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オンラインWikipedia日英京都関連文書対訳コーパス(英和) 見出し単語一覧

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  1. Its diameter is five shaku and two sun (approximately 158 centimeters), and its matoe is the same as that of kasumi-mato.
  2. Its direct source is believed to be rokyoku (naniwabushi, storytelling with shamisen accompaniment) "Gishiden," which is based on "Chushingura," and some parts of the song are sung in rokyoku-style, even though the song is categorized as a folk song.
  3. Its dish of 'Noodle with thin sliced meat,' is a limited item, and is so popular that it is often sold out immediately after the store opens.
  4. Its distinctive pungency neutralizes the smell of fish dishes.
  5. Its distinctive style simulates that of a lighthouse illuminating Kyoto City in place of the sea.
  6. Its doctrine
  7. Its duties were the supervision of Naiju (Imperial pages), who were engaged in the security and other miscellaneous jobs at the Imperial palace, and related administrative jobs.
  8. Its duty included dispute settlement when Fuyo-geyujo was submitted as well as compiling Kotaishiki, a code concerning the change of officials.
  9. Its duty was to play gagaku (ancient Japanese court dance and music which was introduced from China to Japan) at various public events and to train gagaku players.
  10. Its dynastic designation, if one can venture to say, is 'Japan,' the name of the country itself.
  11. Its earliest example was Hidemoto KAMATA of the Hitachi Daijo clan, who passed his estate of four villages over to his legitimate child, Tomohide in 1234.
  12. Its early example was Tossaka-jo Castle (Tosaka-jo Castle) and Makabe-jo Castle of Hitachi Province.
  13. Its eastern end is Karasuma-dori Street.
  14. Its eastern part is the border between the prefectures of Kyoto and Shiga, bordering the Cities of Otsu and Takashima, Shiga Prefecture.
  15. Its eastern part was along the Kamo-gawa River, its northwestern part was along the Kamiya-gawa River (also known as the Tenjin-gawa River), and these rivers served as moats.
  16. Its eave was mabara-daruki (widely spaced roof rafters), and it was treated lighter than the moya, which played the original role as an eave.
  17. Its eccentric TV commercial, "Looong relationship (Nagaaai otsukiai)," is well known.
  18. Its editions are sold not only in Kyoto and Shiga Prefectures but also in Osaka Prefecture (Yodoyabashi Station, Temmabashi Station and Kuzuha Station of the Keihan Main Line, kiosks in Whity Umeda and a part of Shimamoto-cho, Mishima-gun) and Nara Prefecture (kiosks in Takanohara Station of the Kintetsu Kyoto Line).
  19. Its editor is unknown but was conceivably a scholar monk.
  20. Its editorial supervisor was Kanekata URABE.
  21. Its educational institutions
  22. Its educational policy was revolutionary; it encouraged self-education, recognized thorough student autonomy, adopted coeducation system, and had no examinations (instead paper work), no school regulations, and no penalties.
  23. Its elaborate composition gives an inorganic impression.
  24. Its emergence in the field of transportation between Osaka and Kobe triggered a severe rivalry in competition with Hanshin Electric Railway Co., Ltd., which was already operating urban commuter trains between Osaka and Kobe.
  25. Its end
  26. Its engine was DMF13 B (120ps, 1500rpm).
  27. Its engine was Mitsubishi DB5L (120 ps, 1800 rpm)
  28. Its enshrined deities are Ame no Hohi no Mikoto, Takehinadori no Mikoto, and Onamuchi no Mikoto.
  29. Its enshrined deities are the following guardian deities of the former Terada Village: Amaterasu Sume Omikami, Takami musubi no kami, and Wadatsumitoyotamahime no mikoto.
  30. Its enshrined deity is FUJIWARA no Kamatari (Danzan Daimyojin, Danzan Gongen).
  31. Its enshrined deity is Okuninushi (chief god of Izumo in southern Honshu Island, Japan, and the central character in the important cycle of myths set in that region).
  32. Its enshrined deity is Toshimoto HINO.
  33. Its enshrined deity is Ugajin (identified as Saraswati (god of wealth, music, eloquence and water)).
  34. Its establishment is said to be in 1279.
  35. Its establishment was centered around five production companies owned by popular actors who had quit Makino Productions.
  36. Its exact shape is not known as its hodo (covering soil) is almost gone.
  37. Its excavation revealed that Kibiike Temple had a Horyu-ji-style temple layout with Kondo (main hall) in the east and a pagoda in the west.
  38. Its existence had been forgotten for more than thousand years, but it was found by Masatomo KAN (1824-97), and the letters inlaid with gold was polished out.
  39. Its existence is known through Chapter Fukiage of the "Utsubo monogatari" (The Tale of the Hollow Tree) and so on.
  40. Its extent was limited to the case of having one's direct family member (such as a parent or older sibling) killed, so basically it wasn't allowed when it was intended for a descendent (including one's wife, child or younger sibling).
  41. Its exterior is covered with cherry bark (called kabamaki).
  42. Its exterior looks austere with a few gables and black-painted sidings but, since the construction is a multiple attached style, the castle tower gives different impressions to its beholders depending on the angle from which it is viewed.
  43. Its exterior looks like its original appearance but the structure is of ferroconcrete.
  44. Its face is in the umbrella cloth and has a single eye.
  45. Its face is pale, standing in front of the mirror.
  46. Its face value was one shu (unit of currency, 16 shu = 1 ryo).
  47. Its facilities
  48. Its fair (anniversary of the founder's death) is celebrated on the 17th of each month.
  49. Its family crest was a 'Wing-Spreading Crane,' the wingtip feathers of which are three like the crest of the main family.
  50. Its family crest were the "kayanouchi jumonji"(the end of Sengoku Period [period of warring states] to the mid Meiji Period), and the "tosagiri"(after the mid Meiji Period).
  51. Its family status is the House of Urin (holding military ranks).
  52. Its family temple is Konkaikomyo-ji Temple, located at Kurodani, Sakyo Ward, Kyoto City.
  53. Its family temple is Seisen-ji Temple in the Daitoku-ji Temple, located at Murasakino, Kita Ward, Kyoto City.
  54. Its family treasures are Mihata (the Japanese (rising sun) flag that was granted by Emperor Goreizei) and Tatenashi (Tatenashi-no-yoroi (unrivaled armor) which Minamoto no Yoriyoshi was granted together with Mihata).
  55. Its fan base, consisting chiefly of children, provided a measure of stability in the number of moviegoers and proved a major source of earnings in its final years.
  56. Its feature differs from European and American CSR whose 'philanthropy' is other than main business, such as contribution and support, as the core activity.
  57. Its feature dish, Toryu noodles, is characterized by a soup like potage which uses vegetables.
  58. Its feature is that the player rotates the main body to change the string on the main body to be played, instead of rotating the bow.
  59. Its feature is that the tune is changed into the Banshiki-cho (a scale similar to Dorian mode on B) following the Oroshi pattern (an element that mainly concerns the slowing of tempo in all the instruments and a lowering of the melodic line of the nokan, or Noh fue) in the first section.
  60. Its feature is the long and round tamoto (sleeve), which is different from other juban.
  61. Its features aim to impress onlookers from the view on the stone steps.
  62. Its features also included skillfully cooking preserved foods, such as dried cod and dried herring fillets.
  63. Its features are as follows:
  64. Its fellow organization is Hakusui-kai.
  65. Its fellow organization is Mitokukai.
  66. Its fellow organization is Shohu-kai.
  67. Its festival is called Otsu-matsuri Festival, which is one of the Big Three Festival of Lake Countries.
  68. Its fierce battlefield was located in the present city center of Fukushima, which shows no sign of it.
  69. Its fifth lord Yoshimune and thirteenth lord Yoshitomi became the eighth Seiitaishogun (the formal title name of the Shogun, which originally means the commander in chief of the expeditionary force against the barbarians), Yoshimune TOKUGAWA, and the fourteenth Seiitaishogun, Iemochi TOKUGAWA, respectively.
  70. Its first and second founder was Emon of Hokusei and Kozan Eshi (515 - 577) respectively and Chigi was Eshi's disciple (it is also said that the 1st founder was Ryuju, the 2nd was Emon, the 3rd was Eshi and the 4th was Chigi)
  71. Its first appearance in literature is as "Kaicho-ji Temple" in the Kanto Gechijo-an (judicial documents for the Kanto region) dated 1240, which is part of the Kasuga Taisha Shrine collection of correspondence.
  72. Its first appearance in literature was in the "Shinsho kyakuchoku fusho", which stated that a contribution of one jinpu (residential unit) was given to the shrine in 806.
  73. Its first exhibition was held for eight days from July 24, 1937 at the Tokyo Prefectural Museum, and aroused interest because Tenrai HIDAI personally screened each of 2950 calligraphic works presented for the exhibition.
  74. Its first exhibition was held in November of 1925 at the Reppinkan hall of the Ryuchi kai.
  75. Its first exhibition was held publicly at the five sites of the Huairentang hall in the Zhong Nan Hai park of Beijing, Mitsukoshi in Dalian City, the Japanese school in the center of Shanghai, Chaotiangong in Nanjing, and Osaka Municipal Museum of Art.
  76. Its first exhibition was spectacularly held early in November of 1930 at the Tokyo Prefectural Museum.
  77. Its first floor is for hands-on exhibitions; the second floor exhibits written materials and has a large room for Karuta game competitions.
  78. Its first form was influenced by Hakuwa shosetsu, which was a type of Chinese literature.
  79. Its first grand master was Saniku TANIMURA, who studied under Dokan SHIMIZU the third.
  80. Its first layer is built by Shoin-zukuri architecture (the shoin style of traditional Japanese residential architecture) in a style of housing and the second layer is built in the style of a Zen temple building of a Buddhist image (Karayo (Chinese style)).
  81. Its first layer was Amitabha hall built by Shinden-zukuri architecture, the style of the nobility culture, the second layer was built in a style of housing (a popular belief says it is a Buke-zukuri architecture - architecture representative of a samurai's residence), and the third layer was built in the style of a Zen temple building of a Buddhist image in which a bone of Buddha was placed.
  82. Its first publication was in the 15th volume of the Katsura no Miya series of texts in 1950.
  83. Its fishery history ended when the Ogura-ike Pond was reclaimed, and agriculture replaced fishing.
  84. Its flavor and color are rich.
  85. Its flavor and texture is considerably different from that of sweet persimmons eaten without drying.
  86. Its flavor is considered to have been close to what kabayaki tastes like today.
  87. Its flavor, which is similar to sticky, salty cheese, is highly valued as a high-class accompaniment to drinks.
  88. Its floor space is the forth largest in Japan.
  89. Its flower language is "Virginity, Joy of a Bride and Purity"
  90. Its form is also generally well-known.
  91. Its form is generally well-known.
  92. Its form is that of a tale by an old lady, who was a granddaughter of Yotsugi OYA over 150 years old, on the way to visit the Hase-dera Temple.
  93. Its formal name is 'Sangokusoden Onmyokankatsu Hokinaiden Kinu-Gyokuto Shu' but this is sometimes abbreviated to 'Kinu-Gyokuto Shu'.
  94. Its formal name is Higashiyama Jisho-ji Temple.
  95. Its formal name is Honen-in Banbukyo-ji Temple on Mt. Zenki but is more commonly known by its honorific Buddhist title of Honen-in.
  96. Its formal name is Hongan-ji.
  97. Its formal name is Kegon-ji Temple but is commonly known as Suzumushi-dera Temple after the bell crickets (suzumushi) that are reared all year round.
  98. Its formal name is Kongoo-in Temple and it is a bekkaku-honzan (special head temple) of the Shingon Sect Daigo School.
  99. Its formal name was "The Imperial Rescript granted to Soldiers and Sailors."
  100. Its formal name was Ara ni Haberu Moromoro no Yamato no Maetsukimi (Yamato retainers in Alla).
  101. Its formal title was "Nihon yochitsushi kinaibu" and it was composed totally of 61 volumes.
  102. Its former name is Kasuga-jinja Shrine.
  103. Its former name of the shrine was Yoshino no miya.
  104. Its foundation was earlier than that of the Izumo-jinja Shrine (present-day Izumo Daijingu Shrine in Chitose-cho, Kameoka City), and as this shrine was at the same level as the Izumo-jinja Shrine, it was also called 'the second Taisha' of Kuwata-gun Country.
  105. Its founder is believed to be Gonuemon Michioki (権右衛門道意) OKURA, but it is thought that a person who actually established the basis of school was the second head, Choemon Nobuyasu, the adopted son of the third head of otsuzumi-kata, Toraie (Michitomo) NISUKE (二助虎家 [道知]).
  106. Its founder was Kenkyo, and the principal image is Shaka Nyorai.
  107. Its founder was Shinbutsu, a high-caliber disciple of Shinran, and it began from Ryogen who was a lineage of the Takada School of the Shin Sect.
  108. Its fourth head, Nobuyoshi Takeda (MINAMOTO no Nobuyoshi), raised an army in response to Prince Mochihito's orders.
  109. Its fragments have been preserved at Shoso-in and its reproduction is in use at present.
  110. Its fragrant smell and flavor are derived more from brown rice being roasted until light ginger than from the burst brown rice.
  111. Its frame structure is made of ferroconcrete, and the exterior half-timbered with brick walls between exposed wooden pillars, equipped with a terrace overlooking the Yodo-gawa River.
  112. Its framework was brought from a system of Kokushi kan (an educational system in China) (国子監制度), of Tang, China.
  113. Its front gate is rare Chinese-style white earthen gate.
  114. Its front gate was moved from Zeze-jo Castle, and is the National Important Cultural Property.
  115. Its fruit grows large and is less likely to have 'ukikawa' (see above.)
  116. Its fruit has less 'ukikawa' (see above) and its sugar content is high with lower acid.
  117. Its fruit is approximately 5 millimeters in diameter.
  118. Its full name is "Hokaisan Honenin Genku-ji Temple."
  119. Its full name is Reizen-zan Toto-in Kume-dera Temple.
  120. Its functions were transferred to the Ministry of Home Affairs' Bureau of Shrines and Temples.
  121. Its fundamental sutra is Lotus Sutra.
  122. Its gakuzuka (a frame hung between the shimagi and the nuki) says "Hosshinmon."
  123. Its garden is designated as a national scenic beauty.
  124. Its gate, enlightenment hall, sanctuary, and holy of holies are placed in a straight line and they form the planar Cross with a sanctuary in the center.
  125. Its general duties are:
  126. Its geographical shape provides the possibility that large-scale experiments can be conducted over river basin.
  127. Its goeika (song in praise of the Buddha) is, 'I want to see Buddha some day by always praying for Buddha like a stalk of Aoi (hollyhock).'
  128. Its gold carat is likely to be approximately 52 monme 2 bu (84.3%).
  129. Its government building was Kutsukidani-jo Castle (Kutsuki Jinya (regional government office)).
  130. Its grave mound has gone and the megalithic stone chamber is exposed.
  131. Its great statue of Buddha was painted with gold collected from all over Japan.
  132. Its gummy texture and sweet taste peculiar to the sweet potato are unique, both of which are produced by the moderate moisture content.
  133. Its harvest is from October to December.
  134. Its harvest is later than others as it takes longer to lessen the sour taste than other 'wase' cultivars, however to the contrary, when acid is attenuated, an improved taste is retained longer.
  135. Its has had a great impact on monophony (unaccompanied music).
  136. Its has heavily focused on reproduction, and boasts many of Japan's first successes in this field.
  137. Its head called Kurabugyo (Okurabugyo) led the branch but, in fact, Nosenkata selected from private Doso (pawnbrokers and moneylenders) inside Kyoto City were commissioned by the Kurabugyo to handle accounting.
  138. Its head family extinguished after the Meiji Restoration since the 10th Issai ISHII, who was called one of three masters of otsuzumi-kata along with Mataki TSUMURA (Kadono school) and Nenchi (然知) SHIMIZU (Takayasu school), had no children.
  139. Its head gate located at Mihogasaki of Otsu City, takes in the water of Lake Biwa.
  140. Its head is Ichiju ASHIDA.
  141. Its head is like a dragon, its body like a fish, bringing clouds and the rain.'
  142. Its head office is located at 118-1, Amada, Fukuchiyama City, Kyoto Prefecture (the fifth floor of JR West Building), and the administrative office of the railway business is located at 2065-4, Tsuruga, Miyazu City, Kyoto Prefecture (the second floor of Miyazu Station).
  143. Its head office is located at 641-1 Kamiyamada, Yosano-cho, Yosa County, Kyoto Prefecture.
  144. Its head office was initially located at Hanseong (Keijo as it was renamed upon the annexation of Korea, and Seoul Special City as it is known today).
  145. Its head temple was the Bukko-ji Temple in Shimogyo Ward, Kyoto City.
  146. Its head temples are Eihei-ji Temple (Fukui Prefecture) and Soji-ji Temple (Tsurumi Ward, Yokohama City).
  147. Its head was Konoe no daisho (Major Captain of the Inner Palace Guards) (Sakonoe no daisho (Major captain of the Left Division of Inner Palace Guards) for Sakonoefu, Ukonoe no daisho (Major captain of the Right Division of Inner Palace Guards)) for Ukonoefu, respectively.
  148. Its head was made with the dry lacquer method in the Nara period while its body was made of wood in the Kamakura period.
  149. Its head was made with the dry lacquer method in the Nara period while its body was remade of wood in the Kamakura period, but the statue is well-balanced without any feeling of strangeness.
  150. Its head was replaced by the one made later.
  151. Its height is 233 cm.
  152. Its height is thirty-six meters.
  153. Its height was from the Meiji period to the Taisho period and there were many tsuzura craftsman in Nihonbashi (Chuo Ward, Tokyo), a famous town for kimono, and there was also a tsuzura traders' union.
  154. Its hems get narrower to ankles and this hakama is suitable for activities and mobile.
  155. Its hengaku (framed statement) reads, "This is the place where Buddha appeared and gave lectures to people, and is the east gate to Paradise."
  156. Its high purity and consistent quality are maintained.
  157. Its history
  158. Its history as a hot spring dates back to the Taisho period, when a few hot spring hotels including Rankyokan existed.
  159. Its history as a port came to an end along with the name of Fushimi Port.
  160. Its history before the early modern ages is unknown, but in 1656 during the Edo period, Takakuni KYOGOKU from the Miyazu Domain constructed the shrine to pray for curing Ietsuna TOKUGAWA, the fourth shogun, of smallpox (historical plaque on a shrine warehouse building).
  161. Its history before the early modern ages is unknown, but it possessed territory with the size of four-koku (unit) three-to, and four-go in the Edo period ("Miyazuryo Muradaka-cho" (the Record of the Total Village Production in Miyazu Domain) of 1681).
  162. Its history is inscribed on 'Ujibashi Danpi' Monument in the precincts of Hashi-dera Temple at Ujibashi-higashizume (at the east foot of the bridge).
  163. Its history is unknown but it is said to enshrine the soshin (an ancestor honored as a god) of the Moriya shake (family of priests serving a shrine on a hereditary basis) family.
  164. Its hogo (a Buddhist name) is 'the Zenrin-ji Temple' (禅林寺).
  165. Its honden (main shrine) used to be a goma-do hall (hall for the goma rites) of Kissuiin.
  166. Its honden (main shrine) was located in the place where Watanabe no tsu used to be - Watanabe-cho (present Koku-machi) located at the south-east of the Tenjin-bashi Bridge, but it was moved to the present location - the south of the Honmachi Station of Osaka (Municipal) Subway, when Hideyoshi TOYOTOMI built Osaka-jo Castle.
  167. Its honorific Buddhist name is 'Takahiyama Jodo-in.'
  168. Its honorific mountain prefix had long been 'Seyasan' (世野山) and the temple is depicted with the words 'Seyasan Nariai-ji' in the "Amanohashidate-zu" painting by Sesshu (Kyoto National Museum collection, National Treasure).
  169. Its honorific mountain prefix is 'Asahisan.'
  170. Its honorific mountain prefix is 'Godaisan.'
  171. Its honorific mountain prefix is 'Hachiokasan.'
  172. Its honorific mountain prefix is 'Iobusan' and its title is 'Negoroji.'
  173. Its honorific mountain prefix is 'Mannensan.'
  174. Its honorific mountain prefix is 'Mt. Jubu' and the temple is formally identified as 'Kodai Jushozen-ji'.
  175. Its honorific mountain prefix is 'Mt. Kahara' and its title is 'Jion-ji.'
  176. Its honorific mountain prefix is 'Mt. Reio.'
  177. Its honorific mountain prefix is 'Seikozan.'
  178. Its honorific mountain prefix is 'Tokozan.'
  179. Its honorific mountain prefix is 'Tonoosan.'
  180. Its honorific mountain prefix is Enichisan.
  181. Its honorific mountain prefix is Entonzan.
  182. Its honorific mountain prefix is Fudarakusan.
  183. Its honorific mountain prefix is Goisan.
  184. Its honorific mountain prefix is Jishuzan.
  185. Its honorific mountain prefix is Kachozan.
  186. Its honorific mountain prefix is Mt. Chifuku.
  187. Its honorific mountain prefix is Mt. Daiki.
  188. Its honorific mountain prefix is Mt. Fukugen.
  189. Its honorific mountain prefix is Mt. Jikei.
  190. Its honorific mountain prefix is Mt. Kikko.
  191. Its honorific mountain prefix is Mt. Nanei.
  192. Its honorific mountain prefix is Mt. Ogura.
  193. Its honorific mountain prefix is Mt. Reisho.
  194. Its honorific mountain prefix is Mt. Tahofuji.
  195. Its honorific mountain prefix is Myosenzan.
  196. Its honorific mountain prefix is Nariaizan.
  197. Its honorific mountain prefix is Nishiyama.
  198. Its honorific mountain prefix is Reigizan.
  199. Its honorific mountain prefix is Ryuhozan.
  200. Its honorific mountain prefix is Sagasan.
  201. Its honorific mountain prefix is Shibutanisan (Shirutanisan).
  202. Its honorific mountain prefix is Shiunzan.
  203. Its honorific mountain prefix is Shobozan.
  204. Its honorific mountain prefix is Tozan.
  205. Its honsei (real family name) was Taira at first, and changed to Fujiwara at the time when Hideyoshi was appointed Kanpaku (chief adviser to the Emperor), and then became Toyotomi after bestowed by the emperor.
  206. Its honson (principal image of Buddha) is Miroko Bosatsu (Buddha of the Future, Bodhisattva of the Present).
  207. Its honzon (primary image of Buddha) is Senju Kannon Bosatsu (Thousand-Armed Kannon Bodhisattva, a Buddhist Goddess of Mercy)
  208. Its honzon (principal image of Buddha) is Amida Nyorai (Amitabha Tathagata).
  209. Its honzon (principal image of Buddha) is Eleven-Faced Kannon (Goddess of Mercy) (a Buddhist image normally withheld from public view).
  210. Its honzon (principal image of Buddha) is Enmei Jizo-bosatsu.
  211. Its honzon (principal image of Buddha) is Jizo Bosatsu.
  212. Its honzon (principal image of Buddha) is Juichimen Kannon Bosatsu (Kannon Buddhisattva with eleven faces) and also called Iwakura Kannon or Kannon-in.
  213. Its honzon (principal image of Buddha) is Juntei Kannon (God of Mercy) (also known as Juichimen Kannon, or Eleven-Faced Kannon).
  214. Its honzon (principal image of Buddha) is Kangiten (Nandikesvara, Ganesh in the Buddhist pantheon).
  215. Its honzon (principal image of Buddha) is Nyoho Butsugen Mandala.
  216. Its honzon (principal image of Buddha) is Nyoirin Kannon (the Bodhisattva of Compassion).
  217. Its honzon (principal image of Buddha) is Shaka Nyorai (Buddha Shakamuni).
  218. Its honzon (principal image of Buddha) is Shaka Nyorai (Shakyamuni) and Amida Nyorai (Amitabha Tathagata).
  219. Its honzon (principal image of Buddha) is Shaka Nyorai (Shakyamuni).
  220. Its honzon (principal image of Buddha) is Shakamuni-butsu.
  221. Its honzon (principal image of Buddha) is Shakanyorai (The Buddha Shakamuni).
  222. Its honzon (principal image of Buddha) is Sho Kannon.
  223. Its honzon (principal image of Buddha) is Taizan Fukun (Sekizan Daimyojin, one of the Japanese gods).
  224. Its honzon (principal image of Buddha) is Vairocana, and its kaiki (patron of a temple at the time of its founding) is Jianzhen.
  225. Its honzon (principal image of Buddha) is Yakushi Nyorai.
  226. Its honzon (principal image of Buddha), Juichimen Kannon-zo (the statue of Eleven-faced Kannon), is believed to have miraculous efficacy of treating eye diseases.
  227. Its honzon (principal image) is Amida Nyorai (Amitabha Tathagata), and its Kaiki (patron of a temple in its founding)is said to be WAKE no Kiyomaro or FUJIWARA no Momokawa.
  228. Its honzon (principal object of worship at a temple) is Amida Nyorai (Amitabha Tathagata).
  229. Its honzon (principal object of worship at a temple, usually a buddha or bodhisattva) is Amida Nyorai (Amitabha Tathagata).
  230. Its honzon (the principal image of Buddha) is Amida Nyorai (Amitabha Tathagata.)
  231. Its honzon (the principal image of Buddha) is Amida Nyorai, the Buddha who resides in the Western Pure Land.
  232. Its honzon (the principal image of Buddha) is Amida Sanzon-zo (the image of the Amida Triad).
  233. Its honzon (the principal image of Buddha) is Enmei Jizo Bosatsu (literally, Apothanasia Ksitigarbha).
  234. Its honzon (the principal image of Buddha) is Jizo Bosatsu (Ksitigarbha).
  235. Its honzon (the principal image of Buddha) is Kuon-jitsujo honshi Shakamuni-butsu (the eternal life of the Buddha) and Daikokuten (Mahakala).
  236. Its honzon (the principal image of Buddha) is Monju Bosatsu.
  237. Its honzon (the principal image of Buddha) is Senju Kannon (the thousand-armed Buddhist Goddess of Mercy), who is also known as Sei Kannon (literally, Saint Kannon).
  238. Its honzon (the principal image of Buddha) is Yakushi Nyorai (the Healing Buddha).
  239. Its honzon (the principal image of Buddha) is Yakushi Nyorai.
  240. Its honzon (the principle image of Buddha) is Shaka Nyorai (Shakyamuni).
  241. Its horizontal stone chamber is constructed using Anzangan rock (andesite), and the length between the entrance and the innermost wall is approx. seven meters.
  242. Its horoku (stipend) was 100 hyo (6,000kg) of rice and yakuryo (executive allowance) of five to ten fuchi (the equivalent of five to ten men rice stipend) was added.
  243. Its humorous face has made itself a symbol of sightseeing in Asuka Village.
  244. Its ideal is to resolve conflict with the enemy through aikido techniques, and to reach a state of realizing 'harmony' and 'loving and protecting all things' in nature and the universe.
  245. Its illustrations were painted by Yuzensai MIYAZAKI who was famous for yuzen-dyed fabrics.
  246. Its importance can be seen in the fact that, from the middle of the Heian period (810), it was counted as one of the Sangen, or three major barriers.
  247. Its in go (a title given to a Buddhist temple) is Soken-in Temple.
  248. Its inclusion in the Tendai Sect was finalized by Enryaku-ji Temple on Mt. Hiei becoming the Honzan (head temple) and it becoming a branch temple of Jitsuzobo of Enryaku-ji Temple.
  249. Its influence is especially remarkable in the description of the great battle of Kanto, and the naval battle of Sunosaki is a rehash of the historic Battle of Red Cliff.
  250. Its influence on studies of literature and history
  251. Its ingo (a title given to a Buddhist temple) is Chikurinin Temple.
  252. Its ingo (temple title) is Gokuraku-in.
  253. Its ingo (the title given to a Buddhist temple) is Ioin.
  254. Its ingo, a title given to a Buddhist temple is Jomyoin.
  255. Its ingo, a title given to a Buddhist temple is Ojoin.
  256. Its ingo, a title given to a Buddhist temple, is Hokke Zanmai Muryo Juin.
  257. Its ingo, a title given to a Buddhist temple, is Kuhon Zanmaiin.
  258. Its ingo, title given to a Buddhist temple, is Muryoju-in Temple.
  259. Its ingredients are the same as that of ordinary pot dishes.
  260. Its ink black is beautiful
  261. Its inner courtyard called 'Re-Cue Hall' is an open space hall with a capacity for about 1,500 people including standing audience.
  262. Its inside is designed as a gorgeous simulation of the Buddhist hall of the head temple of each relevant Buddhist sect, where statues of Buddha and ihai (ancestral tablets) are installed.
  263. Its institutional position in Japan
  264. Its intention was to resolve the disputes militarily and briefly to cope with the circumstances.
  265. Its interior consists of Doma (a dirt floor) that has the remains of Hoiro and a Zashiki room (a tatami matted room with an alcove), which cannot be seen from outside because the house is usually shuttered.
  266. Its interior is in the Empire Style, and the white walls and ceiling are decorated with gilded plaster reliefs.
  267. Its interior is in the style of Classicism with its walls decorated with textile art works of Kinka-zan brocade of nishijin (Kyoto).
  268. Its interior is now reinforced with a steel frame to prevent it from caving in.
  269. Its international status rose, obtaining a permanent seat in the League of Nations.
  270. Its introduction and origin are not known at all, but judging from its style, it seems to have been created in the first half of the Heian period.
  271. Its is described as "蜜柑" (honey citrus) in Chinese characters as it is sweet.
  272. Its jigo (literally, "temple name"), which is the title given to a Buddhist temple, is Joko-ji.
  273. Its jigo (literally, "temple name"), which is the title given to a Buddhist temple, is Shara Sojurin-ji Temple, without abbreviation.
  274. Its jigo (literally, 'temple name'), which is the title given to a Buddhist temple, was Kojima-dera or Kojimayama-dera Temple in early times, but after its revitalization by Shingo, it was changed to 'Kankaku-ji Temple.'
  275. Its jigo was Kojimasan Senju-in in the modern times.
  276. Its jinya was also placed in Shingu (present Shingu, Shingu-cho, Tatsuno City) since the time of the Shingu clan.
  277. Its jomon (family crrst) is Maru ni Yuimon.
  278. Its jurisdiction was taken over by Sapporo headquarter.
  279. Its kabane (hereditary title) was 'Muraji,' but upon the institution of Yakusa no Kabane, the clan was renamed 'Sukune' (third highest hereditary title).
  280. Its kabuki version was performed for the first time at Osaka Naka no shibai theater on January 19 1749.
  281. Its kaiki (patron of a temple in its founding) was Gyoki and its principal image is the seated statue of Amidanyorai (Amitabha).
  282. Its kamon (family crest) is Hishi ni Katabamiso crest (diamond and cuckooflower).
  283. Its kamon (family crest) is Mutsurindoguruma (six gentians in a circle).
  284. Its kamon (family crest) is Take ni suzume (bamboo and sparrow).
  285. Its kamon (family crest) is kyoyo (trapping).
  286. Its kamon (family crest) is sagari fuji (hanging wisteria).
  287. Its kamon (family crest) is the mitsukaede (three maples).
  288. Its kamon (family crest) was migi mitsudomoe (clockwise three comma-shaped figures in a circle).
  289. Its land and buildings had been on the verge of being auctioned off, but after the plan was changed the trustee was looking for potential buyers.
  290. Its layout was in the Teikaku style.
  291. Its leaves are alternate and oval in shape, 5 to 12 mm long, and purple on the back.
  292. Its leaves are round and clearly different from the leaves of the sakaki and the hisakaki.
  293. Its leaves are serrated.
  294. Its leaves are somehow rounded and taste less bitter when brewed, having nothing to do with gyokuro.
  295. Its length is about 13m.
  296. Its length varies from sect to sect, but in general it is cylindrical at one end for gripping and it becomes flat toward the other end.
  297. Its lid is approximately 230 centimeters long, 130 centimeters wide, and 52 to 55 centimeters thick, with a projection for tying up.
  298. Its life span is short.
  299. Its location centered around the place where Yoshiteru's Nijo-jo Castle once stood, but the lot was expanded to about 400 meters in four directions with double moats and a 3 layer castle keep added to the outline of the castle.
  300. Its location in the village of Ohara lies in the mountains to the northeast of the city of Kyoto and was known as a place where aristocrats and ascetic Buddhist practitioners secluded themselves.
  301. Its location varies by Saigu.
  302. Its low price make it fairly popular in the local region.
  303. Its lower part is compressed to make a waist for higher thermal efficiency during sterilization and its unique shape resembles a coffee cup (MC can-Hokkai Can).
  304. Its lyrics are 'Donchan, donchan donchan, Myokan doncha (omitted).'
  305. Its lyrics are the imitation of the pseudo-Chinese reading for characters and many of them don't have any meanings.
  306. Its magnificent forms can be seen in castle buildings in various areas of Japan in addition to Shishin-den Hall (hall for state ceremonies) in Kyoto Imperial Place and Daigokuden (Council Hall in the Imperial Palace) in Heian-jingu Shrine.
  307. Its main Japanese-style room is tatami-floored with 47 mats.
  308. Its main activities were antique artwork appraisal by FENOLLOSA, holding exhibitions of contemporary works, and particularly encouraging artists to produce works free of restrictions of conventional schools of painting, and among the painters Hogai KANO and Gaho HASHIMOTO were highly evaluated.
  309. Its main bases of activity are Tokyo and Nagoya, and ten players are registered with the Nohgaku Performers' Association (as of June 30, 2008).
  310. Its main bases of activity are Tokyo and Osaka etc., and over 20 players are registered with the Nohgaku Performers' Association.
  311. Its main bases of activity are Tokyo and Osaka etc., and some ten players are registered with the Nohgaku Performers' Association.
  312. Its main duty was supervising brewing of sake, amasake, and vinegar.
  313. Its main exhibit is a permanent collection of high quality Buddhist art works including two naional treasures and fifty three national important cultural properties.
  314. Its main exhibitions are the exhibitions on several different themes every year selected from the permanent collection, various publicly sponsored exhibitions, and college graduation exhibitions.
  315. Its main facility 'Kyoto Hotel Okura' is a long-established leading hotel in Kyoto.
  316. Its main hall and a three-storied pagoda have been preserved until today.
  317. Its main hall is a national important cultural property.
  318. Its main hall is the National Important Cultural Property.
  319. Its main hall, kara-mon gate (Chinese-style gate) and sukibei (transparent fence) are the National Important Cultural Property.
  320. Its main image should be a hanging scroll (a painting image) obtained from the head temple.
  321. Its main industry centers around agriculture, specifically good rice grown in rice paddies thanks to abundant ground water.
  322. Its main items were Choppers and Chopping tools which were produced by beating a part of a pebble.
  323. Its main missions were the investigation and exposure of illicit manors, and the confiscation of manors lacking the correct documents.
  324. Its main name was Genji (Minamoto clan).
  325. Its main object of worship is a standing statue of Shokannon (Important Cultural Property).
  326. Its main office is located in Kita-ku, Kyoto City, Kyoto Prefecture.
  327. Its main production regions are Tokai and Kyusyu regions.
  328. Its main use is solely as a piece of furniture, such as a set of shelves, for displaying tea utensils.
  329. Its major production areas are the Tango region in Kyoto Prefecture where Tango Chirimen R is produced and Nagahama City in Shiga Prefecture where Hama Chirimen is produced.
  330. Its major regional base is in Kyoto and Osaka.
  331. Its management is regulated under the Hotel Business Law.
  332. Its mantra, a syllable symbolizing Buddha is 'bhruum'.
  333. Its mantra, a syllable symbolizing Buddha, is ga or zril.
  334. Its many cultural properties include the Ki Fudo (a hanging scroll of a Buddhist god known as the Yellow Fudo (Acala)) and the Manshuin Bon Kokin Wakashu (the Manshuin Temple version of Kokin Wakashu (A Collection of Ancient and Modern Japanese Poetry), both of which are national treasures.
  335. Its marble statue is magnificent with about 20 m of height and a gross weight of 1,200 t.
  336. Its market share grew to the top, with as much as 80% of the total domestic production.
  337. Its material is usually cotton, but some are made of hemp thread as well.
  338. Its material was limited to bleached cotton, and Kamon (family crest) was put on eight places in total, back, chests, sleeves, koshiita and both sides of slacks side seam of hakama.
  339. Its material was originally silk, but polyester is mainly used for zoku-Soh (modern Soh) at present.
  340. Its materials are silk thread, gold thread and silver thread.
  341. Its materials were soot of burnt pine and graphite, and gelatin and perfume were also used.
  342. Its meaning can vary from when it is looked at as a mere inheritance, to when it is looked at as secrets being handed down from father to son.
  343. Its meaning differs depending on contexts.
  344. Its meaning is similar to that of a tower, but "tower" originally indicated a Buddhist tower in ancient times and in modern days "tower" has come to be used as translated word "entower."
  345. Its meaning is the same as 'Tana kara Botamochi' (sometimes it is translated as 'his bread is buttered on both sides').
  346. Its meaning is the same as 'bagel'.
  347. Its meaning is the same as that of "takadono" or "Koro (高楼)."
  348. Its meditative facial expression and elegant posture have attracted people.
  349. Its members consisted of dominent gokenin, members of the Ashikaga clan, powerful Shugo daimyo (Japanese territorial lord as provincial constable) and Kokujin (local samurai).
  350. Its members included Masashige KUSUNOKI, Nagatoshi NAWA, and Kanemitsu IGA.
  351. Its members included Toshizo AOSHIMA, Tokunai MOGAMI, Ippei OISHI and Yaroku ANBARA.
  352. Its members returned to Kanze-ryu school through a mediation of The Nohgaku Performers' Association in 1954.
  353. Its menu includes oyako-don and katsu-don (a bowl of rice with a pork cutlet on top).
  354. Its merchandise ranges from the green tea to various tea utensils
  355. Its mi is double width (approx 30 inches) and has tarikubi and scarlet strings attached to the right shoulder.
  356. Its middle to the northern part is a mountainous region where population density is low.
  357. Its migoro (the main section) is made of two pieces of cloth.
  358. Its minimal precipitability makes it hard to burn dry.
  359. Its monetary value (currency unit) was four mon (currency unit during the Edo period).
  360. Its monks were increasingly appointed as kanjin shoku:
  361. Its most representative Kamon (family crest) 'Sasarindo' (bamboo grass and gentians) is older than 'Mitsuuroko' (three scales in a circle) of the Hojo clan, which contains triangles, and is said to be the oldest in Japan.
  362. Its mouth is usually formed wider than its bottom in order to make the temperature of boiled water drop efficiently.
  363. Its mudra includes a left hand grasping the gown in front of the belly and a right hand raised to the level of the chest with its palm facing forward to form Semui-in (the mudra for bestowing fearlessness).
  364. Its music took in the style of Joruri (dramatic narrative chanted to a samisen accompaniment) including Icchubushi melody, and focuses on songs.
  365. Its name 'Shiokumi' (scooping salt) originates from manufacture of fine salt around the foot of the pass; since ancient times the people had scooped ('kumi' in Japanese) seawater, made fine salt ('shio' in Japanese) by drying the seawater, and carried it to central Kyoto through the pass.
  366. Its name 'Utan' consists of 'u,' a Japanese word corresponding to a cormorant, and 'tan,' a child's word of 'chan.'
  367. Its name 'naoshi' (literally, improve) is derived from 'improve the taste of a difficult-to drink alcoholic beverage.'
  368. Its name came from the lacquered interior decorations with sprinkled Raden, with gold leaf.
  369. Its name comes from 'suki' which means enjoying furyu (elegant aestheticism), such as waka (31 syllable Japanese poem), tea ceremony, and Japanese flower arrangement (refer to sukimono), and 'sukiya' means 'a house built as you like,' or a teahouse.
  370. Its name comes from a historic old temple nearby of the same name Shoryu-ji.
  371. Its name comes from the large ceiling painting of 300 m2 by curve drawing method inspired by a scene from the Noh play Hagoromo (Robe of Heaven).
  372. Its name comes from the portraits of thirty-six Chinese poets displayed in Shisen no Ma (literally, 'room of poetry immortals').
  373. Its name derived from the fact that a sound "chiri chiri" was made when the ornaments touched each other.
  374. Its name has been derived from the article called 'Special Phonetic Orthography and Usage in the Documents Written in Ancient Japanese' written by a Japanese linguist Shinkichi HASHIMOTO.
  375. Its name in English is Kyoto State Guest House.
  376. Its name in Sanskrit, hayagriiva (transcription: 何耶掲梨婆), means "horse head."
  377. Its name is based on the fact that it keeps out the sunlight by its hands shading the sun and moon.
  378. Its name is derived from the Imperial Palace Omi Otsu no Miya where the capital was located.
  379. Its name is derived from the fact that decorative stones and other materials, such as agate and rhinoceros horn, are sewn onto the leather belt.
  380. Its name is found in "Jogu Shotoku Hooteisetsu" (Biography of Shotoku Taishi).
  381. Its name is taken from the stickiness of koji (malted rice) in amazake on the surface.
  382. Its name means 'field's spirit' ('no野' means 'field;' 'zuづ' and 'tsuつ' mean 'of;' 'chi霊' means 'spirit' or 'ghost').
  383. Its name originates from the fact that it faced the north edge of Bukko-ji Temple after the relocation of the temple (1586).
  384. Its name remained the same even after the town became a city on October 1, 1972, but later in September 1986, it was changed to the current name.
  385. Its name was also changed to 'Stateside Theater.'
  386. Its name was changed to The Nichiren Honmon Sect (Honmon Sect) in 1899.
  387. Its name was initially the Kyoto Enthronement Memorial Museum of Art, because it was built in commemoration of Emperor Showa's enthronement ceremony conducted in Kyoto in 1928.
  388. Its name was usually associated with 24 directions based on its direction and location.
  389. Its nature is slightly different from that of traditional Japanese dishes, and it's difficult to eat the dish elegantly.
  390. Its neighborhood gets very crowded on weekends as it faces Hanamikoji-dori Street and next to it is Gion Kobu Kaburenjo Theater (a theater which shows geisha (Japanese professional female entertainer at drinking party) dances) and maiko (apprentice geisha) dance).
  391. Its neighborhood has become a secondary center of the city.
  392. Its neighborhood is designated as Wakasa Bay Quasi-National Park, which is blessed with a rich natural environment and has great views of the many islands on the sea.
  393. Its neighborhood was the Isshiki clan's home turf with many branch castles and forts all over the area.
  394. Its new railings were built in 1965.
  395. Its nickname is 'Bain'.
  396. Its north end is in Ukyo-ku Ward and its south end Nishikyo-ku Ward.
  397. Its north, east and west sides are steep cliffs, and the Uono-gawa River flowing at the west-side of the mountain constitutes a natural moat, providing a military defense line.
  398. Its northern edge has a reef 89m above sea level which is called Tsuriganeiwa rock.
  399. Its northern end is around Kamogawa Junior High School at Shichiku of Kita-ku Ward; its southern end is at the south of To-ji Temple in Minami-ku Ward; its eastern end roughly comes into line with present Kawaramachi-dori Street; and its western end is around Enmachi Station of Sanin Main Line in Nakagyo-ku Ward.
  400. Its number of tegumi (a rhythm pattern) is small and an ancient style remains in kakegoe (a call).
  401. Its number of volumes, compiler, and other information are unknown.
  402. Its objective is to collect information on computer games and to compile a database of computer games, which is a collaborative effort among industry, government and academia.
  403. Its objectives are collecting, storing, studying, and publishing of books, ancient documents, and materials of arts and crafts related to Kyoto Prefecture.
  404. Its office Danjodai became independent of the two departments and eight ministries to be in charge of prosecution.
  405. Its office was located in the Seikyo-sha.
  406. Its official Home page states that "Uocchi Kan is the largest aquarium in Japan".
  407. Its official denomination isn't 'the Main Line' but 'Keihan Main Line,' the name prefixed by Keihan (the company's abbreviated name), which means transportation connecting Kyoto and Osaka.
  408. Its official duties partially overlapped those of Kamonryo (Bureau of Housekeeping).
  409. Its official duty was training of dance and music.
  410. Its official name "Kyoto Prefecture Museum of Culture" is sometimes used.
  411. Its official name is Kasane-shozoku.
  412. Its official name is Koeki-Shadanhojin (Public Interest Incorporated Association) Nogaku Kyokai.
  413. Its official name is Kyoto Shijo Minamiza Theater.
  414. Its official name is long, 'The Kyoto Prefectural Park Commemorating the Establishment of Kansai Science City,' and descriptions here are made using the general nickname of 'Keihanna Commemorative Park.'
  415. Its official name is the 'Yodo-Uji Route,' as displayed on the Keihan City Bus.
  416. Its official name is the Tendai Hokke En Sect.
  417. Its official position was to teach the law (Myobodo (the study of codes)) at a university in addition to compiling and interpreting the ritsuryo code and kyakushiki.
  418. Its official title is "Uruuzuki Ninin Kagekiyo." (The leap month and the virtue of kagekiyo).
  419. Its old classification of shrines was prefectural shrine (of prefectures other than Kyoto and Osaka), as well as Beppyo jinja (Shrines on the Special List).
  420. Its old shrine ranking is township shrine.
  421. Its old shrine ranking was sonsha (a village shrine).
  422. Its oldest record is seen in chapter 765 of 'Shinshokyakuchokufusho' (the record of legal history), which described 'Otoshi-gami thirteen houses, Yamato three houses, Sanuki ten houses.'
  423. Its opening sentence was 'Daijokan-so' (Daijokan have the pleasure in reporting to the Emperor as follows), and it was closed by 'Kashiko mosu' (literally, Respectfully we have reported).
  424. Its operation is exclusively conducted by the passenger-handling railway company (JR).
  425. Its operation is subcontracted to Keihan Kyoto Kotsu.
  426. Its operation route diverged at Fukuchiyama Station into two directions--the direction of Ayabe Station and Amanohashidate Station, and the direction of Wadayama Station on Sanin Main Line--and the division or connection of the train cars was done at Fukuchiyama Station.
  427. Its operation was discontinued during the war, but after the war, in 1947, it was restarted.
  428. Its operation was halted in 2005 because of the twisted framework, but it was revived as the 'SL Hitoyoshi' during April, 2009 after a new frame was made.
  429. Its operation, entrusted to the Kyoto City association for art and culture, includes activities such as supporting art-related artivities, collecting and sending out information, executing 'Artist In Rsidence Programs' and promoting interactions between artists and other local people are carried out.
  430. Its organization
  431. Its origin
  432. Its origin and characteristics are quite different from other ordinary Rikyu manju.
  433. Its origin and the relationship with Kokyu from the mainland are not known.
  434. Its origin as a piece of cloth to wrap up things is traced back as far as the Nara period and there remains one which was used to wrap up the costume for Bugaku (traditional Japanese court music accompanied by dancing) among the Shoso-in treasures.
  435. Its origin dates back to June 21, 1837, when a large whale was washed up on this coast.
  436. Its origin derives from the name of the opening chapter of "Ojoyoshu (Buddhism book)" by MINAMOTO no Makoto (a court noble), the content of which shows the basic characteristics of the thoughts of the Jodo sect as well as Gongujodo.
  437. Its origin is also due to the fact that ONO no Takamura carved a cherry tree into six Jizo Bosatsu-zo (statues of Jizo Bosatsu) in 852.
  438. Its origin is believed to be various arts of the western region of China.
  439. Its origin is believed to derive from the 'rain dance' held by SUGAWARA no Michizane over four years from 886 to 889 when he was kokushi (provincial governor) of Sanuki Province, and the dance danced by villagers to express their gratitude the following year still remains.
  440. Its origin is considered to be Daido-ji Temple of present Ujitawara-cho, Tsuzuki County, Kyoto Prefecture.
  441. Its origin is not clear.
  442. Its origin is not exactly known.
  443. Its origin is said to be either a family of the Hatano clan, a descendant of FUJIWARA no Hidesato or a Gokenin (an immediate vassal of the shogunate in the Kamakura and Muromachi through Edo periods)in Sagami Province, and in fact, they had several family trees and there is no accepted theory about it.
  444. Its origin is said to have been a staff meal for fishermen.
  445. Its origin is that the production of tabi was promoted to support the finance of the province since around the early 17th century.
  446. Its origin is the castle town constructed by Hidetsugu TOYOTOMI in the foot of Mt. Hachiman-yama located on the east shore of Lake Biwa in 1585 (Azuchi Momoyama Period).
  447. Its origin is the measures taken in the Edo period when cargo vessels met disasters.
  448. Its origin is uncertain, but items which look like it have been found in the collection of Shoso-in Treasure Repository.
  449. Its origin is uncertain, with various theories provided.
  450. Its origin is unclear, but it is thought that it was probably brought by Kitamaebune (a trading ship in Edo and Meiji period) because Sakata flourished as a rice port in Edo period and had contacts with Kyoto via Kitamae route (traveling west).
  451. Its origin is unknown, but it is estimated to have been made in the days between the end of Nara Period and the early Heian Period.
  452. Its origin lies in a thatched hut named Ichijo Shikanin built by Denkyo Daishi Saicho in 788.
  453. Its origin was Asakura, Yabu County, Tajima Province (Yabu City, Hyogo Prefecture), and at first the clan used the name of Kusakabe clan as its sei (authentic surname).
  454. Its origin was a dish in southeastern Asia in which fish were placed inside boiled rice.
  455. Its origin was a mixture of rice and curry sauce topped with a raw egg served as 'special curry' (Indian curry) at JIYUKEN in Osaka City, and it spread into general unmixed curry and rice.
  456. Its origin was the Kamakura shogunfu headed by Imperial Prince Nariyoshi, a prince of Emperor Godaigo, which Emperor Godaigo established, as a part of the Kenmu Restoration, for the purpose of ruling the Kanto region.
  457. Its original Western-style ferroconcrete building used to be the former Kyoto Central Telephone Office, which was designed by Tetsuro YOSHIDA, an architect of the Ministry of Communications Building and Repairs Section, constructed by Shimizu Gumi (now Shimizu Corporation), completed in 1926, and extended in 1931.
  458. Its original book is possessed by the Imperial Household Archives, except for parts of the book that are missing.
  459. Its original brand name of green tea is Kisen and the fine quality tea is called Jokisen (or Shokisen).
  460. Its original form was "Senrigatake no ba" (scene of Senrigatake.)
  461. Its original jurisdiction included the Kanto region, Izu Province and Kai Province, and Mutsu Province and Dewa province were added in 1392.
  462. Its original land feature was a sandbank in the Kamo-gawa River, but, reclamation work was conducted as part of bank protection work during the early Edo period, and the place came to be called Shin-kawaramachi-dori Street.
  463. Its original meaning was 'an instrument which is blown,' and such instruments are currently utilized for a variety of purposes including musical instruments, toys, signals and alarms.
  464. Its original meaning was that, if there is no legitimate child and a successor should be selected from among children born out of wedlock, the one born from a mother from the highest ranked origin should be selected.
  465. Its original reality is Anryugyo Bosatsu.
  466. Its original reality is Fugen Bosatsu.
  467. Its original reality is Jogyo Bosatsu (Pure Practice Bodhisattva).
  468. Its original reality is Jogyo Bosatsu (Superior Practice Bodhisattva).
  469. Its original reality is Kanzeon Bosatsu (the Buddhist Goddess of Mercy).
  470. Its original reality is Miroku Bosatsu (Maitreya Bodhisattva).
  471. Its original reality is Muhengyo Bosatsu (Limitless Practice Bodhisattva).
  472. Its original reality is Shaka Nyorai (Shakyamuni).
  473. Its original reality is Taho Nyorai (Buddha of Many Treasures).
  474. Its original reality is monjushuri bosatsu.
  475. Its original shrine was Iwashimizu Hachiman-gu Shrine.
  476. Its original title was "Sukharvativyuha Sutra" (Sukh?vat?vy?ha in Sanskrit), which means 'the solemnity of gokuraku (the Pure Land).'
  477. Its ornament was mainly family crest or flower and such products were used mainly by girls or young women of relatively rich families.
  478. Its ote-mon gate as well as Tamon yagura (hall turrets), Senkan yagura, and the Three walls that surround the ote-mon gate are designated as important cultural properties.
  479. Its ote-mon gate existed at its ninomaru (present-day Kawauchi South Campus of Tohoku University) until the Sendai air raids.
  480. Its other name is Hakuin Zenji Zazenwasan.
  481. Its other name was uji no kyo.
  482. Its other names are Hajikami and the English term, "Japanese pepper."
  483. Its other names include Otori-sai and Otori-sama.
  484. Its other names were 'Okichi-kakimamori' and 'Chikaki-mamorinotsukasa.'
  485. Its outlets are only in throughout the Kanto.
  486. Its outline is as follows: 'the emperor (Emperor Konin in concrete) ordered me to take the faculty of Imperial Sun Succession (Amatsuhitsugi) to the Imperial Throne (Takamikura) according to the law that Emperor Tenchi conceived and established for the first time.
  487. Its output accounted for about 60% of Japan's total during pre-war period.
  488. Its overall height is about 215 cm because three pillars about 203 cm in height are set on a foundation called 'tsuchii' laid on each of the four corners.
  489. Its particular feature is that the secondary rock chamber of the burial facility looks exactly like a room for keeping articles left by the person buried there.
  490. Its passageways are designed to be rather long: the path from the main street to approach the hall passes a pond and gives the visitor a feeling of being drawn into the entrance; spiral slopes lead to its large and small halls.
  491. Its patriarch was Emonfu (member of the Headquarters of the Outer Palace Guards) Nakakiyo JIKOJI, the second son of the Itsutsuji family.
  492. Its patriarch was Hideatsu OHARA (Shosanmi - Senior Third Rank), Konoefu (member of the Headquarters of the Inner Palace Guards) (1704 - 1758), adopted by Shigenaga NIWATA (Juichii - Junior First Rank), Dainagon (chief councilor of state) (1650 - 1725).
  493. Its patriarch was MINAMOTO no Tokimasa, the son of Sadaijin (Minister of the Left) MINAMOTO no Masanobu.
  494. Its patriarch was Nobuari AYANOKOJI (Shonii - Senior Second Rank), Chunagon (vice-councilor of state) (1269 - 1324), a descendant of Sadaijin (Minister of the Left) MINAMOTO no Masanobu.
  495. Its peak is 406 m above sea level.
  496. Its pedestal is not Rengeza (a Lotus seat), but classical Mokakeza which was prevalent before Nara period, showing 560 small statues of Jizo Bosatsu (a guardian deity mainly for children) on its halo.
  497. Its penetration energy and destructive power
  498. Its performance has a decorative tone since it uses complicated music and a lot of kaenote (a rhythm pattern).
  499. Its performance is bright, rather soft and elegant.
  500. Its performance is dedicated to Anori-jinja Shrine.
  501. Its performance is dedicated to Mononobe-jinja Shrine.
  502. Its performance is thought to belong to the line of Mangoro HIYOSHI, who made a great contribution to early Kyogen, the same source as the Sagi school and the Okura school.
  503. Its periphery is serratted as if pressed with a makisu (a 'sushi mat', a bamboo mat used in food preparation) and a spiral pattern is seen in cross section.
  504. Its philosophy is based on the theory for unification of the three religions of Shinto, Confucianism and Buddhism.
  505. Its place of origin is Himalayan region, China.
  506. Its plant in Fukuchiyama produces incandescent bulbs, fluorescent bulbs and digital cameras as well as electronic flashes.
  507. Its plant in Fukuchiyama produces paper products such as tissue paper, Scottie.
  508. Its playing style and score are as practically equal as that of Nohgaku theatre musical accompaniment.
  509. Its poem likens shi-no-ko-sho to spring, summer, autumn, and winter, successively celebrating their positive points.
  510. Its political power based on gold which was mined abundantly in the Oshu region and trade between northern part of Japan and Northern Song Dynasty China.
  511. Its popular name is Mineoka Atago-yama
  512. Its popularity was also criticized in Nijo-gawara Rakushu (an anonymous poem with satire and criticism in it, put up in Nijo-gawara) because tocha was involved with gambling for money and goods.
  513. Its population is estimated to be about 103,600 as of March 2009.
  514. Its population is estimated to be about 122,000 as of March 2009.
  515. Its population is estimated to be about 153,000 as of March 2009.
  516. Its population is estimated to be about 166,000 as of March 2009.
  517. Its population is estimated to be about 204,000 as of March 2009.
  518. Its population is estimated to be about 283,000 as of March 2009.
  519. Its population is estimated to be about 41,000 as of March 2009.
  520. Its population is estimated to be about 76,000 as of March 2009.
  521. Its population is estimated to be about 82,000 as of March 2009.
  522. Its population is estimated to be about 99,000 as of March 2009.
  523. Its population projection is about 136,000 as of March 2009.
  524. Its position and duties are:
  525. Its position has become that of an office of Kyoto Animation.
  526. Its positive disappearance
  527. Its possible origin includes China, Japan, Spain amongst others, but remains a matter of speculation.
  528. Its posthumous Buddhist title is Jodo-ji Temple or Kegon-ji Temple.
  529. Its power was weaker than that of the Seiin as its resolutions were recognized by the latter as matters to be decided.
  530. Its preaching emphasized the Genseriyaku as proof of the right religion, and strongly criticized other sects and religious groups.
  531. Its precinct is a borrowed land from a branch temple bordering right east of Toin of Horyu-ji Temple where Yumedono (Hall of Dreams) stood.
  532. Its precinct is located at the western foot of Mt. Hiei.
  533. Its predecessor is Dotoku Kagaku Senko Juku (lit. Moral Science research institute) established in 1935.
  534. Its predecessor is Kubera, a treasure god in Indian myth.
  535. Its predecessor is believed to have been Uchikura Kinunui no miyatsuko.
  536. Its predecessor was (Nihon) Kyoto Sangyo Koshu-jo ((Japanese) Kyoto Training Institute of Sericulture) founded in 1899 under the Ministry of Agriculture and Commerce.
  537. Its predecessor was Kankoku Tokan-fu (Resident General of Korea), and the Korean Empire was reorganized and integrated, but the major high officials were mostly Japanese.
  538. Its predecessor was a socialism study group which had been held since 1898, and it was established by Isoo ABE, a chairman, and Kiyoshi KAWAKAMI, Sen KATAYAMA, Toshihiko SAKAI, Shusui KOTOKU, Naoe KINOSHITA, and Kojiro NISHIKAWA in January 1900.
  539. Its preface includes the following descriptions about the process of its compilation.
  540. Its preservative quality is high since it's a dry food, but when the storage life gets longer, the fat content is oxidized and the quality deteriorates.
  541. Its price is reasonable and about 1,000 yen (exclusive of tax) (40 pieces).
  542. Its principal image as determined by Nichiren is the mandala from the 'Nam Myoho Renge Kyo' of Kuonjojugusoku.
  543. Its principal image is Amida Nyorai (Amitabha Tathagata), and the founder of the temple was Zesan.
  544. Its principal image is Amida Nyorai (Amitabha Tathagata).
  545. Its principal image is Amida Nyorai.
  546. Its principal image is Bishamonten (Vaisravana, also called Tamonten).
  547. Its principal image is Eleven-faced Kannon (Goddess of Mercy).
  548. Its principal image is Fudo Myoo (Acala, one of the Five Wisdom Kings).
  549. Its principal image is Jikkai Mandala (Ten Realms Mandala).
  550. Its principal image is Nyoirin Kannon (Bodhisattva of Compassion).
  551. Its principal image is Sho Kannon.
  552. Its principal image is Yakushi Nyorai (the Healing Buddha).
  553. Its principal image is Yakushi-nyorai.
  554. Its principal image is Zao Gongen.
  555. Its principal image is Zaogongen-zo and its founder has been reported to be EN no Ozunu (A semi-legendary holy man noted for his practice of mountain asceticism during the second half of the seventh century).
  556. Its principal image is a guardian deity mainly for children, Jizo Bosatsu.
  557. Its principal image is of a Juichimen (eleven faced) Kannon.
  558. Its principal image is of an Eleven-faced Kannon.
  559. Its principal image is the Buddha Shakamuni, its kaiki (patron of a temple in its founding) was Michiie KUJO and the role of kaisan (first chief priest) was fulfilled by Shoichi-kokushi Enni.
  560. Its principal image is the statue of Fukukensaku Kannon (The Deity of Mercy).
  561. Its principal image is the statue of the Shonyoirin Kannon (The Deity of Mercy).
  562. Its principal image of worship is Jikkai Mandala (Ten Worlds Mandala).
  563. Its principal image of worship is the statue of Kobo Daishi and is revered as Yakuyoke Daishi (Great teacher for warding off evil).
  564. Its principal images are Senju Kannon, Daruma Zenji and the Prince Shotoku.
  565. Its principal images are Shaka Nyorai, Amida Nyorai and Miroku Nyorai (Maitreya), which are known as known as 'Sanze-Butsu.'
  566. Its principal object of worship is the eleven-faced Kannon and its founder is regarded as Domyo.
  567. Its principle image is Amida Nyorai (Amitabha Tathagatae).
  568. Its principle image is Senju Kannon Bosatsu (Thousand-Armed Kannon Bodhisattva, a Buddhist Goddess of Mercy).
  569. Its principle image is Yakushi-nyorai.
  570. Its principle image is a statue of Monju Bosatsu riding a lion.
  571. Its principle image is a stone Jizo Bosatsu of Ksitigarbha.
  572. Its principle image is the Thousand Armed Kannon (or Deity of Mercy).
  573. Its process of tying is fastening an obi around the body, turning up one of the ends and knotting it with the another end in komamusubi (a square knot).
  574. Its production and consumption are basically limited to Japan.
  575. Its production technique was imported into Japan in the Tensho era and became the origin of current Japanese Senko.
  576. Its program includes 'Date Musume Koi No Higanoko' (The Greengrocer's Daughter).
  577. Its program includes 'Genji Eboshi Ori.'
  578. Its program includes 'Keisei Awa no Naruto' (The Courtesan of Naruto in Awa Province).
  579. Its program includes 'Keisei Awa no Naruto.'
  580. Its program includes 'Rennyo Shonin Ichidaiki.'
  581. Its program is indicated below.
  582. Its prologue story titled "Karakuri-Doji ULTIMO Zero" was published as a one-shot story in "Jump Square Second" Volume 1 (a magazine published by Shueisha, Inc.).
  583. Its property has gradually been diminished due to several fires, and the vestige of the original Kangakuin has been fading.
  584. Its protagonist is a thief.
  585. Its prototype was built in the Yayoi period, and hakama was mainly used by men and is regarded as a formal dress in recent times.
  586. Its pungency further increases if it is grated with its skin.
  587. Its purpose is 'to promote the policy to achieve a peaceful, safe, good and comfortable environment for Kamo-gawa River and other rivers, and to hand down provincial heritage Kamo-gawa River and other rivers to our descendants' (from the preamble).
  588. Its purpose is for announcement of someone's succession to his predecessor's name or advertising performance.
  589. Its purpose was to strengthen the Tokugawa family's domination of the entire country by regulating the power (military force) of the feudal lords; it was focused in particular on the western provinces, where there were a lot of nonhereditary feudal lords.
  590. Its quality is nearly equal to kaku-kanten.
  591. Its quality was high at first, but lowered to 75%, and then 39%.
  592. Its ranked as a prefectural shrine.
  593. Its ranks consist of (minarai or apprentice), zenza (opening act), futatsume (status between amateur and professional), shinuchi (full-fledged master of story-telling).
  594. Its reason and its criteria are unknown.
  595. Its reception hall was originally the old palace of her adoptive mother Tofukumonin, which had been moved to its present place.
  596. Its rectangular part is open like a pot, and no moat has been found.
  597. Its red color looks attractive, and its spiciness is exploited as a condiment.
  598. Its regime remained stable enough despite the Genko (Mongol Invasions of Japan) incidents in and after the middle of the 13th century.
  599. Its regular carat was around 52 monme (84.6%) in the early time (52 monme 2 bu [84.29%]is average), rising to 50 monme 7 bu (86.79%) which is 'the value of Mimasu' around the time of the 3rd Shosaburo Yoshishige GOTO, after Kanei era, later.
  600. Its regular size is 42.42cm, or 54.54cm for a big fireplace of the Urasenke school of tea ceremony, which is much smaller than common Irori fireplaces.
  601. Its relationship to other martial arts
  602. Its relationship to the Vietnamese Gagaku (nh? nh?c), which assimilated Chinese traditional music as Japan did, as well as the national traditional music in South Korea, is equivalent to a brotherly relationship.
  603. Its relationship with Yamato Heki school is uncertain.
  604. Its religious festival was called 'Gion Goryo-e,' and began being celebrated by the citizens of Kyoto at the Gion-sha Shrine (currently Yasaka-jinja Shrine) in the latter half of the tenth century.
  605. Its religious school is the Nichiren sect.
  606. Its remains are a special historic site designated by the national government.
  607. Its renovation work was conducted from January 2003 to February 2008 at a cost of 1,017.6 million yen.
  608. Its representative brand was renamed 'Hyakuman-doru (literally, one million dollars).'
  609. Its representative buildings, Koshoin, Chushoin, Gakki no ma (a room where musical instruments were stored) and Oyagoten, are built in the Shoin-zukuri style in the form of ganko (lining up shoulder to shoulder like flying geese).
  610. Its representative is called Kangaku-ryoto which is chosen by the members of Kangaku-ryo.
  611. Its responsibilities were almost the same as those of Chujo.
  612. Its revitalization was spurred on by the opening of Kawaramachi OPA (November 1998)
  613. Its rich natural environment containing a facility for watching birds can make people forget they are in Kyoto City.
  614. Its rind is rather thick among unshu mikan and it keeps well.
  615. Its roadway will not end at the Miyazu-Amanohashidate Interchange but will extend to the Tottori Jidoshado Expressway and the Tottori Interchange of the Sanin Jidoshado Expressway as a local high-standard highway, being the Tottori Toyoka Miyazu Jidosha Expressway.
  616. Its role as the academic center soon came to an end; scholars during the Edo period saw Ashikaga School as a library that stored precious ancient books.
  617. Its role in overthrowing the bakufu was recognized with a promotion to the rank of count in 1891.
  618. Its role in the field of literature is great as the beginning of new Kabuki.
  619. Its role is similar to that of Locke the Superman as described above.
  620. Its roof is Irimoya-zukuri (half-hipped) and covered with cypress bark shingles.
  621. Its roof was originally of kirizuma-zukuri style (an architectural style with a gabled roof) but was rebuilt in irimoya style (with a half-hipped roof) with door fittings.
  622. Its room arrangement is said to have been far from luxurious, but better than that of the ordinary people at that time.
  623. Its roots are traced to the express train called Kansai Kyuden, which ran between Kyoto, Osaka and Kobe.
  624. Its roots originally go back to the C?telette of French cuisine, but Japan's 'tonkatsu' recipe has developed separately and is therefore considered a Japanese dish.
  625. Its rootstalks are in the mud of the bottom of water.
  626. Its round cutting edge evokes the images of a catfish tail, thus it is also called 'namazuo' (catfish tail).
  627. Its route running straight along the sparsely populated mountain areas, made it possible for the line to provide high-speed operation.
  628. Its route, however, differs from that of the Ritsuryo and Edo periods in many places.
  629. Its routes mainly cover the northern area of Kyoto City, but some extend to Otsu City and Takashima City (old Kutsuki-mura) in Shiga Prefecture.
  630. Its ryome (a weighed value) is 16.7 grams.
  631. Its ryome (a weighed value) is Kyome (old Japanese unit of measure used around Kyoto) or 4 monme 5 bu as instructed in ink equivalent to the actual measurement value, 16.7 to 16.9 gram, of the one exists now.
  632. Its ryome is 16.7 grams.
  633. Its ryome is 17.8 grams.
  634. Its ryome is 38 monme 8 rin according to the document of Kin-za (an organization in charge of casting and appraising of gold during the Edo period), which is just 8 times as much as Koban's, 4 monme 6 rin, thus it is called Hachiryoban.
  635. Its ryome is likely to be only 1 monme 2 bu (4.5gram) and gold carat is approximately 52 monme 2 bu (84.3%), and it was also inherited by Keicho Ichibuban.
  636. Its ryome is only 4 monme 8 bu (17.8gram) likely to be 4 monme 7 bu 6 rin which is defined ryome of Keicho Koban,and gold carat is only approximately 52 monme 2 bu (84.3%).
  637. Its ryome is ouly 1 monme 2 bu (4.5gram) the same as Enbukin, gold carat is approximately 52 monme 2 bu (84.3%).
  638. Its sage is the scene in which Rihei AMANOYA (Gihei AMAKAWAYA), who was mistaken for a woman, says "Rihei AMANOYA (Gihei AMAKAWAYA) is a man."
  639. Its sales method was featured on the Move! TV program.
  640. Its sales point was you could warm a bento in a microwave oven there to eat.
  641. Its sanctuary (the main building of a Shinto shrine) was erected in 1718 and both sanctuary and Wakisha of precincts were registered as cultural property by Kyoto Prefecture as one of the best architectures in Fukuchiyama.
  642. Its sanctuary, the main building of Omi-jingu Shrine, is one of the registered tangible cultural assets of Japan, which has a distinctive architectural style that is called 'Omi-zukuri.'
  643. Its sango ((literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Rendaisan.
  644. Its sango (a title given to a Buddhist temple) is Hosho-zan, and its honzon (principal image of Buddha) is Monju Bosatsu (Japanese Manjusri).
  645. Its sango (honorific mountain prefix is) Mt. Shinyu.
  646. Its sango (honorific mountain prefix) is Jodosan.
  647. Its sango (honorific mountain prefix) is Kainasan.
  648. Its sango (honorific mountain prefix) is Mt. Bukkarin.
  649. Its sango (honorific mountain prefix) is Mt. Chuto.
  650. Its sango (honorific mountain prefix) is Mt. Injo.
  651. Its sango (honorific mountain prefix) is Mt. Senkoku.
  652. Its sango (honorific mountain prefix) is Mt. Shiun.
  653. Its sango (honorific mountain prefix) is Mt. Tennin.
  654. Its sango (honorific mountain prefix) is Mt. Zennyu.
  655. Its sango (honorific mountain prefix) is Mt. Zuiun.
  656. Its sango (honorific mountain prefix) is Unebi-no-yama.
  657. Its sango (literally "mountain name" a title prefixed to the name of a Buddhist temple) is Mount Manisan.
  658. Its sango (literally "mountain name", a title prefixed to the name of a Buddhist temple) is Kataokayama.
  659. Its sango (literally "mountain name", a title prefixed to the name of a Buddhist temple) is Kumagorisan.
  660. Its sango (literally "mountain name", a title prefixed to the name of a Buddhist temple) is Mount Kaiba-san.
  661. Its sango (literally "mountain name", a title prefixed to the name of a Buddhist temple) is Uho-san Mountain.
  662. Its sango (literally "mountain name," a title prefixed to the name of a Buddhist temple) is Mount Ikoma-yama.
  663. Its sango (literally "mountain name," a title prefixed to the name of a Buddhist temple) is Reizen-zan.
  664. Its sango (literally, "a mountain name"), the title prefixed to the name of a Buddhist temple, is Eisho-san.
  665. Its sango (literally, "a mountain name"), the title prefixed to the name of a Buddhist temple, is Hoko-san.
  666. Its sango (literally, "mountain name"), the title prefixed to the name of a Buddhist temple is Shosakizan.
  667. Its sango (literally, "mountain name"), the title prefixed to the name of a Buddhist temple, is Mt. Seimei.
  668. Its sango (literally, "mountain name"), the title prefixed to the name of a Buddhist temple, is Unkanzan.
  669. Its sango (literally, "mountain name"), which is the prefixed title given to a Buddhist temple) is Entsu-zan.
  670. Its sango (literally, "mountain name"), which is the prefixed title given to a Buddhist temple, is Nichirin-zan.
  671. Its sango (literally, "mountain name"), which is the title prefixed to a Buddhist temple, is Ryoon-zan, its honzon (the principle image of Buddha) is Jizo Bosatsu, and the founder is known as Joe.
  672. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple is Daibaizan.
  673. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple is Hokozan (Mt. Hoko).
  674. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple is Jufukusan (Mt. Jufuku).
  675. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple is Kakuyuzan (Mt. Kakuyu).
  676. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple is Kimyozan (Mt. Kimyo).
  677. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple is Nyuhozan (Mt. Nyuho).
  678. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple is Shigiosan.
  679. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple) is Daiyuzan (Mt. Daiyu).
  680. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple) is Hoosan (Mt. Hoo).
  681. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple) is Shitaizan (Mt. Shitai).
  682. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, Gusokusan.
  683. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is 'Myoonzan.'
  684. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is 'Okamoto san' (however, temples established before the Nara period did not originally have sango; if such a temple has sango now, that is the one given at a later day).
  685. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is 'Tennozan' or 'Sengensan' (formerly Fudarakuzan) and the principal image is a statue of the Eleven-faced Kannon.
  686. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Abe-san.
  687. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Ama-no-Kagu-yama.
  688. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Asahiyama.
  689. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Butsunichisan.
  690. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Daichinzan.
  691. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Daikoan.
  692. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Ekozan.
  693. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Fudarakusan and the principal image is the Eleven-faced Kannon.
  694. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Fudarakusan, and its Ingo (name of temple's title) is Kannon Myochi In.
  695. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Gakushosan.
  696. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Gosokuzan.
  697. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Gyozan.
  698. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Hamurosan.
  699. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Hojusan.
  700. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Hojuzan.
  701. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Hokozan.
  702. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Hoshozan.
  703. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Houzan.
  704. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Hyakurazan.
  705. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Imaisan.
  706. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Isshinsan.
  707. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Jakkozan.
  708. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Kagusan.
  709. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Kakushosan.
  710. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Kamanokuchisan, the principal image is Amida Nyorai (Amitabha Tathagata), and its founder is said to be Kukai (Kobo Daishi).
  711. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Kiminosan, and its principal image is Senju Kannon Bosatsu (Thousand-Armed Kannon Buddhisattva, or a Buddhist Goddess of Mercy).
  712. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Kinryozan.
  713. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Kinryusan.
  714. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Kinugasayama.
  715. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Komyozan.
  716. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Konyozan.
  717. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Koryosan.
  718. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Kotakusan.
  719. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Koyuzan.
  720. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Kuonzan.
  721. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Kyudosan.
  722. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Matsugasakiyama.
  723. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Mayumisan.
  724. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Mihotokezan.
  725. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Monbosan.
  726. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Mt. Myoon.
  727. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Myotozan.
  728. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Narukawasan.
  729. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Odaisan.
  730. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Oshioyama.
  731. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Reigizan.
  732. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Reizuisan.
  733. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Rengekinpozan.
  734. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Ryojusen.
  735. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Ryozan or Ryojusen.
  736. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Shinnachizan.
  737. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Shohozan.
  738. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Shotokusan.
  739. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Shunnichisan.
  740. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Sokuchozan.
  741. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Taikyozan.
  742. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Takagamineyama.
  743. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Tamonzan and the principal image is Amida Nyorai.
  744. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Tatsutasan.
  745. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Tenkyosan (Mt. Tenkyo) or Godaisan (Mt. Godai).
  746. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Tokkozan.
  747. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Ubokusan.
  748. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Yoryu-san, the honzon (the principle image of Buddha) is Miroku Bosatsu (Maitreya Bodhisattva), and the founder is said to be EN no Ozunu.
  749. Its sango (literally, "mountain name"), which is the title prefixed to the name of a Buddhist temple, is Zuihozan.
  750. Its sango (literally, "mountain name", a title prefixed to the name of a Buddhist temple), is Seiryozan.
  751. Its sango (literally, "mountain name", the title prefixed to the name of a Buddhist temple) is Mt. Meio.
  752. Its sango (literally, "mountain name," the title prefixed to the name of a Buddhist temple) is Fukujusan; the founder was Bukkoku Kokushi, and the principal image is Shakamuni-butsu.
  753. Its sango (literally, "mountain name," the title prefixed to the name of a Buddhist temple) is Gunsenzan.
  754. Its sango (literally, "mountain name," the title prefixed to the name of a Buddhist temple) is Hounzan.
  755. Its sango (literally, "mountain name," the title prefixed to the name of a Buddhist temple) is Koshozan.
  756. Its sango (literally, "mountain name," the title prefixed to the name of a Buddhist temple) is Mannen-zan.
  757. Its sango (literally, "mountain name," the title prefixed to the name of a Buddhist temple) is expressed as Jubuzan, Jubozan, Jubusan or Jubusen.
  758. Its sango (literally, "mountain name," which is the title prefixed to the name of a Buddhist temple) is Daihizan.
  759. Its sango (literally, "mountain name," which is the title prefixed to the name of a Buddhist temple) is Mt. Daihi.
  760. Its sango (lprefix of a Buddhist temple)is Kinryu-zan.
  761. Its sango (name of a group of Buddhist temples) is Myoko zan.
  762. Its sango (prefix of a Buddhist temple) is Horen-san
  763. Its sango (prefix of a Buddhist temple) is Ikoma-san.
  764. Its sango (prefix of a Buddhist temple) is Kokuzo-san, and its principle image is Kokuzo Bosatsu (Akasagarbha Bodhisattva).
  765. Its sango (prefix of a Buddhist temple) is Toko-zan, and it is called Ryugai-ji Temple by another jigo (literally, "temple name"), the title given to a Buddhist temple.
  766. Its sango (prefix of a Buddhist temple) is Tsubosaka-san.
  767. Its sango (temple's title) is Hokozan and its honzon (principal image of Buddha) is Nyoirin Kannon (the Bodhisattva of Compassion).
  768. Its sango (temple's title) is Mt. Shiun.
  769. Its sango (the name of a group of Buddhist temples to which the temple belongs) is Hiei-zan (Mt. Hiei).
  770. Its sango (the name of a group of Buddhist temples to which the temple belongs) is Shohozan (In the Nara period, temples did not have sango and its sango was given later.).
  771. Its sango (title given to a Buddhist temple) is Ashokao-zan Mountain, and its honzon (principle image of Buddha) is Sho Kannon (Buddhist image normally withheld from public view).
  772. Its sango is 'Kojimayama' and its history of the foundation is similar to Kojima-dera Temple.
  773. Its sango is 'Mt. Nijo.'
  774. Its sango is Buzan Kagurain.
  775. Its sango is Nagara-san (Mt. Nagara).
  776. Its sanmon was Takatori Castle's Ninomon (the second gate), which was brought over to the site, and it is the only remnant of Takatori Castle.
  777. Its scale differs variously ranging from a small fire in front of the door step of each house or in its garden to a large scale bonfire prepared as an event of the local community.
  778. Its scale is no doubt smaller than that of Nagara-gawa ukai, but it is still popular since it has a trace of traditional fishing method of ukai compared with Nagara-gawa ukai that has become the event of tourist attraction.
  779. Its scale was big, and the whole of event held across the region is sometimes called 'matsuri.'
  780. Its scene was composed in a waka poem by the moaning toneris (servants) of Kusakabe's Court for his premature death which was left in volume 2 of "Manyo-shu" (the Japanese oldest collection of songs, entitled "A Collection of a Myriad Leaves").
  781. Its school building was located in Komano-machi, Sagaru, Maruta-machi, dote-machi, Kamigyo Ward on the site of Kujyo House.
  782. Its second act's 'kaeshi' (or 'kaeshi-maku', a scene in the same act including a curtain-fall), "Nanzen-ji Sanmon-no-ba" (Scene at Sanmon Gate of Nanzen-ji Temple) is commonly known as "Sanmon."
  783. Its secrets of the art consisted of three points: (1) Develop a mind void of all ideas of good and evil; (2) Straighten one's posture to keep spirits up; (3) Close one eye and aim squarely at the target.
  784. Its sect tradition was succeeded by Fuyo Dokai and Tanka Shijun.
  785. Its seeds are sown during late August and early September, and harvested during November and the end of January.
  786. Its sequel, "Hototogisu Kojo no Rakugetsu (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries)" was first performed at Osaka Kadoza theater in May 1905.
  787. Its sequential frame structures and dynamic expressions are excellent.
  788. Its shape became less angular, and additionally, dots carved by chisel became coarser and they sloped from right to left.
  789. Its shape is a little less roundish oval and its length is shorter than the Tensho naga oban.
  790. Its shape is hexagonal as well.
  791. Its shape is like a dish and usually more or less 15cm in size are used.
  792. Its shape is like the haori coat.
  793. Its shape is similar to that of kimono.
  794. Its shape is similar to that of minteki while the tune is different.
  795. Its shape is similar to that of the komabue while it is a little larger in size.
  796. Its shape is suited for burying the deceased in the ground underneath.
  797. Its shape is the same to that of kaku-obi (a stiff sash for men), but its distinctiveness lies in its use of softer fabric (cotton is used most of the time) and its narrow and short tailoring.
  798. Its shape lacked okumi and had the end sleeves taken from the sleeves of hitoe as mentioned earlier, having a similar shape as the okatabira of the buke in (2), thus having possibly been derived from it.
  799. Its shape looks like a ribbon when completed, and young women generally make their 'hane' (left and right part of the ribbon shale) longer in general.
  800. Its shape looks like hirate-kanzashi, but long and thin plate-like hanging ornaments are attached instead of an ear pick.
  801. Its shape resembles rocks.
  802. Its shape was exactly similar as hitoe (a single layer of kimono) and was small and short.
  803. Its shape was square.
  804. Its shapely figure and forceful facial expression represent the characteristics of the Kei school of Buddhist sculpture.
  805. Its share of the market is growing.
  806. Its sharp eyes and white teeth are impressive.
  807. Its shells are likened to do, the long tail is likened to sao.
  808. Its shintai (an object of worship believed to contain the spirit of a deity) is a seated wooden statue of SOGA no Iruka.
  809. Its shrine ranking is a village shrine in the old shrine ranking.
  810. Its shrine ranking is former prefectural shrine.
  811. Its shrine ranking is former township shrine.
  812. Its shrine ranking is shikinai-sha (shrine listed in the Engishiki - List of Official Shrines) (myojin-taisha shrine), prefectural shrine.
  813. Its shuji (a characteristic one-syllable word to depict the Bodhisattva) is aH.
  814. Its shuji (characteristic one syllable word) (Esoteric Buddhism) (shuji) is bhai, the initials of its name.
  815. Its shuji (the characteristic one syllable word to depict the Bodhisattva in Esoteric Buddhism) is Kan (haM).
  816. Its shumuin (office for religious management) were put in Omosu Honmon-ji Temple and its organizational systems, such as the selection of the head of the sect in rotations of Hachi Honzan, were arranged, and in 1899, it changed its name to Honmon Sect.
  817. Its shusaijin (main enshrined deities) is Shizuka Gozen.
  818. Its shusaijin (main enshrined deities) or Gion Shinko (Gion Faith) and Gozu Tenno (deity said to be the Indian god Gavagriva) is Susano (Deity in Japanese mythology), which is the typical example of Tatari-gami.
  819. Its sides are unstitched.
  820. Its significance differs in ancient times and medieval times.
  821. Its significant feature is the use of Manyo-gana (a form of syllabary used in the Manyo-shu) which describes Japanese language by combining on and kun readings of Chinese characters.
  822. Its size exceeds 'Botokun' of Suminoe Boat Race Course, and it is one of the world's largest Turf Visions with multiple displays next to the one at the Tokyo Racecourse.
  823. Its size is 36.8 centimeters by 522.5 centimeters.
  824. Its size is about 90 centimeter by 35 centimeter, and most of them are white with an indigo (plant) dyeing pattern.
  825. Its size is about from 6cm to 90cm in diameter.
  826. Its size is approximately 160 m2.
  827. Its size is approximately 200 m2.
  828. Its size is approximately 330 m2.
  829. Its sleeve is called hirosode (a wide sleeve) whose wrist opening is approximately 36 centimeters long unlike that of "ho" [outer robe] which is approx. 54 centimeters.
  830. Its slogan is 'Work experience makes your future.'
  831. Its sole domestic plant is located in Fukuchiyama City, and produces all products.
  832. Its solemn squinting melancholy expression and the substantial body presents more a sense of intimidation than friendliness.
  833. Its sound is similar to that of a whistle.
  834. Its source is "Shibunritsu Gyojisho" (one of commentaries of Vinaya Pitaka (ancient sutras in India)) written by Dosen (in pinyin, Daoxuan), a priest who lived in the era of the Tang Dynasty and was honorifically called Nanzan Daishi (Great Priest Nanshan).
  835. Its southern and southeastern areas border the Hirogawara (in Kyoto City) area and Kuta area in Sakyo Ward of Kyoto City, the northeastern area borders Kutsuki-mura, Takashima City, Shiga Prefecture, and the northern area borders the former Natasho-mura in Oi-cho, Fukui Prefecture.
  836. Its southern edge almost coincides with the southern boundary of Kizugawa City, which is next to the Heijo Hills.
  837. Its southern part is an urban area along the northern edge of the Kyoto basin, whereas the northern part is a mountainous region with low population density.
  838. Its specialties are bamboo shoots and tea.
  839. Its specialties such as soup-run, summer festival, flea markets and sales of pollution-free foods started at that time.
  840. Its specifications were the same with those of Roha 1 type and the capacity was 48 persons for the third class seats.
  841. Its spheroid fruits of 5 to 7.5 cm mature from September to December depending upon cultivars, and the color changes from green to orange yellow.
  842. Its stage family name is Kinokuniya (Kabuki).
  843. Its stalk is dried to make brooms (hoki) and its seeds are called "tonburi" and are used as food.
  844. Its standard length is 3.6m, but longer ones, which are convenient to make various types of knot, have become popular recently due to the yukata fashion boom.
  845. Its standard length is determined to be seven shaku and three sun (approximately 221 cm) and the term, 'wakyu' is used in opposed to the western archery.
  846. Its station color is Korean red.
  847. Its station number is A11.
  848. Its station number is A12.
  849. Its station number is A13.
  850. Its station number is A14.
  851. Its station number is B3.
  852. Its station number is B4.
  853. Its station number is B5.
  854. Its station number is B6.
  855. Its station number is B8.
  856. Its station number is B9.
  857. Its station number is K04.
  858. Its station number is K05.
  859. Its station number is K06.
  860. Its station number is T02.
  861. Its station number is T04.
  862. Its station number is T05.
  863. Its station number is T06.
  864. Its station number is T10.
  865. Its status as a zaibatsu wasn't very significant.
  866. Its status under the Engishiki (a book of laws and regulation compiled during the Engi era) was Engoku, meaning distant province, in the Kokushi-Kokutokyu-kubun (classification of provinces according to their political and economic situation) category.
  867. Its status under the Engishiki (a book of laws and regulation compiled during the Engi era) was Kingoku, meaning near province, in the Kokushi-Kokutokyu-kubun category.
  868. Its status was equivalent to Daijokan (council of state) and its head called Shibirei was treated equal to that of Dainagon (chief councilor of state).
  869. Its story is an unusual one in which a man with mustachios fought against the allied forces of women over his mustachios.
  870. Its story with a sense of speed gained so much popularity that 'Sazen TANGE played by Denjiro OKOCHI' became a regular favorite.
  871. Its straps are tied around the shoulders like a chest protector.
  872. Its street cry is 'hyakkoi, hyakkoi.'
  873. Its structure also prevents high water making things washed downstream pile up between the beam and the piers to form a dam and break levees.
  874. Its structure follows the example of "The Kojidan" (a collection of narratives authored by MINAMOTO no Akikane between 1212 and 1215), and consists of the following volumes: 'The Rule of Right Based on Benevolence,' 'Loyalty,' (missing), 'Shrines and Temples,' 'Accomplishments,' and 'The Han Dynasty.'
  875. Its structure includes the establishment of Daigakuryo (Bureau of Education under the Ritsuryo system (a system of centralized government based on the ritsuryo code)) in the center (capital).
  876. Its structure is considerably different from the koyagumi (wagoya structure) such as shoin-zukuri or sukiya-zukuri, used for houses of people in higher classes.
  877. Its structure is simple and the building looks architecture in the Nara period although it was rebuilt in the Kamakura period.
  878. Its structure is simpler than that of the primary roof.
  879. Its structure is very similar to that of Nijo Station and Hanazono Station, the next stations for local trains.
  880. Its structure was similar to a tenshu.
  881. Its style has been influenced by a mixture of Zen, so to speak, which reflects the Kegon, Tendai and Jodo sects and is characteristic of Chinese Zen during the Ming Dynasty.
  882. Its style has led to the theory that it made its way to Japan from the Korean Peninsula but there are also those who propose that it was crafted in Japan and the debate has not yet been resolved.
  883. Its style is irimoya-zukuri (a hip-and-gable roof construction, or a building with this roof construction) and hongawarabuki (tile roofing in which round and square tiles are laid down alternately).
  884. Its style is of an early period before bonsho became formalized, such as inconsistency on the number of renben (lotus petal) of the pedestal and of the bell in two parts.
  885. Its style is similar to the three-storied pagoda of Yakushi-ji Temple, and this is an essential building in the study of the architectural style of the Nara period because there are few examples of buildings of the Nara period.
  886. Its style of enlightenment such as periodical speech meetings and an issue of an academic bulletin were also pioneering.
  887. Its subject was Sanno Matsuri Festival held at Akaska (Minato Ward, Tokyo), and the performance was composed of the first part; `the puppet of TAKENOUCHI no Sukune on a float,' the middle part; `The fisherman setting a fishing net,' and the last part; `The dance of the head of the steeplejack who keeps watch at night.'
  888. Its subsidiary line (referred as "Gorenshi") was solely the Saijo Matsudaira Family of Saijo Domain in Iyo Province.
  889. Its substantial collections of imperial edicts and addresses made to the emperor as well as descriptions of the customary practices established by precedents accommodated the government officials at whom the text was aimed.
  890. Its summit commands an extensive view of the complicated coastline of a ria coast and green islands in Japan Sea.
  891. Its surface area is bigger than that of the pyramid of the King Khufu or that of the mausoleum of the first Quin Emperor.
  892. Its surface is sometimes covered by the outer layer of a tatami mat.
  893. Its surrounding moat is narrow in relation to the scale of its burial mound.
  894. Its surroundings
  895. Its symbol color is orange.
  896. Its synonymous words are taisho and sho that is simply an abbreviation.
  897. Its taishu is 'noumo bagyabatei baiseija kuro beiruria haraba arajaya tatagyataya arakatei sanmyakusanbodaya taniyata on baiseizei baiseizei sanborigyatei sowaka' and it appears in Yakusi hongan kudokukyo.
  898. Its technique has been transmitted by the association for the preservation of techniques for making Hosokawa-gami until now and the technique of making Hosokawa-gami was designated as an important intangible cultural property in 1978.
  899. Its teeth are taller than those of usual Geta.
  900. Its teeth are vertically long.
  901. Its temple history says that it was founded by Prince Shotoku.
  902. Its temple history says that it was originally called Kobun-in, which was established by WAKE no Kiyomaro around the Tenpyo era as an academic facility.
  903. Its temple legend says it is Nyoirin Kannon (the Bodhisattva of Compassion), but it has been named so after the Heian Period and considered to have originally been built as Maitreya Bodhisattva in manas in a semi-lotus position.
  904. Its temple legend says that it was originally called Reisho-zan, and one of the Iwabuchi senbo (one thousand temple lodgings located in precipitous terrain) founded by Gonso Daitoku, a mentor of Kukai.
  905. Its territory covered modern-day Iwakiri, Rifu-cho and Tagajo City.
  906. Its territory covered today's Nara Prefecture.
  907. Its territory included the whole of Ashikaga County and a part of Aso County (Akami-go).
  908. Its territory of control was limited to machikata (the town area) of Edo, and its authority did not cover samurai residences, shrines and temples that occupied more than a half of Edo.
  909. Its textile was not silk, but hemp (Nara sarashi, Nara bleach was often used) and has a hem like today's kimono.
  910. Its theme is a real incident of revenge that occurred at Gappo ga Tsuji Enma-do Temple (now in Tennoji Ward, Osaka City).
  911. Its theme is unknown, but the temple legend says that its principal image is Taishakuten (Sakra devanam Indra).
  912. Its three storey building of gallery-type structure that houses about thirty shops, such as clothing stores, gourmet restaurants, and interior equipment stores.
  913. Its three-story building is registered with Kyoto City as a cultural property; its Oriental exhibition hall topped with a red-lacquered octagonal tower has been there since its establishment, while the interior retains the atmosphere of the early Showa period.
  914. Its ticket function and Suica Shopping Service can be used without problems in the ICOCA area.
  915. Its time of foundation and development are not clear.
  916. Its title came from the beginning of each story; each story begins with 'Imaha mukashi' (past from now).
  917. Its title derives from the fact that Kanetsune lived in his villa, in Uji City, called 'Okanoya-dono.'
  918. Its title is "Okiku's Plates" or just "Sarayashiki".
  919. Its title is a chic elaboration created by combining 'Fukagawa' (Deep River) and 'Megumi-fukai' (Deep Bressing) which have the same word in common.
  920. Its title refers to the fact that the setsuwa tales it contains were gleaned from those not included in the "Ujidainagon monogatari" ("The Tale of Chief Counselor Uji," a collection of setsuwa thought to have been compiled by the Ujidainagon MINAMOTO no Takakuni which is no longer extant).
  921. Its title, 'Kanajo,' is based on the fact that it was written in Kana (the Japanese syllabary).
  922. Its toe is in the shape of a chain of three mountains.
  923. Its toll road section is integrated in the Meishin Expressway to connect the Ritto Interchange (in the direction of Nagoya City) and the Suita Interchange (in the direction of Osaka City) of the Meishin Expressway by passing round the urban areas of Otsu City and Kyoto City.
  924. Its tone is a little lower than that of the ryuteki.
  925. Its top is narrow and flat.
  926. Its topography consists of a sheer cliff which rises up and faces the sea.
  927. Its topography is gentle on the south and steep on the north; and in terms of water systems, it is the central divide between the Yura-gawa Water System which flows into the Sea of Japan, and the Kako-gawa Water System which flows into Seto Inland Sea.
  928. Its torii (shrine archway), which appears to be floating on the shore of Lake Biwa against the background of Oki-Island, is so impressive that it is also called 'Itsukushima-jinja Shrine of Omi'.
  929. Its torii was built by Tokuichiro KOBAYASHI (Kokura, Kitakyushu City), a well-known devotee of dedications.
  930. Its total area is 108 hectares.
  931. Its total length is 138 meters, and the back circular part is 83 meters in diameter.
  932. Its trade name Ippodo, which was bestowed on by the Yamashinanomiya Imperial Family in 1846, implies 'to maintain nothing but tea business.'
  933. Its trademark is registered by Atsuta Horaiken in Atsuta Ward, Nagoya City.
  934. Its trading ports were Hoi An and Da Nang.
  935. Its transition between sao and do is different from other kinds of shamisen during frequent use of high notes.
  936. Its transmission to Japan and its influence
  937. Its treasures
  938. Its tsugaimai dance (a dance that is simultaneously performed) is 'shikite' (a music originally from Bo Hai).
  939. Its tsukuri (right half of a character) is made up with '羽' (hane, feather) and '隹' (tori, bird) and means the outstanding tail of a 雉 (kiji, pheasant).
  940. Its tsunogaki (subtitle) is "Shinpen" (new version).
  941. Its two main pillars of the activities are culture-related business and academic research.
  942. Its ujigami is Gongoro Kagemasa KAMAKURA
  943. Its undersecretary was Dazai Gonnosochi or Dazai Daini.
  944. Its unique streamlined exterior is said to have been designed with the image of the flow of the Kizu-gawa River in mind.
  945. Its unit price also ranges from 25 yen to 120 yen.
  946. Its upstream portion is also called Kamiya-gawa River.
  947. Its upstream side is equipped with an extended floor structure called 'Sanno-ma' which enshrines Hashihime, the protective deity of the bridge.
  948. Its usage is similar to that of "Mecca."
  949. Its use as a camouflaged weapon was not widespread, but was passed down as a hidden, secret technique in judo (a Japanese art of self-defense), and swordplay among others, and therefore the names and usage vary according to the school.
  950. Its use factors into the features of Japanese-style buildings in shrines and temples and of shoin-zukuri (a traditional Japanese style of residential architecture that includes a tokonoma alcove) for houses.
  951. Its use is similar to that of Teiran (basket for tea set).
  952. Its use was being suspended.
  953. Its variant with eggs, which today is more prevalent, is called 'tamago katsudon' or 'jo katsudon.'
  954. Its varieties are yanagi-tade (water pepperm, also called hon-tade), beni-tade (red polygonum), ao-tade (blue polygonum), and hosoba-tade (lobulet polygonum).
  955. Its velocity was so exceptional that there was an anecdote that a rapid reaching train of Hankyu Railway Type 100 was capable of getting ahead of the limited express 'Tsubame,' the fastest train the Japanese Government Railways had at that time (please refer to the section on the development of Hankyu Type 100).
  956. Its vestige is seen in the uneme (a maid-in-waiting at the court) costume.
  957. Its vocabulary and pronunciation is similar to Chugoku dialect.
  958. Its voice is like that of a wildcat.
  959. Its volume is approximately 370,000 cubic meters.
  960. Its wall looks like hinged double doors built on stylobate, which seems to have been influenced by the continent-style architecture.
  961. Its walls are decorated with hand-woven fabrics depicting a sunset over a mountain.
  962. Its was originally called Kitakoji-dori Street.
  963. Its weight and flat oval shape are the same as the Tensho naga oban, however its size is smaller than the Tensho naga oban.
  964. Its west end, which was once Nishinokyo-Enmachi crossing in Nakagyo Ward, was extended from Nishinokyo-Enmachi to Myoshinji-mae crossing in 1966, and further to Saga-shakado-daimon-cho crossing, Ukyo Ward, in 1970.
  965. Its western end is Sanin-kaido Road.
  966. Its whereabouts is said to be at the Ueyama Tumulus located at Gojono, Kashihara City, Nara Prefecture.
  967. Its white or purplish bulbs are used for food.
  968. Its whole length is 152 meters and the diameter of its middle circular part approximately 90 meters.
  969. Its width is about 10 cm in the case of products for men (kaku obi).
  970. Its writing style is extremely individualistic: there is no similar book except "Gizan-zassan (Gizan Collection)," compiled by Shangyin LI (courtesy name Yishan), a poet of the late Tang dynasty.
  971. Its writing style was kaisho-tai (square (block) style of writing) and calligraphic style was of Chinese style..
  972. Its yago (stage family name) is Hamamuraya.
  973. Its yago (the name of the store) was given by a Confusian scholar, Kyuso MURO.
  974. Its yakudaka or salary was 1500 koku and 600 rice koku.
  975. Its yeast was separated and distributed as the yeast of the Brewing Society all over Japan, and came to be used for more than 80 percent of sake which were listed.
  976. Its' structure is similar to the western oboe.
  977. Its' themes were based on the Eidai-bashi bridge-collapsing incident that occurred in 1807 around a place thronged with people for a festival at Tomioka Hachiman-gu Shrine, and on the geisha-killing incident that occurred in 1820 in Fukagawa.
  978. Itsu' (伊都, 稜威) means power.
  979. Itsubun (lost description)
  980. Itsubun (unknown or lost writing) article inside the "Yamashiro no Kuni Fudoki" describes that he lived in Kiriharahigeta no miya (桐原日桁宮).
  981. Itsukaichi Kenpo/Nihon Teikoku Kenpo (Itsukaichi Town Constitution/Constitution of the Empire of Japan) (Takusaburo CHIBA)
  982. Itsuki dofu in Itsuki-mura, Kuma-gun, Kumamoto Prefecture
  983. Itsuki-mura, Kuma County, Kumamoto Prefecture
  984. Itsukinohimemiko wo irematsurutoki
  985. Itsukinomiya no Tsukasa or Saiinshi (Office of the High Priestess of Kamo Shrine)
  986. Itsuko NASHIMOTO (Itsuko NASHIMOTO)
  987. Itsuko OKABE, Takeshi UMEHARA and others presented a new view that an inscription '比売朝臣額田' found in 'National Treasures of Tanzan-jinja' (National Treasure) owned by Tanzan-jinja shrine may be the new name for Nukata no Okimi after descending to the status of a subject.
  988. Itsukushima (Miyajima): Island centering on Itsukushima-jinja Shrine existing in Hatsukaichi City, Hiroshima Prefecture
  989. Itsukushima Shinto Shrine
  990. Itsukushima-jinja Shrine
  991. Itsukushima-jinja Shrine (Hatsukaichi City, Hiroshima Prefecture)
  992. Itsukushima-jinja Shrine (Hatsukaichi City, Hiroshima Prefecture): The Muromachi period (1407)
  993. Itsukushima-jinja Shrine building (Hatsukaichi City, Hiroshima Prefecture, a national treasure)
  994. Itsukushima-jinja Shrine, which was then called Chinju-sha, still exists on the island of the garden pond (KUJO-ike), and a simple but elegant tearoom called Shusui-tei is found near the pond.
  995. Itsukushimasha (Ichikishimahime-no-mikoto)
  996. Itsumade (monster)
  997. Itsumade is described in the volume 12, 'Hiroari Kecho o Iru Koto' (Hiroari Shoots a Strange Bird) of "Taiheiki" (The Record of the Great Peace).
  998. Itsumade' s head is the head of either Oni (ogre) or human being, its body is that of dragon (or snake), with sharp teeth and nails, and it is over five meters tall.
  999. Itsumade, or Itsumaden is one of the monsters that have been handed down in Japan.
  1000. Itsumi UCHIDA


210001 ～ 211000

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