kyushu, and the events leading up until the unification of the Southern and Northern Courts
  171. The status of the guards at the barrier checkpoints was baishin (indirect vassal), but in fact such guards came to wield enormous influence due to the fact that passersby, under the guise of giving "tips," were made to pay passage fees despite the fact that the guards were shogunal officials.
  172. The status of this station on the Kintetsu Kyoto Line has been raised to that of the station where express trains and semi-express trains stop.
  173. The status of those belonging to this class was described as 'the warrior class' in "Jinshin-koseki" (family registries in Jinshin).
  174. The status of woman in those days was dependent upon the status of her father or husband, and she was a middle-class court noble, so there was a difference in degree between Genji, who belongs to the highest class, and her.
  175. The status of zaichokanjin
  176. The status was changed during the sixth Shogun Ienobu TOKUGAWA regime, because Ienobu valued and respected Motohiro KONOE, the father of his Midaidokoro, Teneiin, as an instructor of ceremony, and therefore, rites of the officers of the feudal government and O-oku were maintained.
  177. The status was equivalent to shoshichiinoge (Senior Seventh Rank, Lower Grade), and only one person could hold this a position at a time.
  178. The status was even said as, "if the Imperial Palace (Ashikaga family to inherit the shogunate) dies out, the Kira inherits the succession to the family headship, and the Imagawa inherits the formality when Kira dies out."
  179. The statute at the time required that those without a government post must serve in the Sani no ryo (a department for those who held ranks but were not assigned government posts) while requiring those with an order of merit to serve in the military.
  180. The statutes that were still in effect at the time of compilation were collected, and those that were no longer valid were omitted, leaving only the pertinent laws.
  181. The steady connection between Shingen and his vassals was maintained through kishomon (sworn oath) in which a vassal pledged allegiance to Shingen in terms of minor conflicts between Shingen and a vassal or incidents such as Yoshinobu incident which cause confusion in the family, and by performing Shinto and Buddhist oaths.
  182. The steam engine locomotives imported at that time were the Denda type made in America with an axis location 1C (JNR 7100 class steam locomotive with nick names of Benkei, Shizu and others) and some of them were preserved.
  183. The steamed rice is fermented strongly.
  184. The steamed rice is placed into a mortar still wrapped in the cloth.
  185. The steamed rice is put into ikaki, and is converted into moto by the lactic acid fermentation in water.
  186. The steamed sweet potato dried entirely without being cut is called 'maru-hoshiimo' (uncut whole piece of dried sweet potato), which requires about 20 days to dry.
  187. The steamy heat in summer in Kyoto City is known nationwide, but, Kumiyama-cho is a little cooler because of a broad reclaimed field covering the northern part of the town which works to cool the area.
  188. The steerer of the boat watched this and woke up the nanny; all the people searched for her in the sea and finally found Kozaisho and pulled her up on the boat; however, she was already dead.
  189. The stem is rather stiff and the ear length is long--the same as that of Gohyakumangoku--and the grain density is somewhat high.
  190. The stem length means the height of the rice plant, and the ear length means the length of the ear of rice.
  191. The stem of a leek
  192. The step-mother, Sada, whom Fumimaro did not get along with, died from malnutrition after evacuating alone to their alternate residence in Kyoto (where the Yomei Bunko Library is currently located) during the war.
  193. The steps gradually become faster and firstly they put on wooden shoes, but later they put them off and at last they come to run barefoot.
  194. The steps to produce senmai-zuke is to sprinkle salt over the sliced shogoin-kabu, let it stand and then remove the excess water and then, pickle them only with good quality konbu until it ferments lactobacillus.
  195. The steps to use the purifying water are:
  196. The steward thinks of this situation, and he makes up his mind to ask a priest called Hokai at the Dojo-ji Temple this time.
  197. The stick called Giccho is made of Shinotake (a small bamboo), which is cut to be the length equal to the height of the horse; a big bamboo, which is split into strips and bent over so as to form a J-shape, is bound to the outer end of the stick where the thin lace net is loosely stretched.
  198. The stick to hit the kodaiko is a little bit smaller than the one for oyadaiko, and some schools use sticks with flatly shaved bamboo.
  199. The stick to hit the oyadaiko is often made from oak and Japanese cypress.
  200. The stick, which is used to beat a rin, is called 'rinbo', 'bachi' or 'bai'.
  201. The stickiness of the glue makes scattered soot particles into one, and makes it into the shape of an ink stick.
  202. The still-standing Gio-ji Temple was built where Gio was born in order to pray to the Buddha for her happiness.
  203. The stipend became 200 koku at the end of Edo period.
  204. The stipend during the Edo period was 1000 koku at the beginning, which was later raised to 1500 koku and up to 2044 koku by the end of the Edo shogunate period.
  205. The stipend during the Edo period was 1700 koku.
  206. The stipend during the Edo period was 180 koku.
  207. The stipend during the Edo period was a little more than 1,100 koku.
  208. The stipend system according to the ritsuryo law, however, collapsed at an early stage, and the nobles attempted to develop their own infrastructures, involving 'guji' (chief priests of shinto shrines).
  209. The stipulations aimed at establishment of the authority of rites by Kamakura dono (Lord of Kamakura) which was the head of the warrior government.
  210. The stitching of yugake is very fine compared with general sewn products and especially the hand-stitching of yugakeshi or kakeshi (maker of yugake), who are masters, are extremely elaborate.
  211. The stock is prepared from dried bonito, tangle, mushrooms, or shellfish.
  212. The stock market prices plunged after that.
  213. The stock of the NDL includes the unique and substantial collections that the library has acquired, including those from the days of the former Imperial Library.
  214. The stoicism that decoration is abolished with unnecessary waste being cut out, is an idea that is in tune with the aesthetics of a modernistic view, that has become a garden style that represents Japan.
  215. The stone Buddha statues created to pray for the dead were buried by the flooding of the Kamo-gawa River but unearthed during construction work and are used to conduct memorial ceremonies.
  216. The stone Buddhist image of Inukai
  217. The stone Buddhist image of Mt. Daiji (the stone Buddhist image of Kannon-do Hall [a temple dedicated to Kannon], the stone Buddhist image of Amida-do Hall [a temple hall having an enshrined image of Amitabha] with the stone Buddhist image of Yakushi-do Hall [a temple hall having an enshrined image of the Healing Buddha])
  218. The stone Buddhist image of Ogatamiyasakohigashi
  219. The stone Buddhist image of Ogatamiyasakonishi
  220. The stone Buddhist image of Oitamotomachi
  221. The stone Buddhist image of Takase
  222. The stone arrangement in the western garden represents a dragon emerging from the ocean and ascending into black clouds.
  223. The stone attached to the sekitai was found at the ruins of government offices around Japan.
  224. The stone burial chamber was constructed by combining cut stones of tuff and the inside is approx. one meter wide, approx. 2.6 meters long and approx. 1.3 meters high.
  225. The stone chamber (Setchin) is about 1.5 meters in inner width, and approximately 1.3 meters in height.
  226. The stone chamber (inside) is about 265cm deep from north to south, about 103 cm wide from east to west, and 113cm high.
  227. The stone chamber at the narrow terrace has a characteristic style which is seen in some part of Korean Peninsula.
  228. The stone chamber consists of layers of tuff cut stones with a corridor to the grave in the south and a plane stretching north-south.
  229. The stone chamber floor was covered with sand flowed so the exact height to the ceiling was unknown.
  230. The stone chamber has been opened early, thus little is known about excavated relics.
  231. The stone chamber in the back circular part
  232. The stone chamber in the front square part
  233. The stone chamber in the narrow terrace
  234. The stone chamber is 17 meters long, the burial chamber is 8.5 meters long, about 3 meters wide, and 4.2 meters high, and the passage is 8.5 meters long, 1.8 meters wide and about 2 meters high.
  235. The stone chamber is built on the top of the rounded rear with its entrance facing the front square.
  236. The stone chamber is currently backfilled.
  237. The stone chamber is katasode-style (stone chamber with the passage connected the side in the burial chamber wall), and the total length is 9 meters.
  238. The stone chamber is more than 14 meters in full length.
  239. The stone chamber is musode-style (a stone chamber which passage is connected indistinguishably from the burial chamber) and the total length is 7.82 meters.
  240. The stone chamber is off-limits, but you can observe it from outside of the iron door.
  241. The stone chamber is slightly less than 14 meters long.
  242. The stone chamber is so small that only two adults can barely enter it with their heads bent low.
  243. The stone chamber is structured with granite fieldstones, and corbels are provided on the burial chamber wall.
  244. The stone chamber is taller than that of Ishibutai-kofun Tumulus (4.8 meters high), and considered the tallest in Nara Prefecture.
  245. The stone chamber is with ryosode-style (a stone chamber with the passage connected the center of the burial chamber wall), and the total length is 16.7 meters.
  246. The stone chamber of Ishibutai-kofun Tumulus is made of granite whereas the Hebizuka-kofun Tumulus is made of sedimentary rock.
  247. The stone chamber turned out to be 3.7 meters wide and 6 meters long.
  248. The stone chamber was constructed by pilling up the cut tuff stones.
  249. The stone chamber was once used as a storage space of farming equipments.
  250. The stone chamber was unearthed by looters around the Kamakura period, but some burial goods and part of the coffin remained.
  251. The stone chamber with a structure called the Dohari-fukushitsu-kozo was constructed using cut tuff stones.
  252. The stone chambers of the tumulus are made of extremely soft silt stones.
  253. The stone coffin was placed in the back of the burial chamber.
  254. The stone foundation has two reliquary holes in different dimensions.
  255. The stone foundation was excavated to form a tunnel ('Ketsu' (gate provided with Rokaku (multi-storied building) in ancient China)), on which a wooden multi-storied building was constructed with a 'tablet' showing the name of the gate.
  256. The stone garden in front of the hojo was created in the late Showa period under the supervision of High Priest Katsudo HOSOAI.
  257. The stone is extremely weak and the statues display extensive chipping.
  258. The stone is hard and layered that doesn't suit for fine stone engraving.
  259. The stone masonry group called 'Ano-shu Guild,' which had engaged in the construction of Azuchi-jo Castle, later took part in constructing stone walls of castle throughout the country, which contributed to the diffusion of the castle adopting the stone wall nationwide.
  260. The stone monument at Dogo hot spring was constructed in 596 but the monument is ruined now. The inscription is quoted in the "Shoku Nihongi" and originally contained in the "Iyo Fudoki".'
  261. The stone monument commemorating the birthplace of yose is located in this shrine; initially, the place was called yoseba, which later became yose.
  262. The stone monument is located in Iga, Yamaguchi City, Yamaguchi Prefecture.
  263. The stone pillar is made of stones from the legs of Sanjo-ohashi Bridge and Gojo-ohashi Bridge, which were built by Hideyoshi TOYOTOMI during the Tenshu period (1573-1592).
  264. The stone plates excavated in the remains of Meso-America are specifically called Metate, and they are called the same in the North America.
  265. The stone platform of the pagoda is a stacked-tile podium measuring 17.2 m on each side and comprised of arranged dry river bed rock segments with diameters of roughly 20 cm, upon which are stacked concave tiles.
  266. The stone statue is a religious object of physically challenged persons such as those visually impaired.
  267. The stone statues of Hideie and Gohime facing the west (Bizen Province) have been erected on the Nanbara Beach in Ogago, Hachijo-jima Island where Hideie is said to have fished.
  268. The stone statues of Tanokansa are considered to have been made in and after the early 18th century.
  269. The stone that stops a baby's crying at night.
  270. The stone tools made in this way are specifically called flake stone tools.
  271. The stone wall of the castle still exists today.
  272. The stone walls at that time still exist, facing Higashi-oji, and the incident of Ishigaki Caf? happened here.
  273. The stone walls lining both sides of the path that leads from Sekisui-in to Kaizan-do (it is also pronounced Kaisan-do) is reminiscent of the halls and sub-temples that once stood on the site.
  274. The stone walls of the Honmaru and the well remain today, but the walls of the Ninomaru and other outer structures are lost due to land development.
  275. The stone was called 'Useki' and became popular, and many literary men visited to see it.
  276. The stone wash basin in front of the worship tower is famous as the 'Kirishitan Suiban' (Christian laver).
  277. The stones in the stone wall on the observer's right were piled up by the method of original 'gobozumi', and stones on the left were newly piled up with the method of 'otoshizumi' (a method of piling up stone wall, putting rectangular stone on the angle for leaning over on the next stone).
  278. The stones produced for building called "Aso Pink stones" (a kind of Ignimbrite or welded tuff formed from the Aso regional volcanic activity.), taken from this area, were particularly unique in their quality.
  279. The stones used include obsidian, sandstone, chert, rhyolite, andesite, shale, and so on.
  280. The stones were riveted in the Nara Period and wires and so on were also used in the early Heian Period.
  281. The stop at Horyuji was later added, and the Yamato-Koizumi stop was also added in 1973 at the same time the tracks became electric.
  282. The stop station for the Limited Expresses 'Tanba,' 'Kinosaki,' 'Hashidate,' 'Maizuru' and 'Tango Discovery'
  283. The stop … (1): stop,|: passing
  284. The stoppage time at Misasagi Station is slightly longer than those of other stations.
  285. The stops for special rapid trains.
  286. The storage of Buddhist scriptures and hogu of Enchin obtained from Tang was said to have been decided by the oracle of Shinra Myojin in a dream.
  287. The store is located at Aburanokoji, Shimodachiuri.
  288. The store is located at Teramachi Street, Shijo Street, Shimogyo Ward, Kyoto City, and is a long-established store founded in 1912.
  289. The store name derives from the fact that it used to be a street stall around Ginkaku-ji Temple.
  290. The store plays reggae music in the background, setting up an eccentric atmosphere.
  291. The store was managed by Shinsuke IGUCHI of Omiya from Iguchi family, a reputable family that owned lands in the area of present Shijo Kawaramachi.
  292. The storehouse of boats (Otsu City, Shiga Prefecture)
  293. The storekeeper feels sorry for her, and he gives her some candy in exchange for the haori.
  294. The storekeeper feels suspicious about her, and sews a red thread on the bottom edge of her dress, tracing the thread after she has left, and finds it hung over a grave in a clump of grass.
  295. The storekeeper gets surprised and tells him about the woman who came to buy candy.
  296. The storekeeper sells her some candy and asks her, 'Where do you live?,' but she is gone without answering his question.
  297. The stories and legends contained in this collection are originally from "The Chuyuki" (the Diary of FUJIWARA no Munetada), "The Choshuki" (the Diary of MINAMOTO no Morotoki), "The Chugaisho" (the Analects of FUJIWARA no Tadazane), "The Fukego" (the Analects of FUJIWARA no Tadamitsu), among others.
  298. The stories are generally written in the uta-monogatari (short tales centered around poems) style with simple but elegant Japanese, and contains various subjects such as romance of noblemen of the Imperial Court and their graceful exchange of words, stories of failure, and comedy.
  299. The stories are mainly based on "Meng-qui" (Beginner's Guide) and Bai Juyi's "Bai-Shi Wen Ji," most of which recount well-known ancient stories.
  300. The stories in 'Kishibe-no- Eki' (A station on a shore-side), a novel by Megumu SAGISAWA, are centered on this station.
  301. The stories of Kazura Noh are often taken from "Genji Monogatari" (The tale of Genji) or "Ise Monogatari" (The tale of Ise).
  302. The stories of his personality and competence as a mayor were passed on to future generations.
  303. The stories say that Benkei stayed in the womb of his mother for 18 months (or three years according to "Benkei Monogatari"), and when he was born, he was already as large as a two- or three-year-old boy with his hair long down to the shoulders and all back teeth and front teeth fully grown.
  304. The stories were arranged in the following order, and Mamoru TAKADA advocated a theory that the order of the story reflected the author's deep thinking.
  305. The stories which were transmitted in local regions (fudoki (description of regional climate, culture, etc.))
  306. The stork in Japan is bred through artificial rearing because it has become extinct in the wild.
  307. The story
  308. The story about Amenominakanushi no Kami (a god ruling the center of heaven) and the story about Tsukuyomi (a god of the moon) have the same structure.
  309. The story about Junshin and Uma was made into a Joruri (dramatic narrative chanted to a samisen accompaniment) program, which became popular.
  310. The story about Mitsutoshi YAGYU is one actual example of that, and the movie "Shichinin no Samurai" (Seven Samurai) also quotes this story.
  311. The story about Yoichi's shooting a folding fan as a target, as described in Heike Monogatari, is very well known.
  312. The story about Yoshichika was referred to as an example of the saying "Pride goes before a fall" (傲れる者も久しからず) at the beginning of the Tale of the Heike.
  313. The story about assuaging the ghost of FUJIWARA no Hirotsugu is well known (Konjaku monogatari (Tales of Now and Then)).
  314. The story about his death written in "Heiji Monogatari" (The Tales of Heiji) was slightly different from the story written in "Azuma Kagami" (The Mirror of East).
  315. The story about where MINAMOTO no Toru drew salt water has been handed down, and the deity enshrined at Kotoura-jinja Shrine in Amagasaki is MINAMOTO no Toru.
  316. The story and picture consist of three columns.
  317. The story appeared in 1925 at the head of the first issue of 'Aozora' (Blue Sky), a dojinshi (publication sold directly and not via commercial publishers) that Kajii published with Takao NAKATANI and Shigeru TONOMURA.
  318. The story appeared in the newspaper intermittently, but Koyo's health deteriorated because of this long serialized novel, and in 1899 he became ill.
  319. The story began with the wedding of Motoi and Oharu followed by the appearance of various characters such as an advocate for getting rid of political parties and a radical communist in addition to the leading character of the story, a civil party member (a harmonious public-private relationship advocate), who was victorious at the end.
  320. The story begins when a survived retainer of Aizu Clan, Sanshi TOKAI visited the USA, and encountered with an Irish beauty Guren and a Spanish noble lady Yuran.
  321. The story begins with a line of 'I wonder whose era it was,' which is like a narrative.
  322. The story begins with the sudden death of Prince Umayado and Kashiwadenominoiratsume.
  323. The story borrowed motifs from a tradition of ONO no Komachi and an asaji ga yado (a squalid house covered with cogon) in "Ugetsu Monogatari (Tales of Moonlight and Rain)," written by Akinari UEDA.
  324. The story called "Imogayu" (Potato gruel) was used as the inspiration for a short story by Ryunosuke AKUTAGAWA (note however that the same story also appears in "Konjaku monogatari shu").
  325. The story came out from regarding chonmage, which looked like a pistol, as a symbol of anti-westernism/conservatism.
  326. The story can be summarized as follows.
  327. The story claims that the varieties of tea were obtained by Rinzai Sect founder Eisai in Southern Song period China in the early Kamakura period and granted to Myoe following his return to Japan.
  328. The story collected in "Nihonshoki" (Chronicles of Japan).
  329. The story collected in "Tango no Kuni Fudoki" (Records of Tango Province)
  330. The story collected in the ninth volume of Manyoshu
  331. The story consists of twenty volumes, and although the author is unknown, MINAMOTO no Shitago is said to be a likely candidate.
  332. The story depicted on the scroll of Engi Kaji no Maki (Exorcism of the Emperor) is that Myoren healed the Emperor Daigo of a disease with the miraculous power of incantation and prayer.
  333. The story depicts the feelings of a sick person and the mischievous desires of the individual.
  334. The story depicts the suffering of "low-ranked" samurai, who had been ignored in other period dramas.
  335. The story develops around the friendship among those three, who were grieving over their circumstances of being on exile, and trying to restore their rights.
  336. The story develops around the music of a 'koto' (Japanese traditional harp), which is one of the musical instruments whose players were considered to be educated persons among the nobles at that time.
  337. The story does not end with the main character growing old and dying, but rather his body disappears from this world, which is like legends telling of Taoist immortals.
  338. The story ends by stating that when Muzen passed by the brutality mound of Hidetsugu in the Zuisen-ji Temple, he felt something horrible even in daylight, and that this story has been recorded just as he told it.
  339. The story ends repeating a similar line to an opening, 'Truly, one must not form bonds of friendship with a shallow man.'
  340. The story ends with a punch line of misunderstanding.
  341. The story ends with a volume in which Yoriyuki assumes the post of Kanrei.
  342. The story ends with the words of the tofu seller that 'Sensei (indicates Sorai, literally, "teacher") cut his own belly for me" (means "paid out of his own pocket for me") associating Ako Roshi's Seppuku (suicide by disembowelment) and Sorai's gift.
  343. The story ends, 'Then he forces the master's wife to marry him. How funny.'
  344. The story first appeared in "Honcho Gashi" compiled by Eino KANO (published in 1693, the Edo period).
  345. The story gained popularity following its appearance in the novel "Shinsengumi Keppuroku" by Ryotaro SHIBA, who based it on descriptions in biograraphies such as that by Kan SHIMOZAWA, where the sword is described as being 'a thin Kikuichimonji one'.
  346. The story goes as follows: '13 years ago, Tankaiko (Fuhito) came to this place with a purpose.
  347. The story goes as follows; a couple living in a house located in front of Chohoji-Temple was annoyed by strange phenomena caused by a pillar erected upside-down.
  348. The story goes like this: On the occasion of the formation of the alliance between the Shiba clan and the Kira clan, Nobunaga accompanied Yoshikane to have a meeting with Yoshiaki KIRA from the Kira clan, and they caused a confrontation over the seating order.
  349. The story goes on to say that pleased with this feat, the emperor gave Kume-no-sennin 12 acres of land, and this is how Kume-dera Temple was built.
  350. The story goes that Onamuji no kami (Okuninushi no kami) saved the hare that was suffering.
  351. The story goes that a monster like a cow came from Sumida-gawa River into a refectory of Senso-ji Temple and scattered poison from its mouth in 1251.
  352. The story goes that, ever since then, the posture of the statue of the temple has remained in that position.
  353. The story goes, the Tama-gawa River was flooded and a levee gave way, and when the village was in danger a great number of eels appeared out of nowhere and blocked the hole in the levee.
  354. The story handed down through the Ashikaga clan is that a letter written by Hachiman-dono (Lord Hachiman - Yoshiie) stated, "the son of the seventh generation after me must conquer the entire nation in my place."
  355. The story in Nenokuni is a form of mythology called kadaikon (subject marriage), in which a person is subjected to hardship by a marriage partner's father but eventually overcomes it with the advice or help of a marriage partner.
  356. The story in well-known Edo rakugo is as follows.
  357. The story in which a thoroughly straight fellow from ouside an urban area is cheated by an urban woman is also included in "Godairiki Koi no Fujime" (Godairiki) written by Gohei NAMIKI.
  358. The story is a tragicomedy about a thief who lived as a body double (kagemusha) for Shingen TAKEDA, a samurai commander in the Warring States period.
  359. The story is about an extermination of the vengeful spirit of Fujitsubo driven by jealousy, but the script has not been handed down, so its detail is unknown.
  360. The story is as follows.
  361. The story is based on a legend in which Kenbun-tei (Emperor Jianwen) kept hiding himself for several decades from Eiraku-tei (Emperor Yongle) who chased him.
  362. The story is based on a murder case by a fish dealer that occurred in Osaka Nagamachiura (the current Nipponbashi, Chuo-ku, Osaka City) in the winter of 1698.
  363. The story is characteristic in the sense that it uses a unique technique of establishing the characters by precise observation and exquisite depiction of their mentalities.
  364. The story is frequently played for other than commercial purpose, making it one of the major Japanese classical dance stories.
  365. The story is lengthy and the plot is quite complicated.
  366. The story is set at the Ataka Barrier (now Komatsu City, Ishikawa Prefecture) in Kaga Province, where MINAMOTO no Yoshitsune and his company, on the run after having provoked the wrath of MINAMOTO no Yoritomo, are passing through on their way to Mutsu Province via the Hokuriku District.
  367. The story is set during the very end of the Nara period, Hoki period (770-780,) and the central character of the story is OTOMO no Kujiko, a mountain man, who lived in Naga District, Ki Province (Wakayama prefecture).
  368. The story is set in Kikai ga-shima Island, which is made more realistic by using a lot of Satsuma dialect in the dialogue of Chidori.
  369. The story is set in Uta Awase (a poetry contest) and depicts ONO no Komachi's wit, which leads to uncovering an evil plot of OTOMO no Kuronushi.
  370. The story is set in the present time in the play.
  371. The story is simply that an actor disguised as Fudo myoo appears in the final stage, and this act comes from the belief in Mountain Narita in which ICHIKAWA Danjuro believed.
  372. The story is still said to be unfinished because notes for this novel were discovered that seemed to be a plot of the sequel, so no one knows whether Futabatei regarded "Ukigumo" as unfinished or not.
  373. The story is that Fugen Bosatsu preached Fudo Myoo, which he felt, to the living things with Monju Bosatsu at the great Buddhist mass of Dainichinyorai, and that Dainichinyorai gave a favorable blessing.
  374. The story is that Hikaru Genji put a purified hitogata (also called katashiro, which is a paper doll used in Shinto purification rites) on a boat and washed it out to the sea of Suma.
  375. The story is that Imperial Prince Hanahito, later Emperor Yomei, is a pious Buddhist and confronts Prince Yamabiko, anti-Buddhist and son of Emperor Bidatsu.
  376. The story is that a noble but amorous nun conspired with some court ladies to put a bonze (hoshi) into a bag, carry him to the palace and commit adultery.
  377. The story is written based on a historical fact embroidered with factious stories.
  378. The story line is colored by the explanately notes regarding the management and administration of Eastern Asian countries, world topography, world history and other various information.
  379. The story line revolves around a love affair between MINAMOTO no Yoshitsune and Kenreimonin, who threw herself into the sea and was rescued during the Battle of Dan no Ura.
  380. The story of "Ganpeki no haha" became famous at this time. (Mothers on the quay: Mothers standing and waiting desperately at the quay for their sons, namely the defeated servicemen as they came down from the vessels carrying refugees)
  381. The story of "The priest of Ninna-ji Temple", which appears in the essay "Tsurezuregusa", is also well known.
  382. The story of Akariyazagama takes the form that combines both, and furthermore, the conclusion of the story is the origin of the wakamizu rituals.
  383. The story of Kasane and Yoemon became a separate Kabuki play titled 'Meiboku Kasane Monogatari' (The Story of Kasane) after the Meiji period, and has been performed in Kabuki and Ningyo Joruri.
  384. The story of Konohana no sakuya-bime and Iwanaga-hime tells about the ephemerality of life and the origin of death, and this is one variation of banana-type mythology often seen in various areas around Southeast Asia.
  385. The story of Konohanano sakuya bime and Iwanaga-hime is a distorted myth called a Banana myth.
  386. The story of Masazane dancing the Konju for Emperor Goreizei and being presented with an imperial garment in November of 1067 has been told for generations.
  387. The story of Mitsunaka, the lord of Settsu Province' in "Konjaku Monogatari Shu" stated 500, but it is assumed to be just an exaggeration and flowery words following the impression of bushidan of the biggest capital back in early twelfth century when "Konjaku Monogatari Shu" was written.
  388. The story of Ninigi's descent to Ashihara no Nakatsukuni after the pacification of Ashihara no Nakatsukuni until the birth of the Three Children between him and Konohanano Sakuyabime is described here.
  389. The story of Tsukuyomi is told only in Document 1 of Section 11 of Chapter 5 of "Nihon Shoki," where the origin of whole grain is described.
  390. The story of Yamasachihiko and Umisachihiko tells about Hayato's submission.
  391. The story of Yoarashi Okinu is a dressed-up fiction rather than a story of real-life Kinu HARADA.
  392. The story of a dead woman giving birth to a child is also seen in the Relief of Gandhara Buddhist Ruins, and the one widely circulating in Japan is said to have been modeled after "Bussetsu Senda Okkoku Okyo."
  393. The story of each scene is described below along with comments.
  394. The story of hijiri named Myoren who was believed to be the ancestor involved in the Mt. Shigi restoration, is the main story of this emakimono.
  395. The story of money and love between Kanichi and Omiya matched the social background after the Japanese-Sino War and gained wide spread popularity.
  396. The story of the Ertu?rul disaster has gradually spread out among the people in Japan; it has been frequently talked about in many TV programs or magazines, especially after the Turkish team achieved remarkable results in the 2002 FIFA World Cup Korea/Japan.
  397. The story of the Milky Way in Greek mythology is explained below:
  398. The story of the construction of Lake Biwa Canal, which Kitagaki and Tanabe had worked together hand-in-hand, was once on an elementary school textbook of social studies published by Osaka Shoseki Co., Ltd.
  399. The story of the mighty Kyusyu expedition by Emperor Keiko, the story on Chikugo suppression by Empress Jingu were plagiarized from the history books of the Kyushu dynasty.
  400. The story of the people of the Highlands who stood against it forms a part of the history of Scotland and whisky.
  401. The story of the romance between Takafuji and Resshi is told in "Konjaku Monogatarishu" (lit. Anthology of Tales from the Past) (described below).
  402. The story of their meeting at a Kemari (an ancient football game in Japan) game is famous.
  403. The story of this Buddhist priest wandering from one province to the next and his marriage into the Matsudaira clan is probably just a fictional story that was created during Ieyasu's generation in order to establish a genealogically link with the Nitta clan and the Matsudaira clan, which were originally unrelated.
  404. The story of wheat
  405. The story passed down in the oral tradition holds that Sanefusa was the husband of SEN no Rikyu's younger sister Soen, and that even though there is no supporting documentation, this account is recognized by the Omotesenke school and the Takakura Hisada family.
  406. The story proceeds to an interpretation of a poem written by Kukai and is collected in "Fuga Collection of Poetry (Waka)," 'If travelers forget that the stream of the Tamagawa River is poisoned, would they take water from it in far-away Koya?'
  407. The story regarding the establishment of Miyashogun during Edo period
  408. The story revolves around the jealousy that a Dutch girl feels for an ukiyoe with which her boyfriend has become infatuated.
  409. The story seemingly expands on the scenes from "Heike Monogatari" (The Tale of the Heike) Vol.10 'Kaidokudari.'
  410. The story shows the situation that older people like the father Hideshige, Hidemasa's relative Naomasa HORI and Toshimune supported Hidemasa as the soryo (heir) of the family.
  411. The story starts with his younger brother dying under questionable circumstances in Berlin, where the city is boiling with excitement over the Olympics.
  412. The story takes place during the New Year's Holidays when Genji was 36 years old.
  413. The story takes place during the period from October when Genji was 28 years old to winter when he was 29.
  414. The story takes place during the period from spring to summer when Genji was 36 years old.
  415. The story takes place during the period from summer when Genji was 33 years old to winter when he was 35.
  416. The story takes place during the period from the September when Genji was 23 years old to the summer when he was 25.
  417. The story takes place during the period from the winter when Hikaru Genji was 31 years old to the autumn when he was 32.
  418. The story takes place during the several months between May 1003 and January 1004.
  419. The story takes place during the year when Genji was 36 years old.
  420. The story takes place in Omi Province and Kyo.
  421. The story takes place in the autumn when Genji was 31 years old.
  422. The story takes place in the spring when Genji was 31 years old.
  423. The story tells that the man fainted due to fear.
  424. The story tells us the difference of their personality livelily.
  425. The story that Myoren threw a pot using 'the method of throwing a pot' to carry the rice storage of choja (chief abbot of the temple) to Mt. Shigi, which amazed people, is well known.
  426. The story that a seeming 'act of abandoning someone in disgust' develops into 'an act of killing in resentment instead' is often used in kabuki plays, but this play uses 'act of abandoning someone in disgust' on the double.
  427. The story that after she gave birth to Tochi no Himemiko, Nukata no Okimi was loved by Nakano Oe no Oji (also pronounced Nakano Oe no Miko; Prince Nakano Oe, later Emperor Tenchi), who was the elder brother of Emperor Tenmu, is widely believed but there is no proof.
  428. The story that evolves from being born from a shin or a finger, and the birth of a small animal to marriage by trickery is old, but is newer than the figure of Issunboshi in Otogi Zoshi.
  429. The story that has been handed down till today is that Cloistered Emperor Toba who was amazed by the statue made by Unkei, prohibited to go down to Oshu.
  430. The story that has been passed down to the present is based on what was published in Otogi Zoshi (books of illustrated stories published in the 14th to 16th centuries).
  431. The story that he accepted the title from the court without permission is a creation of "Azuma Kagami," and the criticism that he lacked the 'political sense' is not adequate.
  432. The story that the lovers whose families are enemies are united by death is very similar to "Romeo and Juliet" by William Shakespeare.
  433. The story that the old woman turned to be ubagabi was also described in "Saikaku Shokoku Banashi"(stories in various places written by Saikaku) as a story of 'Miosute aburatsubo' (a story of an old woman who stole oil for a lamp from a shrine because she was miserably poor).
  434. The story then ends with the peaceful death of the shite.
  435. The story took place in the springtime when Kaoru was twenty-five years old.
  436. The story unfolded as Naritsune confessed to the other two that he would marry Chidori, a woman diver living on the island.
  437. The story was adapted for novels and plays, and became a representative song of Kawachi ondo (Kawachi dance), a traditional performing art in Osaka.
  438. The story was adapted for rakugo in which the setting is Kyoto Kodai-ji Temple, and at the end of storytelling, the ghost says, 'My child is important' (child is "ko" in Japanese and important is "daiji," so both words make the temple's name "Kodai-ji") as the point of a joke.
  439. The story was based on a tradition of ONO no Komachi and 'The Reed-Choked House' in Ugetsu Monogatari.
  440. The story was centered on three characters; the main character Bunzo, his female cousin Osei, and his friend Honda.
  441. The story was first published in November 1915 in a magazine called the 'Teikoku Bungaku' (literally, literature of the empire) when Akutagawa was still an unknown author and a student at Tokyo University.
  442. The story was greatly influenced by "Ise monogatari" (The Tales of Ise), but has a comparatively longer main text.
  443. The story was introduced as above.
  444. The story was leaked anonymously, and Yasuyori and his co-conspirators were captured.
  445. The story was made into the Noh song "Sanemori" by Zeami who probably heard it from some people related to the Ji sect.
  446. The story was originally written for the 'Rokujosaiin Monogatari awase' (Collection of unusual stories with Japanese poems).
  447. The story was passed by word of mouth from her to others to gradually spread, and was handed down since the period of the Northern and Southern Courts (Japan) until the Muromachi period and the Sengoku period (period of warring states).
  448. The story was set in Kyoto, Japan before World War II and was about the eventful life of a woman who was sold at the age of nine and lived as a geisha (Japanese professional female entertainer at parties).
  449. The story was well organized with characters including an idealistic patriot and a beautiful woman.
  450. The storyline
  451. The storyline is described here based on these.
  452. The storyline is written in such a manner that the leading character's viewpoint aligns with modern values.
  453. The storyline of Issunboshi that is currently known to the general public is as follows.
  454. The storyteller also sometimes inserts a humorous tale which is not seen in the original plot called a 'kusuguri.'
  455. The storyteller dips a finger into a cup of tea or hot water brought onto the stage, and he or she draws a vertical line under the eyes with the finger.
  456. The storyteller should make the gesture look like heavy work.
  457. The storyteller with the best reply is given not points but zabuton, and when they collect ten zabuton they receive a luxurious prize.
  458. The storytellers whose career exceeds 5 years or more are classified as 'Chuza' (corresponding to 'Futatsume' in Edo rakugo).
  459. The stove developed over time and began to protrude outward beyond the wall, but this is believed to have been a development resulting from the pit dug into the dwelling becoming narrower.
  460. The straight course is two cho (approximately 218 meters) long.
  461. The straight line type
  462. The straight lines of Mune and blade are adjusted, and unevenness is shaved with a special plane for shaving metal called Sen (銑, with the radical of 金 and 舌, by right).
  463. The straight waterway between the Kamo Ohashi and Shijo Ohashi Bridges was believed to have been secured at this period.
  464. The strain of the learning
  465. The straps of a wide-sleeved hakama (pleated and divided skirt made in fine stripes) for Noh costume are knotted so that they form a straight line which is also used for formal dresses.
  466. The straps of hakama are mainly knotted as follows:
  467. The straps on the front cloth are called maehimo (front straps), and the straps on the back cloth are called ushirohimo (back straps).
  468. The strategic plan of Oguri was the bakufu would entice the enemy army out to the east of Hakone and the bakufu navy would approach from Suruga Bay shutting down the enemy's retreat.
  469. The strategies are to be implemented by the public and private sectors working in coordination with each other.
  470. The strategy for today is only to fight a decisive fight, being ready to die.
  471. The strategy had various names such as 'Sanzan Kanryo no miya,' 'Nikko no miya,' 'Ueno no miya,' 'Toei Daio,' and so on.
  472. The strategy of attacking the castle was too poor a tactic to be thought that Yashimasa had directed it.
  473. The strategy was that if the Oda army was stuck in Kitaomi, Nobunaga would not be able to fight against Shingen's troops at full power and this would increase the anti-Nobunaga allied forces' chance of winning the battle.
  474. The straw ash and clay prevents scaling loss of the steel during heating and oxidizing.
  475. The straw is bound together with a great degree of force and, once they become loose, are incredibly difficult to refasten using human strength.
  476. The straw-made shoes called 'Warauzu' worn by low-ranking military officials were also developed out of 'Makai.'
  477. The stream of invocation of the Buddha's name was taken over by Ryonin, a founder of the Yuzu Nenbutsu sect, at the end of the Heian period in Japan, and the invocation by the Yuzu Nenbutsu sect recited 'Namu Amidabutsu' and was later called Dai Nenbutsu (大念仏).
  478. The stream of the river separates into two streams after hitting the rock, but it will become one stream again if the stream is like our life, although if I love someone but we can not be together in this life, I can be together with him in my next life. (Sutoku-in)
  479. The stream of yeast and quality of sake in the line of the Brewing Society
  480. The street around Kitayama Station (Kyoto Prefecture) of Kyoto Municipal Subway/Kyoto City Subway and from Matsugasaki-dori Street to Kitayama-ohashi Bridge is lined with restaurants and shops housed in modern buildings, which is in contrast with the traditional appearance of Kyoto City.
  481. The street begins at the intersection of Teramachi-dori Street and Kawaramachi-dori Street in the east to Kuzunonishi-dori Street in the west.
  482. The street between Kamidachiuri-dori Street and Motoseiganji-dori Street runs through the central area of the Nishijin brocade weaving or textile industry.
  483. The street between Kawaramachi-dori Street and Teramachi-dori Street is a public nonsmoking area.
  484. The street between Miyazu and Fukuchiyama (Fukogoe).
  485. The street between Oike-dori Street and Shijo-dori Street is a public nonsmoking area.
  486. The street between Sanjo-dori and Shijo-dori streets has many cultural facilities, such as Art Complex 1928 in Sanjo Gokomachi, and shops catering to young people.
  487. The street between Shinkyogoku-dori Street and Karasuma-dori Street is a public nonsmoking area.
  488. The street between Tajima Province and Fukuchiyama.
  489. The street between the Sanjo-dori Street and the Shijo-dori Street is a Public Nonsmoking Area.
  490. The street corresponds to Rokujo-bomon-koji Street in Heiankyo.
  491. The street corresponds to Shichijo-oji Street in Heiankyo.
  492. The street extending in front of Senbon Shaka-do Temple from Kamishichiken Crossing on Imadegawa-dori Street to the north is the former Shichihonmatsu-dori Street.
  493. The street from Gojozaka Crossing is narrow toward Kiyomizu-dera Temple but merges with Matsubara-dori Street (at the eastern end of Matsubara-dori Street).
  494. The street from Higashioji-dori street to Kawabata-dori Street is a narrow one-way street that is a mix of residential and commercial elements.
  495. The street from Karasuma-dori Street to Tomikoji-dori Street is a one-way street which heads east, but the street west from Karasuma-dori Street becomes a two-way street with one lane on each side, except for one part.
  496. The street has been improved by planting cherry trees along the side of the Takase-gawa River and adopting a sidewalk design that protrudes into lanes in places in order to make cars slow down.
  497. The street has been in existence for a long time, and even today it is possible to see the letters 'Kuzumeji' from the "Tale of Hogen."
  498. The street has no relationship to the oji-koji (alleys and main streets) of Heian-kyo; it was developed later in the modern era to the south of Kujo-dori Street.
  499. The street has relatively a short history; it opened in the early Showa period in a city development program (as a city planning road) involving the layout of Kyoto Municipal Streetcar on the street, following the road expansion program which was part of Kyoto's big three projects in late Meiji period and Taisho period.
  500. The street is approximately 300m in length from Aburakoji-dori Street Higashi-iru to Horikawa-dori Street.
  501. The street is brroken up by the JR Sanin Main Line and five other forked roads which intersect with Bojo-dori Street and Koin-dori Street until the street reaches the northern edge of Suzaku Junior High School.
  502. The street is in the middle interrupted by Higashi Hongan-ji Temple and Kyoto Station.
  503. The street is located east of Omiya-dori Street which is located west of Hiorikawa-dori Street, running from Misono-bashi Bridge Nishizume (the crossing between Misonobashi-dori Street and Horikawa-dori Street) in Kita-Ward (Kyoto City) to Jujo-dori Street in Minami-Ward (Kyoto City).
  504. The street is located in a residential area.
  505. The street is located outside the northern border of Heiankyo and the area along its western part is the northern part of Nishijin.
  506. The street is named "Kamigoryomae-dori Street" because it passes Kamigoryo-jinja Shrine where the Onin war broke out.
  507. The street is narrower, having two lanes.
  508. The street is not broad and there is little traffic.
  509. The street is one block north of Hirano-dori Street to the east, and Hiranomonzen-dori Street runs together with the extension that runs from the east entrance of Shichihonmatsu-dori Street to the front of the Hirano-jinja Shrine on Hirano-dori Street at the interrupted zone.
  510. The street is one block north of Sanjo-dori Street and runs from Shintakakura-dori Street in the east to Kawabata-dori Street in the west.
  511. The street is part of the route for Yamahoko Junko (procession of Gion Festival Floats) and, in addition, parades for a variety of events are held with the flow of traffic shut down.
  512. The street is sometimes called 'Anekoji' as well.
  513. The street itself is short, not even reaching a length of 500m, and runs from Kojin-bashi Bridge which is on the Kamo-gawa River (Yodo-gawa River series) to Teramachi-dori Street to the west.
  514. The street located west of Nishioji-dori Street starts in the north, from Kinugasa-Tenjinmori-cho near Rokuon-ji Temple in Kita Ward (Kyoto City), and in the south it leads to the south of Hachijo-dori Street.
  515. The street merges with Sanin kaido in Fukuchiyama.
  516. The street name derives from Sanjo-oji Street under the Bojosei street planning scheme for Heijo-kyo.
  517. The street name in Kyoto City is not only an identifying name but is also used to refer to the address (see Maps of Kyoto City).
  518. The street north of Shimei-dori Street passes through a residential area, which was created under a land-adjustment project, west of Shinmachi-dori Street and east of Horikawa-dori Street.
  519. The street obtained the name "Teramachi (literally temple district)" because Hideyoshi TOYOTOMI's recreation of Kyoto led many temples to move into the east side of this street.
  520. The street roughly follows Nodera-koji of Heiankyo.
  521. The street running in front of the station is the main thoroughfare of Arashiyama that extends from Togetsu-kyo Bridge, and both Tenryu-ji Temple and Arashiyama Park are located nearby.
  522. The street running north-south started from the Capital's front gate of Rajomon Gate and finished at the front gate of Dai-dairi (place of the Imperial Palace and government offices) of Suzakumon Gate.
  523. The street runs between Omiya-dori and Senbon-dori Street, from the front of Daitoku-ji Temple on Kitaoji-dori Street in the north, to the edge of a moat on the northern side of Nijo-jo Catsle which is on Takeyamachi-dori Street in the south.
  524. The street runs between Shijo-dori Street and Bukkoji-dori Street, from Teramachi dori Street in the east to two streets west on Tenjingawa-dori Street.
  525. The street runs from Hoko-ji Temple on Yamatooji-dori Street to Senbon-dori Street.
  526. The street runs from Hongan-ji Temple on Teramachi-dori Street in the east to Badai-dori Street in the west.
  527. The street runs from Kamihate-cho which is on a junction of three roads with Shirakawa-dori Street in the east to Shimogamohigashi-dori Street which is across the Tadekura-bashi Bridge of Takano-gawa River (Kyoto City) in the west.
  528. The street runs from Kamo kaido of Kamo-gawa River (Yodo-gawa River water system) in the east to Chiekoin-dori Street in the west.
  529. The street runs from Kawaramachi-dori Street in the east to Teramachi-dori Street in the west. Its overall length is fairly short, running approximately 100m.
  530. The street runs from Shirakawa-dori Street to Hateda area.
  531. The street runs in front of Kenkun-jinja Shrine in Mt. Funaoka.
  532. The street runs north and south.
  533. The street runs north from the west end of Kawai-bashi Bridge on the west shore of the Takano-gawa River (Kyoto City) to Uma-hashi Bridge.
  534. The street runs through the center of Shimogamo, Sakyo Ward, south east, and continues to run up to Kawaramachi-dori Street through the Shin Aoi-bashi Bridge which is on the Kamo-gawa River (Yodo-gawa River series).
  535. The street runs to Sasayama of Tanba Province via the inland of Harima Province from Himeji (Himeji kaido).
  536. The street runs westward from Karasuma-dori Street to Shichihonmatsu-dori street, and stops at the Kyoto Prefectural Government building on the way.
  537. The street runs wide and straight with four car lanes, which differs from the other streets running north-south from Shimogamo, such as Shimogamohigashi-dori Street, Shimogamonaka-dori Street, and Shimogamonishi-dori Street.
  538. The street serves as the main route for parades in Basara-matsuri Festival, Saigusa-matsuri Festival and Kasuga Wakamiya Onmatsuri Festival.
  539. The street south of Kamidachiuri-dori Street is a narrow, one-way northbound traffic, running one block east of Horikawa-dori Street and west of Ogawa-dori Street.
  540. The street south of Sanjo-dori Street has long been as wide as what it was in the early days.
  541. The street south of Shijo-dori Street runs north-northeast and then south-southwest in parallel with the Kamo-gawa River.
  542. The street stall business prospered greatly in the Edo period, food (first food) which a seller could immediately offer; such as sushi, soba (noodles made from buckwheat), and tenpura; vendors first opened street stall stores in Edo (later Tokyo).
  543. The street stall businesses of Fukuoka operate from a fixed place and are not mobile.
  544. The street stall shops of Kokurakita Ward in Kitakyushu City do not serve alcohol (customers are permitted to bring their own alcohol).
  545. The street stall's unique atmosphere remains popular with a distinct segment of the population.
  546. The street stalls are set up in a certain area along the edges of either side of the road.
  547. The street stalls of Belgium
  548. The street stalls of Fukuoka
  549. The street stalls of Greece
  550. The street stalls of Hong Kong
  551. The street stalls of Malaysia
  552. The street stalls of Singapore
  553. The street stalls of Southeastern Asia
  554. The street stalls of Thailand
  555. The street stalls of the Czech Republic
  556. The street to Kyoto from Nara.
  557. The street to Kyoto from Osaka.
  558. The street to Kyoto from Wakasa Province.
  559. The street was busy as a political and cultural center until the collapse of the Muromachi bakufu in Onin War.
  560. The street was called Tominokoji Street in Heian-kyo, however, the name Tominokoji Street is used for the street one block to the west of Fuyacho-dori Street today.
  561. The street was once narrow and separated from its eastern section by Nijo Station.
  562. The street was once the major north-south thoroughfare, and steetcars (which were operated by Kyoto Electric Railway and later purchased by Kyoto City Trams) ran from Imadegawa-dori Street to Nijo-dori Street.
  563. The street was originally the broad avenue called Suzakuojie, the central avenue of Heian-kyo.
  564. The street was outside Heian-kyo, but it was developed later with the expansion of the downtown area to the northeast.
  565. The street was said to have been laid out in such a manner that Mt. Funaoka was directly ahead.
  566. The street was widened from its origination as a path along which the Emperor would go to Kyoto Gosho (Old Imperial Palace) from Kyoto Station.
  567. The street was widened in the first year of Showa.
  568. The street west of Teramachi-dori Street corresponds to Gojo-oji Street of Heian-kyo.
  569. The street which extends east, and the street across the Kamo-gawa River which connects to Rokuharauramon-dori Street in the east, are also called Manjuji-dori Street.
  570. The street which goes above areas from Maizuru (Tanabe-jo Castle) via Ayabe.
  571. The street, comprising a four-lane road with pedestrian paths, is operated as the Shishigadani-Arashiyama Line of Kyoto City Road 187.
  572. The street, located south of Yobai-dori Street and Matoba-dori Street and north of Hanayacho-dori Street, runs from Kawaramachi-dori Street in the east to Horikawa-dori Street in the west.
  573. The street, which forms an extended line of Rokujo-dori Street beyond the parking lots of Nishi Hongan-ji Temple, starts from Omiya-dori Street and is called Tanbaguchi-dori Street.
  574. The street, which is barely wide enough for two sightseeing buses to pass each other, is crowded with tourists walking up from Higashioji-dori Street together with sightseeing busses, taxis, and private cars going to parking lots near the gate during the spring and autumn sightseeing seasons.
  575. The street, which runs east and west through the center of the city, is the main arterial highway with most of the section designated as a general national highway.
  576. The street, which runs through the central part of Nakagyo Ward in central Kyoto City, has the widest section in the city from Kawabata-dori Street to the Horikawa-dori Street.
  577. The street, which was once the main thoroughfare and bordered the east edge of Heian-kyo, runs along east side of Kyoto Gosho (Old Imperial Palace), because Kyoto Gosho was relocated to its present site after the decline of Ukyo (the western part of the capital) and perpetuated disorder.
  578. The streets and bridges such as the Shidan-kaido Road (Division Road) and Shidan Bridge (Division Bridge) over the river that flowed from Lake Biwa were established at the time the Sixteenth Division was stationed there.
  579. The streets around the station are narrow, but route buses still travel through the area.
  580. The streets in the downtown area are laid out in a grid running north-south and east-west like a Go board, and each street in the city has a name.
  581. The streets of Heijo-kyo were arranged like the intersections on a Go board at an interval of 1 cho (about 109 m).
  582. The streets of Kameoka and Fukuchiyama cities that survive today began with the building of the castle by Mitsuhide.
  583. The streets, lined with the attached Japanese-style buildings of the Edo and the Meiji periods, preserve the streetscape continuity and the atmosphere of the periods.
  584. The strength of castle walls came to be more important later in the period, and most castle walls after the Ming dynasty which remain as ruins in various parts of China were made of solid bricks.
  585. The strength of the bow - When a weight of 16kg was hung on the string, the string was drawn by 58cm, they say.
  586. The strength of the bow is adjusted by thinning the thickness of the bow or making it wider.
  587. The strength of the fire and the iron plate are closely related and the heat is strengthened in proportion to the thickness of the iron plate.
  588. The strength of the group of followers in this Kou was directed at politicians (such as Daimyo), despite Rennyo's restraint.
  589. The stress is placed on the first syllable in standard Japanese while it is placed on the second syllable in the local dialect ('Omi ben').
  590. The strict and demonstrative castigation significantly influenced later ages.
  591. The strict rules mentioned above were not applied to Bureiuchi, and the lord was not held criminally responsible for killing his vassal(s).
  592. The strife between Enryaku-ji Temple and Onjo-ji Temple (Mii-dera Temple) intensified, and armed priests emerged.
  593. The strife over authority between the Karo (chief retainer) or the lord's own family and the lord of the domain led to conflicts and caused many family troubles.
  594. The striking of the bell on New Year's Eve is often shown on television at the end of the year.
  595. The string is birch color (dark yellowish red).
  596. The string is called braided thread, darning thread, etc.
  597. The stringed instruments used in Mingaku were only of the plucked type.
  598. The stringed instruments were the Shoshitsu, Biwa and Gekkin.
  599. The strings are tuned C-F-B♭.
  600. The strings are tuned C-G-C.
  601. The strings of the collar were knotted normally, or knotted in front of the chest by folding the collar, and samurai families at the end of the feudal era had various other ways.
  602. The strip of cloth sewn to the edge of Nagagi around the neck and chest.
  603. The strong desire of the Osaka Railway Bureau to have new cars before Expo'70 could have led to the introduction of type 103 cars to Keihanshin Local Train.
  604. The strong influence of Buddhist temple's in Nara was resented and it was forbidden to establish any temples other than the two official temples of To-ji and Sai-ji within Heian-kyo Capital.
  605. The strong warrior TAIRA no Noritsune fought on like a demon, striking down the warriors from east Japan left and right, but Tomomori told him that, with the battle already lost, he should not do anything wicked.
  606. The strong yen accelerated the above and while the orange imports increased, the export of mikan mainly to North America ceased and mikan cultivation was in a state of crisis.
  607. The strongest bonding strength was 'blood relation' without a doubt if one contemplated about the unification of bushidan of the late Heian period or the mid-twelfth Century.
  608. The strongest heihoka in Japan' ("Tenka no Heihosha") is considered to be identical with 'the strongest heihoka in Japan, Yoshioka' ("Fuso Daiichi no Heijutsu Yoshioka") in the inscription of "Kokura Hibun," and that 'Yoshioka' is considered to be Yoshioka School of Heiho (art of warfare).
  609. The strongest heihoka in Japan' is considered to be identical with 'the strongest heihoka in Japan, Yoshioka' in the inscription of "Shinmen Musashi Harunobu Niten Koji-Hi" ("Kokura Hibun"), and that 'Yoshioka' is considered to be the Yoshioka School of Heiho (art of warfare).
  610. The strongest part of these defense walls is said to have measured three meters high and more than two meters thick.
  611. The strongest reason among all was that the Japanese Communist Party could not break with the 'ghost' of Ninagawa and could not present a new vision.
  612. The structural remnants of Kanzeon-ji Temple which were constructed around the middle of the seventh century corresponded exactly to the jobo of Dazi-fu.
  613. The structural remnants of the government offices centralizing plan
  614. The structural remnants were 1.8 to 2.0 meters in width and 50 meters in length from east to west, the full length of the excavation site; the remains were thought to be extending beyond the excavated area.
  615. The structural similarity with the buildings which were built at the time of Daijo sai has been suggested.
  616. The structure
  617. The structure and function of this vertical type rice-milling machine is completely different from that of a horizontal rice polisher, which is often seen in 'a rice shop' to polish rice to be consumed by general households.
  618. The structure and practice of Utai (the chanting of a Noh text) rhythm, ji hyoshi (Noh chorus rhythm) and techniques, Hinoki shoten Co., Ltd., 2002
  619. The structure and role of Shinkansen are in essence different from those of regular train lines.
  620. The structure assumes the pavillion to be mobile; which is considered to be a trace of ceremonies practiced in ancient times when a pavillion was placed only at the time of ceremony and the rest of the time it was not set up.
  621. The structure commonly had size of hashirama (bay, space or distance between two pillars) of 1 ken (unit of distance between two pillars) x 2 ken, and some had different variations such as 1 ken x 1 ken or 1 ken x 3 ken.
  622. The structure has a high floor, giving consideration to air permeability as in the case of taisha-zukuri style.
  623. The structure has a persimmon bark roof and is arranged in an L-shape with a broad veranda facing the pond.
  624. The structure includes many small defensive areas connected by dirt bridges in the southern half and other devices in the northern half of the territory however there are virtually no earthen mounds or moats.
  625. The structure is a kind which is seen irrespective of yawarakaboshi or kataboshi, and kataboshi has no wrist reinforcment, which makes the movement of a thumb relatively free, and the thumb unlikely interfere with the movement of a string in "Kyudo-shaho hassetsu."
  626. The structure is a representative mansion of the late Meiji period and, the retirement residence of Teigo IBA, the 2nd hereditary President of the Sumitomo zaibatsu (pre WWII business conglomerate).
  627. The structure is almost same with Uchigatana, but the way of carrying is totally different (Uchigatana is carried with the blade upward by putting in a belt, while Tachi is hung with the blade downward to carry), and Koshirae (fittings) are also different.
  628. The structure is also interpreted as the contrast between 'Harunaga as a sadist and Mitsuhide as a masochist.'
  629. The structure is something like what is made by enclosing a protruded sotomawarien (a narrow veranda all around a room, outside the sliding storm doors, used for viewing the surrounding area) with walls or boards.
  630. The structure is the one seen irrespective of yawarakaboshi or kataboshi and by reinforcing hikae, the part from wrist to thumb cannot move freely and is likely to stabilize.
  631. The structure might be temporary or permanent.
  632. The structure of "Senji ryakketsu"
  633. The structure of Gion-zukuri consists of the Irimoya-zukuri style (hip-and-gable roof) and hirairi (the entrance to a building constructed parallel to the ridge of the roof, usually on the long side of building).
  634. The structure of Ichirei shikon
  635. The structure of Jiji (events in a temple) as embodied arts, Iwanami Shoten, Publishers, 2005
  636. The structure of Yumiya (flying distance and the puller)
  637. The structure of bow
  638. The structure of eleven families of the former Imperial family
  639. The structure of fukubachishiki pagoda is basically the same as that of stupa, and fukubachishiki architecture was already seen in Unko Grottoes (Yungang Grottoes) in the period of the Northern and Southern Dynasties.
  640. The structure of government established under the Ritsuryo was largely divided into two departments, the Department of Worship, responsible for religious affairs, and the Council of State, responsible for general political affairs.
  641. The structure of kasuga-zukuri style employs kirizuma-zukuri style with a Tsuma-iri, and, similar to taisha-zukuri style, elegant curves are provided on the roof.
  642. The structure of musomado (a window made of narrow boards or slats, wider than ordinary muntins, taterenji, set vertically in a line with approximately the same size spaces between them) is rigid, showing the taste of Urakusai who was a samurai.
  643. The structure of sumiyoshi-zukuri style employs kirizuma-zukuri style (an architectural style with a gabled roof) with a Tsuma-iri (entrance on the gable side), and its planar working gives a linear outlook.
  644. The structure of the Imanishi Residence, which gives an impression of a castle rather than a private residence, is called 'yatsumune' style (complicated roof style with multiple ridges and bargeboards).
  645. The structure of the Takamikura consists of three levels of covered black stairs with a palace shaped portable octagon shrine sitting on top, and is decorated with a mythical sacred bird (phoenix) from Chinese lore, mirrors, and chairs.
  646. The structure of the anecdotes about Yamato Takeru
  647. The structure of the bow and arrow
  648. The structure of the cable backed bow also has the same basic principle as various high-tension beams seen in construction techniques at present.
  649. The structure of the categories was, in order: spring (two volumes), summer, autumn (two volumes), winter, felicitations, travel, love (5 volumes), miscellaneous (5 volumes), Buddhism, and Shinto.
  650. The structure of the hull
  651. The structure of the kamado is simply a single unit built into a wall for enclosing the fire and a holder above it for placing cooking utensils such as pots or pans.
  652. The structure of the new Imperial government
  653. The structure of the original text
  654. The structure of the station and arrangement of tracks were nearly what they are today.
  655. The structure of the wall is called Dohari-fukushitsu-kozo and it was constructed using an elaborate construction technique.
  656. The structure of these living quarters looked like row houses extending east and west.
  657. The structure of yazutsu or ebira (quiver to hold arrows)
  658. The structure was built between 1781 and 1789.
  659. The structure was repaired in 1270 and from 1693 to 1694 and the roof is of early-modern style.
  660. The structure, which focuses on the villainy of human beings by comparing the love of animals towards their relatives with human beings where even blood-relatives fight against each other, is excellent.
  661. The structures mentioned above without annotation were constructed during the Kanei period (in the 1630s).
  662. The structures of the tunnel tombs are Hokei-tanshitsukei (rectangular single room), Dohari-fukushitsukei (multiple rooms with the womb-like structure), and Daikei-tanshitsukei (trapezoidal single room).
  663. The struggle continued till 13.
  664. The struggle for the Inariyama hill has been regarded as the decisive battle in the Seinan War, since the hill was the strategic point in the area in spite of its lowness.
  665. The struggle that started between Michinaga and Korechika did not seem to cool down, rather, it heated up from the summer of the year.
  666. The student meeting place at Kyoto University (1912)
  667. The students and applicants advise; 'Do not choose the Faculty of Economics.'
  668. The students can study a wide range of social science without giving too much weight to particular fields such as law, economics, sociology, and so on.
  669. The students collect and analyze information, and learn how to get to the bottom of the culture.
  670. The students in other faculties also followed (Masakazu NAKAI, Osamu KUNO, Kiyoteru HANADA, Yasumoto TAKAGI and others who were active in groups for graduate and undergraduate students in the Faculty of Letters).
  671. The students in the Doshisha Graduate School of Engineering and Graduate School of Business can respectively obtain Masters of Engineering and Masters of Business degrees after three-years of study.
  672. The students kept the President hostage demanding renegotiation and the police were introduced.
  673. The students of Geiko and Maiko of Gion range from 15 to over 80 years of age.
  674. The students of Shigakko were provoked by this, and attacked the gunpowder magazine.
  675. The students of Shigakko were suspicious about the homecoming of such a large number of police officers including Naoo NAKAHARA, and on the watch to query their true purpose.
  676. The students of a Terakoya were called 'Fudeko' and when the shisho died, the Fudeko would chip in to pay for the shisho's grave.
  677. The students of the Faculty of Law in Kyoto University supported the board of professors and started a movement to protest the punishment by having all students submitting a leave from studies.
  678. The students study at Kyotanabe Campus for four years.
  679. The students who had to go to Shinmachi Campus (Jinshinkan Z) were called 'Z warriors.'
  680. The studies conducted after Hashimoto have not accepted the distinction of the types of characters used for "チ" (chi), the distinction which was pointed out by Tatsumaro ISHIZUKA
  681. The studies on the origin of the Kaminokuni family so far had been made based on the articles documented with the genealogical record, in which Kanosue ANDO was the first person who entered Minato in Dewa Province.
  682. The studies presumably suggest that the stronghold of the sovereignty (the alliance of chiefs, the Alliance of Yamataikoku) of that day was situated in this Makimuku area.
  683. The studio in Mukojima was destroyed during the Great Kanto Earthquake and Nikkatsu gendai geki department was moved into Nikkatsu Studio in Kyoto and named 'Dainibu' (Second Department).
  684. The studio is owned by a major movie production company called Toei, a member of Motion Picture Producers Association of Japan, Inc.
  685. The studio later became Shochiku Kyoto Studio.
  686. The studio released five films in its first year.
  687. The studio was burnt down, however, due to an unknown cause.
  688. The studio was named 'Shoei Makino Studio' and Shozo MAKINO's wife, Chieko (died in 1929), became the head of the studio.
  689. The study concerning mathematical analysis in wasan is referred to as enri.
  690. The study of Jodai Tokushu Kanazukai was initiated by Norinaga MOTOORI.
  691. The study of Miketsukuni
  692. The study of architecture has been conducted since the Edo period as part of greater studies on the practices of ancient court and samurai families, but it was only in the Meiji period that architectural study emerged as an independent branch of learning (the term 'kenchiku' [建築], meaning 'architecture', was itself coined in the Meiji period).
  693. The study of central government organization, military systems, shoen policy, and local tax management systems during the Dynastic polity period has marked significant progress and another theory concerning the transition from the ancient times to the medieval age was proposed in lieu of the theory of Dynastic polity.
  694. The study of integral equations and arithmetic was further developed by inheriting the tradition of Chinese mathematics.
  695. The study of old clothing and accessories is part of the studies in ancient court and military practices and usages.
  696. The study of old documents was based on the 'empirical analysis approach,' and seen from this perspective, past approaches to mokoku were too irresponsible to avoid criticism.
  697. The study of the calendar also required an advanced level of mathematics.
  698. The study of the origin of bushi is closely related with discovering the medieval times.
  699. The study on hiochi bacteria was launched by Teizo TAKAHASHI of Tokyo University in 1906.
  700. The study on kiku-jutsu developed well into Meiji period, and the strong influence of wasan was palpable even as late as 1887.
  701. The study on the origin of bushi is closely related to 'Discovering the medieval times in Japanese history.'
  702. The study on the relationship between those groups and the Takeda clan continues to this day.
  703. The study showed that soup broth in the Kanto region used four times or more soy sauce than used in the Kansai region, and the former used twice or more salt than the latter.
  704. The study was conducted on the pre-Shingen era based upon the criticism of "Azuma Kagami" as well as on the Northern and Southern period and the Muromachi period.
  705. The stuffed bell pepper is a dish made with ground meat and bell peppers.
  706. The stuffed bell peppers are made by cutting bell peppers lengthwise in half, stuffing the halves with hamburger mixture, and then baking them.
  707. The stuffing used for 'rorukyabetsu' (stuffed cabbage) is almost the same meat mixture.
  708. The stump of the 'Sodezuri-no-Matsu' (sleeve-brushing pine) (2nd generation) connected to Hideyoshi TOYOTOMI remains in the front garden (on the eastern side of the Tai-an Teahouse).
  709. The stupa later became the building in which the ashes of a temple priest were placed after he or she died.
  710. The stupa later made its way to Japan.
  711. The stupa that still exists in today's India is the well-known Sanchi Stupa, which was built in the third century by King Ashoka.
  712. The style and size of altars varies from religion to religion, with the biggest one being the Temple of Heaven in China, made to enshrine Heaven.
  713. The style became quite elegant in later years but not a few are too balanced and formalistic.
  714. The style brought to Japan first was one which was utilized in the restoration of Todai-ji Temple (Daibutsu-yo or Tenjiku-yo).
  715. The style called heikyoku, chanting the Heike Monogatari (The Tale of the Heike) to the accompaniment of a biwa, was established in the Kamakura period.
  716. The style called 立花 (Tachibana) (also written as '立華' (Rikka), literally, standing flowers) was perfected during the mid Edo period by Iemoto (head family of a school), Soke (originator), and the like.
  717. The style continued until the Edo period.
  718. The style in describing nature, especially in 'Aibiki', the Japanese translation of a part of Turgenev's "Ryojin Nikki" (A Sportsman's Sketches), affected many novelists.
  719. The style is Shinogizukuri (ridged style) with Iorimune (standard surface), having a short Kissaki (tip) called Sho-kissaki (small tip).
  720. The style is characterized by a combination of elements of Western architecture which was considered civilized, and Japanese architecture which was seen as a symbol of traditional status
  721. The style is characterized by a long-extending, curved front slope of the warped roof, which constitutes a kohai (eave).
  722. The style is elaborate, neat, intellective, elegant, stately and often needs virtuosity.
  723. The style is samurai's one focused on simplicity.
  724. The style is used for tea ceremony.
  725. The style is very similar to that of the gilt bronze statue of the bodhisattva Maitreya sitting contemplatively in the half-lotus position at the National Museum of Korea in Seoul.
  726. The style of "Han-Noh" shortens "Maeba" scenes after initial "shidai" (one of component parts of a Noh play) or "dan" (a section) including "nanori" (announcement of one's name) and "michiyuki" (going on a road) of "Waki" (supporting actor), and performs scenes after machi-utai (a song sung by a waki in the middle of a noh play).
  727. The style of "Kokin Wakashu" subsequently became a school of waka which was passed down to the succeeding generations being referred to as Kokin denju (the secret transmissions of the "Kokinshu," Anthology of Old and New Japanese Poems).
  728. The style of Ichomage varies according to social status and occupation.
  729. The style of Kochi Zen school was based on the theory explained in "Mokushomei"(literally, the "Seal of Silent Illumination") written by KOCHI Shokaku, the founder of the Kochi school.
  730. The style of Masamune tremendously influenced sword craftsmenship in various regions.
  731. The style of Mounting
  732. The style of Otaue still remaining today shows this work once constituted a festival
  733. The style of Rinkoku HOSOKAWA, which was exquistely beautiful and fresh, spread widely and he became famous.
  734. The style of Sogen FUJIBAYASHI was handed down among the retainers of the Katagiri family and in the mi-Edo period, it was passed to Sokei HONJO, yoriki (a police sergeant) to the Osaka Commissioner of Guns.
  735. The style of a Japanese garden is classified into three types; a pond garden with small artificial hills (pond fountain garden), a garden with dry landscape, and tea garden (garden outside a ceremonial tearoom).
  736. The style of a body-armor also shifted from Oyoroi (heavy armor) to Haramaki (a breast protection); a shallow saddle was more used than a deep one.
  737. The style of boiling tea was not done in a conventional form, but in the style of 'Ritsurei shiki (standing up and bowing),' which was devised by Urasenke school to attend to foreigners and was done outdoors at first.
  738. The style of calligraphy developed by Sonen is known as the Shoren-in method, which was widely adopted during the Edo period and is the origin of Japanese style of handwriting, the Oieryu method.
  739. The style of calligraphy of Honamigire belongs to a different lineage from that of Koyagire (a manuscript of "Kokin Wakashu" transcribed in the eleventh century), considered a supreme achievement of kana calligraphy made during the Heian period, and there are no relics left with the same handwriting.
  740. The style of constructing keyhole-shaped tumuli began to change in the sixth century.
  741. The style of construction is remeniscent of the early Edo period.
  742. The style of displaying the futon varies; each layer with each different color or with small tassels hanging down under its four corners.
  743. The style of each main hall of the two shrines of Kotai-jingu Shrine and Toyouke Dai-jingu Shrine in Ise has not been used in any other shrines, because of concerns surrounding using the exact same style.
  744. The style of fastening Fundoshi with a double front sack was adopted mostly by old-time fishermen and sailors.
  745. The style of funeral ceremony deeply depends on the view of life and death and the outlook on religions of the people who hold it, and this difference of religion means a difference in funeral style.
  746. The style of her poems was the Nijo style and most of them were tinged with sadness.
  747. The style of his favorite disciple Gakusen SODANI (also known as Soshii) is said to have been very similar to Fuyo.
  748. The style of his performance is daring and stirring but he does not lapse into rudeness.
  749. The style of issue
  750. The style of kakejiku was established with tea ceremony.
  751. The style of kanin in this period was called 'Toin' (Tang seal).
  752. The style of match competition (All Japan Kendo Federation)
  753. The style of mountain-climbing tour as a unit of dozens of people has started to be seen also.
  754. The style of packing foods in nests of lacquered boxes represents multilayer happiness (for the same reason, it is said that one should ask for a refill when eating zoni).
  755. The style of packing foods in nests of lacquered boxes represents multilayered happiness (for the same reason, it is said that one should ask for a refill when eating zoni).
  756. The style of painting trees indicates the influence of Mokkei whom Tohaku secretly respected as a mentor, but he completely absorbed this technique as a part of his unique style of painting, rather than merely imitating his mentor.
  757. The style of performance in the Tojiro YAMAMOTO family is antique and upright, inheriting the tradition of "buke shikigaku" (dance and music performed in the official place of Buke [samurai family]), while that in the Sengoro SHIGEYAMA family is realistic and easy to understand.
  758. The style of placing characters depended on the region.
  759. The style of poems reflected considerable Chinese, particularly, the frivolous Rikuchoshi (the Six Dynasties poetry) influence but began to suggest the effect of the early Tang Dynasty period.
  760. The style of poetry in "Shika shu"(Shika Wakashu) is diverse; it is characterized by the fresh descriptive poems, and many poems in which the authors expressed their feelings.
  761. The style of poetry is plain.
  762. The style of renku and shikimoku (renga rules)
  763. The style of samurai houses in the Kamakura period is sometimes called Buke-zukuri style (Samurai house style), but nowadays the style is considered to be a simplified version of the Shinden-zukuri style.
  764. The style of sitting with the knees together and the legs folded under the body.
  765. The style of statues at Ganjoju-in Temple was truly striking and outstanding, completely differing from Buddhist statues carved in the late Heian period.
  766. The style of swimming was named Yamauchi school and later became a notable swimming style in the Usuki Domain.
  767. The style of the calligraphy is dynamic, showing the influence of the work of ONO no Takamura and KI no Natsui, who were often commissioned to write inscriptions by the Buddhist clergy.
  768. The style of the calligraphy is marked by gentleness, and of the three styles in the Koya-gire, it is considered the most modern.
  769. The style of the commentary is give the chapter title, then to quote the text that is the object of the annotation, followed by the annotations.
  770. The style of the formal dress was prepared in the same way as it was done for the male emperor's, (Kokechicho, a type of skirt with tie dye design from the Nara Period, was added) in what is called the traditional formal court dress, which was a layered kimono (worn by a court lady) with Mo Karaginu Itsutsuginu.
  771. The style of the hoya roof changed to the Sinmei-zukuri in the Meiji period.
  772. The style of the sect was not pure Zen, but the study of both Zen and Esoteric Buddhism.
  773. The style of their religion is not based on monotheistic theories of salvation but instead on moderate custom, and there are many people who don't regard themselves as 'devotees'.
  774. The style of this book is as follows; the book has the whole text of The Tale of Genji, and the author interprets it with interlinear glosses and headnotes.
  775. The style of this statue is called 'Sanmen Senju Kannon,' which refers to the statue of Kannon with 1,000 arms and three faces (one front face and two side faces, which are placed behind the two ears).
  776. The style of torii of mihashira-torii is shinmei-torii and, therefore, nuki (a lateral bar joining columns) is only set in the inner space of columns.
  777. The style of worship at the kamidana that is recommended by the Association of Shinto Shrine is the same as the one used to worship at the shrine, which is 'nirei nihakushu ichirei' (two bows, two claps, and one bow), but there are various styles of worship like 'nirei yonhakushu ichirei' (two bows, four claps, and one bow).
  778. The style of yamakasa has been changed several times in Hakata.
  779. The style that dumplings wrapped with plant leaves like Sakuramochi (rice cake with bean jam wrapped in a preserved cherry leaf) is uncommon and there is an opinion that Tsubaki-mochi is unique to Japan, but this is not certain.
  780. The style was also called "Oranda-ryu" (Dutch style).
  781. The style was changed to the style of the Heian period, and at the ceremony, a terrestrial globe was used as a symbol of the new era in order to show majesty of the Emperor to the world.
  782. The style was inherited by his adopted daughter Chiyo MITAMURA, who was his biological niece.
  783. The style was popular from the beginning to the middle of the Kofun period (tumulus period).
  784. The style wearing sweat suit under a skirt is called haniwa look.
  785. The style, with the sutra transcribed in the lower half of the Kansubon together with illustrations depicting the sutra painted in the upper half, originated in China, and this has been proved by the archaeological finds of Dun Huang which show their similarity.
  786. The styles can be kirizuma-zukuri, irimoya-zukuri
  787. The styles commonly seen in general shrines are nagare-zukuri, followed by kasuga-zukuri.
  788. The styles of Japanese swords (shinogi-zukuri [ridge style], wanto [curved sword]) were established.
  789. The styles, performances and sensations of Furyu affected Kabuki and Bunraku, which were established in the Edo period, the architecture of the Azuchi-Momoyama period, and Genroku culture.
  790. The stylized depictions of elephants, lions and giraffes on the cedar doors are known for their original appearance.
  791. The stylobate of Kondo measures 14.2 m from east to west and 12.5 m from north to south, and that of each pagoda was a 9.5 m by 9.5 m square..
  792. The sub-shrines within the precincts include the Shiogama-jinja Shrine that enshrines MINAMOTO no Toru, Hinodeinari-jinja Shrine and Shirodayu-jinja Shrine.
  793. The sub-temples that comprise a temple complex.
  794. The subcontract system entailed the risk of having to make payments fixed by contracts to manorial lords and imperial officials even in poor crop years, but the amounts of crops exceeding fixed payments were treated as land stewards' private income, which often brought them considerable benefits.
  795. The subject and philosophy of anecdotes
  796. The subject depicted is often someone of high class.
  797. The subject matter is principally the face of Kintaro but the faces of characters in other stories, comics, etc. and letters may also be used.
  798. The subject matter of sewamono included the duties and obligations, or humanity, of the townspeople.
  799. The subject matter of the paintings are a group of people, the sun and moon, shiho shijin (four gods said to rule over the four directions), and seishin (constellation).
  800. The subject name became 'kidendo (kidenka)' and 'monjo hakase' was adopted as a title, although the officially abolished names, 'monjodo (monjoka)' and 'kiden hakase,' remained as common names.
  801. The subject of designation for important intangible cultural property is the intangible 'skills' themselves.
  802. The subject of his translations was not limited to literature; he also dealt with aesthetics such as "Shinbigaku Koryo" (aesthetic program) by Hartmann.
  803. The subject of raihai
  804. The subject of raihai is the honzon only.
  805. The subject of the portrait is still a matter of debate (See the three portraits of Jingo-ji Temple for details).
  806. The subject of the program is an anecdote in which when FUJIWARA no Moronaga was parting for Southern Sung Dynasty to pursue music, he was stopped by the spirit of Emperor Murakami in Suma Bay, Settsu Province.
  807. The subject of the tale is linked to gender issues of today.
  808. The subject of these paintings varied, and among those who traveled Tokaido Gojusan-tsugi (53 stages in Tokai-do Road) the paintings were known as a souvenier or a charm.
  809. The subject of this picture is a poem of Du Fu (Tu Fu) and it was written by 18 Zen priests after preface on the upper part of the picture, which took up more than double the space of the picture.
  810. The subjects of Suiboku-ga at that time were mostly Doshaku-ga (portrait of person related to Buddhism or Taoism) and Shikunshi (orchid, bamboo, chrysanthemum and plum) as well as the above mentioned Chinzo and Soshi-zo images.
  811. The subjects of dharma range from Bosatsu to others in all kinds of settings.
  812. The subjects of pictures done on Sugi-shoji in "Honen Shonin Eden" (biography of Honen) as Gachu-ga (a pictorial works that appear within a painting as part of the overall composition) are mainly geese in wild reeds, pine and plum trees.
  813. The subjects of the lessons the students studied were 'grammar and punctuation,' 'recitation from memory,' 'calligraphy,' and 'arithmetic.'
  814. The subjects of the paintings continued to increase, and reached its peak at the end of the Edo Period.
  815. The subjects taught there were Sanjikyo (three Character Classic), Senjimon (the Thousand Character Classic), and Shishogokyo (the Four Books and Five Classics of Confucianism, the Nine Chinese Classics).
  816. The subjects were Kidendo, which was the study of Chinese history and literature, Myobodo, the study of law, Myogyodo, the study of Confucianism, Sando, the study of mathematics (Kidendo was the most important).
  817. The subjects were animals and plants such as medical herbs, fungi, vegetation, insects, fish, beasts and birds as well as some minerals.
  818. The subjects were only the three kinds of flutes (sho, hichiriki, ryuteki) and they were played with the accompaniment of only kakko and taiko drums and all the songs were those of sahogaku (togaku).
  819. The subjects were predominantly flowering trees/shrubs and flowers, but there were some works including narrative pictures depicting people, birds and animals, landscapes and nature as well as a few Buddhist paintings.
  820. The subjugation campaign virtually ended up in failure and the Onin War ruined the bakufu's authority.
  821. The subjugation of the Emishi
  822. The subjugation of the Emishi means the conquest of the Emishi (later called the Ezo), the indigenous inhabitants in the northern and northeastern parts of ancient Japan, carried out by the imperial court.
  823. The subjugation of the Ryukyu Kingdom by Satsuma Province also took place, putting it under the virtual control of the shogunate system.
  824. The submission, the contents and the impact became clear from materials including "Hirobumi ITO Biography" which was written hearing from Ito himself while he was alive.
  825. The subordinates included the shimo-bugyo, aratame-yaku and fushin-kata.
  826. The subsection also referred to 'the climate of four seasons (spring, summer, fall, and winter).'
  827. The subsequent Imo Incident in 1882 and the Gapsin Coup in 1884 triggered hostility over Korea between Japan and China and, touched off by the subsequent Donghak Peasant Revolution, began the Sino-Japanese War in 1894.
  828. The subsequent account is the same as that found in the "Nihonshoki."
  829. The subsequent army corps directly commanded by Nobunaga was arranged as follows.
  830. The subsequent dynasty Ching took over the system of one era per Emperor from Ming (*However, unlike Japan, where an era name was changed right after monarch replacement, Ming and Ching usually changed the name on New Year's Day of the following year).
  831. The subsequent investigation revealed that Shokakudo No. 1 Kofun Tumulus consisted of three overlapping round barrows with each of them having been built in different times whereby it became apparent that it was not a keyhole-shaped tumulus.
  832. The subsequent part is assumed to have been quotes from dairies of Tsunefusa YOSHIDA and his descendants (Suketsune YOSHIDA, Tsunetoshi YOSHIDA and others).
  833. The subsequent part up to the part of Emperor Nijo in the same seventh volume is estimated to have been based on TAIRA no Chikanori's diary which doesn't exist today.
  834. The subsequent period is the late Shell mound period which is also known as the Post Jomon period in the northern Tohoku region and Hokkaido.
  835. The subsequent state of affairs was called a 'Takauji-less' state.
  836. The subsidiary castles were Wadayama-jo Castle, Saso-jo Castle, and Mitsukuri-jo Castle.
  837. The subsidiary temple Shinjuan was built with IKKYUU as its founder.
  838. The substance generally referred to as bittern mainly consists of magnesium chloride, and was a secondary product co-abstracted with salt when it was drawn from the salt field.
  839. The substance stuck is more difficult to remove than the kosa mingled with no rain
  840. The substantial ancestor of the Tachibana clan is said to have been Agata no INUKAI no Michiyo.
  841. The substitute can be on duty for three days (Right).
  842. The substitute game for the game against Reysol was played on August 24 in the same year, but Kyoto Sanga used Osaka Expo '70 Stadium which is officially the home stadium of Gamba Osaka.
  843. The substitute must throw away his own style, and perform in exactly the same style with the initial actor.
  844. The suburb is mountainous geographically, and many wild animals such as bears, deer and boar live in the area.
  845. The succeeded fuekiho law stipulated that judicial procedures for an osso had to be done within three years after a decision unless Seii Taishogun (literally, "great general who subdues the barbarians") granted special permission.
  846. The succeeded length of the private railways was 4550 km, unopened line 292 km with 1118 locomotives, 3101 passenger carriages, and 20850 freight cars.
  847. The succeeding Nguy?n Dynasty also enacted its own Luli in the early 19th century.
  848. The succeeding Tr?n Dynasty also enacted its own Luli-oriented law codes.
  849. The succeeding cabinet was formed by Army General, Taro KATSURA and it was his third cabinet.
  850. The success of Soun's arbitration due to his exceptional resourcefulness has been said to be the first step of his social climb; however, prevailing theory holds that he was ordered by Sadachika and Morisada to go to Suruga to intervene in the Imagawa clan's inheritance dispute.
  851. The success of the Tenma Tenji Hanjotei Theater in part helped the programmers to consider rakugo in a new light.
  852. The success of these tactics depend on whether one can grow the fox small in a dark place (such foxes are called Kudagitsune, mythological pipe fox) and send them into a narrow and dark part of the enemy's castle with a burning bird on their backs.
  853. The success of this tour was acknowledged by Kamekichi SHIRAI, a theatre shop owner who adopted Matsujiro in 1897.
  854. The successful effect of off-stage music and the sophisticated interpretation of the Edo sewamono drama can be fully appreciated.
  855. The succession of the family was continued after Prince Sukehito; the third Kan in no Miya Imperial Prince Haruhito, the fourth Kan in no Miya Imperial Prince Takahito, the fifth Kan in no Miya Imperial Prince Naruhito, however the Prince Naruhito died young, when he was twenty five years old.
  856. The succession of the peerage (Article 9, Kazoku Law)
  857. The succession to Emperor Gensho was based on the condition of the accession of young Prince Obito (the Prince of Emperor Shomu and the forty-second Emperor Monmu; he became a Prince during the era of Emperor Genmei) to the imperial throne.
  858. The succession to the Imperial Throne of the Emperor was provided for in the Constitution of the Empire of Japan and in the Constitution of Japan.
  859. The succession to the family caused a confrontation over the heir to Akiteru between Tsunetaka and Akiteru involving the vassals of the Kashuji family.
  860. The succession to the position of family head
  861. The successive Hokyoin-to pagoda (Japanese variants of stupas) of the Kyogoku family are arranged in line.
  862. The successive changes of the imperial era name (Chokyo, Entoku, and Meio) attributed to these disasters endorse this observation.
  863. The successive deaths of the following promising storytellers who were born after the War also came as a blow to Kamigata rakugo: Shokaku SHOFUKUTEI (VII), Utanosuke KATSURA (II), Kimaru KATSURA, Somegoro HAYASHIYA (IV), and Kiccho KATSURA.
  864. The successive descendants of Prince Achi were '高尊王, TSUGA no Atai, 阿多倍王,' and so on, and the grandchild of 阿多倍王 is said to have been the founder of Sakanoue clan 志努 (Another theory suggests that 志努 was the child of Tsuka no Omi, who was the child of Achi no Omi).
  865. The successive family head
  866. The successive family heads
  867. The successive family heads of the line of Nagatsugu were called themselves Shinano no kami (governor of Shinano Province) associated with the Ogasawara clan.
  868. The successive generations of Shogun
  869. The successive generations of Shogunal regent
  870. The successive heads
  871. The successive kings of Wa used the title of amenoshita shiroshimesu okimi, and this fact led to the incident which occurred at the beginning of the seventh century in which Wakokuo called himself "Hiizurutokoro no tenshi" in the letter he sent to the Emperor of Sui.
  872. The successive line of chief priests who serve at the shrine are of the Yahata clan.
  873. The successive presidents of Dainihon Chado Gakkai
  874. The successive sudden deaths of the two lords, Hiromoto and Okimoto MORI, brought the family, who had been left with the young lord, into confusion.
  875. The successor (in other words, Soke or grand master) of the Insai school in a certain region of a certain generation could only be one person.
  876. The successor as kanrei was Yoshimasa, and among others, Myoha Shunnoku returned to public life.
  877. The successor to Ieharu was Toyochiyo HITOTSUBASHI (Ienari) in the end.
  878. The successor to Nobunaga
  879. The successor to the position of head of the Tokuso family became a relative of a retainer of the Tokuso family, creating the situation wherein the Hojo clan became engulfed by retainers of the Tokuso family.
  880. The suckers on a male vary in size when compared to that of a female, and of the eight legs, the tip of one of the legs acts as a reproductive organ; fertilization can occur when this arm enters a female body (copulatory arm).
  881. The sudden death of Mitsugoro the 8th was a major incident, and since then, 'puffer fish poisoning' was always associated with the name 'Mitugoro' as an example.
  882. The sudden enthronement was questionable because it was much different from those of the preceding and succeeding emperors.
  883. The sudden influx of Western knowledge, scholarship, and culture during the Meiji period led Tenshin OKAKURA and others to claim that they should be assimilated into the Japanese style.
  884. The sudden retreat of the Takada's forces made Ieyasu consider that Kenshin might have died.
  885. The sudden steep inclination in this section of the highway, however, often causes accidents and traffic congestions.
  886. The suffering experienced by Viscount TANI would be unimaginable for anyone except those like me who were besieged there as well.
  887. The suffix 'hi' represents spiritual and mysterious influence.
  888. The sugar contained in the sauce gives gloss ('teri' in Japanese) to the surface of the foodstuff, from which the name of the cooking method is derived.
  889. The sugar content sweetens the dish, gives teriyaki its shine and creates a fragrant aroma when heated.
  890. The sugar industry in Taiwan, of which the scale was very small in production, was changed to factory mass production due to large scale investment by the Japanese capital.
  891. The suggestion that the premises, buildings and facilities of the Third Higher School Faculty of Law and Engineering be used by Kyoto Imperial University was adopted, and the budget was approved in the following year.
  892. The sugitama that is newly hung is fresh and green, but eventually withers to brown.
  893. The sugitama, when newly hung, looks fresh and green, but its color changes to brown as it runs dry.
  894. The suichu used in the sado tea ceremony differ slightly from school to school; however, they can basically be classified into the following two categories.
  895. The suicide squad proceed through the night having hay on their backs and torches in hand to set fire to the castle, but were spotted by the Takatori clan.
  896. The suigun navies were succeeded and maintained in the bakufu by Mukai clan, in Choshu domain by the Noshima clan and in Owari domain by the Senga clan, who were all the descendants of kaizoku shu.
  897. The suigun navy in China
  898. The suikan was tucked in the hakama.
  899. The suitability of teachings to the Original Vow
  900. The suito kicks the worker's child.
  901. The suito's wife takes away her child.
  902. The sum of Katahaba and Sodehaba is Yukitake.
  903. The sum total will come to more than 120 koku in chigyo (the annual stipend).
  904. The sumibashira (also called kakubashira; a corner post or pillar that is square or rectangular) in toko is hidden, which is designed as murodoko (an alcove which is completely plastered), and another sumibashira of the wall on the ro (a sunken hearth; a square box installed into the floor of a tea ceremony room to make a charcoal fire) is also hidden by being plastered.
  905. The summaries provided below are based on the most current data on designations available (current as of 2008).
  906. The summary of Morishige's theory was that B-type sounds with the vowels of エ (e), イ (i) and オ (o) were formed by adding イ (i) to the sounds with the vowels of ア (a), ウ (u) and オ (o) respectively.
  907. The summary of the Timeline
  908. The summary of the incident
  909. The summary of the inscription on the back side of the monument is as follows.
  910. The summary of the past Shoki-koen (each year shows the year of lecture) is as follows.
  911. The summary of the technique of kyo karakami is as follows; apply dosa on a ground paper and dye it with pigment or colorant.
  912. The summer had come, and letters from suitors such as Hotaru Hyobukyo no Miya, Higekuro (The Commander of the Right) and Kashiwagi (The Tale of Genji) came to Tamakazura one after another.
  913. The summit course runs winding down the mountain slope between many trees.
  914. The sumo groups in Tokyo and Osaka joined together in 1925 and developed into Dai Nihon Sumo Kyokai (the present-day Nihon Sumo Kyokai (Japan Sumo Association).
  915. The sumo performances held at the Imperial Court were called 'tenran zumo' (sumo matches held in the presence of an emperor).
  916. The sumo posture called 'ottsuke no kamae' is preserved even today since it is good for both offense and defense.
  917. The sumo wrestler's professional name of Jinmaku was decided to be inherited by Nihon Sumo Kyokai (Japan Sumo Association) and until today, it has been inherited as a professional name of a Toshiyori (retired wrestler) year after year.
  918. The sumo wrestlers used wooden clubs to attack the ronin, but the ronin drove them back killing and injurying many of the sumo wrestlers in the process.
  919. The sumptuary law stated that 'merchants as well as artisans should always remember that they are to work so as not to inconvenience samurai and farmers,' thus labeling the development of the city itself useless and forcing severe restrictions on these classes of people.
  920. The sumptuous books, which were its leading products, were sold to as many as 50,000 customers, and the company was aggressively advancing overseas.
  921. The sun and ancestor worship have been common elements of faith since ancient times, not only in Japan.
  922. The sun and the moon
  923. The sun and the moon, and so on, sometimes appear in different colors due to the kosa that covers the sky.
  924. The sun disk.
  925. The sun goddess.
  926. The sun is called "ohi-sama" even without religious faith.
  927. The sun rises from the slightly southerly direction from the due east and sets in the slightly southerly direction from the due west in the northern hemisphere during the period between the autumnal and vernal equinoxes.
  928. The sun set in cool wind among the pines and green mosses grow on a silent stone monument.
  929. The sun.
  930. The sunny-side up egg whose yolk is broken is often embedded and the way the dough is added and the surface is grilled crisply.
  931. The sunrise belief (sun belief), represented by an act of watching hatsu hinode (first sunrise of New year) or watching a sunrise from the top of Mt. Fuji, is said to be peculiar to Japan, while there are a lot of practices of admiring the setting sun all over the world.
  932. The superb view afforded by Gorogadake Sky Tower, which opened in 1995, was selected to be included in the 100 Most Beautiful Scenes of Kinki region.
  933. The supervisor of the army of the Kaga Domain Jinshichiro NAGAHARA and others who were at the front-line against Tenguto sympathized Tenguto members who were trying to plead without resisting, and recommended Kounsai TAKEDA and others to surrender.
  934. The supplementary field, as well as the main stadium, was on the official candidate list for the 2002 FIFA World Cup training camps.
  935. The supplementary unit of currency, "sen" and "rin" were introduced.
  936. The supplied amounts were so few that many people made monpe (women's work pants) from kimono.
  937. The supply of 'preservation money' was later extended to 1917.
  938. The supply of aburakasu prepared from chicken meat, which is relatively low-fat, is small.
  939. The supply of offerings appeared as historical materials in section 4 of mikotonori (an Imperial edict) in the Taika Reform in Nihonshoki (Chronicles of Japan), and it said 'Usually, by-products of the cho (tributes) such as salt and offerings, need to be followed according to local capacity.'
  940. The support of halo is made of wood representing bamboo, and a decoration of mountains is carved on the base of the halo.
  941. The supporters of Bakufu gained power in 1862 when Sumihiro became the Nagasaki magistrate, and in response, the pro-imperialists organized the alliance for reform group.
  942. The supporters of the bakufu came to have real power in the Imperial Court.
  943. The supposed reasons for Tokitada's appointment to benkan were not only backup by Kiyomori but also Tokitada's capability for practical matters.
  944. The supposition presented by Eiko KOBAYASHI that, together with 'Ten Quires of Uji,' the chapters of 'Nioumiya,' 'Kobai' and 'Takekawa' were written by a different author and inserted into the work;
  945. The supposition that Murasaki Shikibu wrote the tale by herself also suggests certain views, as follows:
  946. The supposition that some parts of the work were written by different authors
  947. The suppression of emissions of CFC's substitute: +0.1% (51)
  948. The suppression of emissions of Methane and nitrous oxide: -0.4% (20), -0.5% (34)
  949. The suppression of the Boxers
  950. The supreme command should be independent, and the army and navy had no responsibility for the assembly and the government.
  951. The supreme command was thought to belong to military organs (the Staff Headquarters of Army and the Imperial Navy General Staff) by tradition, and not to be under civilian control.
  952. The supreme commander's office appointed Masujiro OMURA, a retainer of the Choshu Domain, as the Hanji (top job) of the Defense Secretariat (軍防事務局判事).
  953. The supreme council system of policy decision within the bakufu.
  954. The supreme god with a bow in Heaven, Mara (Take-jizai-ten, or the heaven where one can partake of the pleasures created in other heavens).
  955. The supreme law
  956. The supreme leader of each school is called Soke (the head family or house).
  957. The surface coating of the dodai has a wide variety in both the color tone and the finishing method and many are painted in black (roiro: black japan) or dark brown (tameiro) and given a luster by brushing it up.
  958. The surface color of regular taiyaki is due to the effect of sugar contained in the batter (the Maillard reaction), although white taiyaki which are whitened using starch (tapioca etc.) are also available.
  959. The surface is made of felt.
  960. The surface is minutely toothed so that sumi stick can be ground on it.
  961. The surface layer at this time is formed by the mixture of the rice particles which are identifiable and rice which has become mochi.
  962. The surface layer into which patterns are put is made of mitsumata and kozo and its patterns incorporated by various techniques such as pouring.
  963. The surface may look powdery.
  964. The surface of Keicho Oban had a writing in ink of 'Ju-ryo Goto' (a kao [written seal mark]), and this seal mark was written by Tokujo GOTO, who was the fifth generation of the Goro family, Tokujo's real younger brother Chojo, Kenjo, who was the seventh generation of the Goto family, and Teijo, the ninth generation of the family.
  965. The surface of a stone looks as if it has been weathered in nature over many years.
  966. The surface of a traditional type Sensu has Washi, while some other type of Sensu use synthetics- or cloth-glued to the ribs.
  967. The surface of a wooden printing block with carved patterns is coated with mica or colored pigments, then paper is placed on the block and rubbed with one's palm to print 'karakami.'
  968. The surface of the fruit is very smooth and sometime it is compared to a tomato.
  969. The surface of the prism on which a sentence, 'A Tomb of Shushi Kishitsu', was inscribed is a front side, and sentences 'He died on November 8, in the third year of Akamidori era' and 'made by Shoson (referring to a grandchild born out of wedlock) 美成' were respectively inscribed on the right and left sides.
  970. The surface of the rice is considerably hot similarly to that of the boiled rice right after the boiling because only several minutes have passed after the steaming, therefore, it is sufficient to pat the surface of the rice with wet hands.
  971. The surface of the statue is painted with kanshitsu (dry lacquer, made by mixing lacquer with wood powder and powdered leaves of conifer) to finish the details.
  972. The surface station is for the conventional lines, while the elevated station is designed for the Shinkansen.
  973. The surfaces of the statues are now almost white but they were colored when they were first made.
  974. The surigane (ash tray-shaped metal section) is hung from a circular wooden frame.
  975. The surname 'Mori' originates from the territory Morinosho in Aiko County, Sagami Province (present day surrounding areas of Atsugi City, Kanagawa Prefecture), that Suemitsu inherited from his father, Hiromoto.
  976. The surname Hosokawa originated from the fact that the family settled in Hosokawa-go, Nukata County, Mikawa Province (presently around Hosokawa-cho, Okazaki City, Aichi Prefecture) in the 13th century of Kamakura period.
  977. The surname of "Sei" (written as "井" in Chinese character) is commonly seen in Kumamoto Prefecture, Kyushu region.
  978. The surname was changed from Kimi to Mahito, then to Sukune, and in 774 the surname Ason was given.
  979. The surname, 'Kido,' was bestowed on him by Lord Takachika MORI prior to the second Choshu-Bakufu War (1866).
  980. The surname, Toyotomi, was a honsei (original name of the clan which indicate its lineage) given to Hideyoshi TOYOTOMI, who became Kanpaku (chief adviser to the Emperor) and took control of the political power in the Tensho period.
  981. The surnames of two daughters and their descendants who settled here were Kirihara and Kaminaga.
  982. The surplus charcoal was sold in the market, producing precious income, and descriptions of the charcoal appeared even in news papers as "University charcoal."
  983. The surplus meat was dumped to the sea initially.
  984. The surprised people requested Kenshin to forgive him, but he refused saying, 'if Yoji was killed in this battle, I would be too ashamed to face his parents (Mr. and Mrs. Kagesuke YOSHIE) in Echigo Province,' and explained the facts of the situation to the Yoshie family.
  985. The surrender of Edo-jo Castle
  986. The surrender of Edo-jo Castle was a significant development to the commencement of the Boshin Civil War; there was also an abundance of dramatic contributions from several individuals involved in these incidents, such as, Katsu and Saigo.
  987. The surrender of Koyasan
  988. The surrender of Sawa-jo Castle was the final fall among the falls of castles and forts of the Kishu side in Izumi Province.
  989. The surrender of Tadamasa IJUIN
  990. The surrender of Takatenjin-jo Castle damaged the dignity of the Takeda family and Kokujin-shu (local samurais) were highly disturbed.
  991. The surrender of the Castle and Yoshinobu's expulsion to Mito
  992. The surrender of the Shakuzenji-jo Castle and the Sawa-jo Castle
  993. The surrender of the territories from Pinglu was delayed, and he used this as an excuse, and he attacked and destroyed Pinglu.
  994. The surrenderers reported a strategy of Hirotsugu to siege the government army from three sides and notified of the government army that the armies of Tsunate and TAGO no Komaro had not arrived yet.
  995. The surrounding are
  996. The surrounding area
  997. The surrounding area has been urbanized completely and a lot of houses and apartments are seen from car windows.
  998. The surrounding area is a business district.
  999. The surrounding area is a residential district.
  1000. The surrounding area is also called Higashiyama.


364001 ~ 365000

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