The three had common styles, highly valued as 'Tang style' or 'Obaku-style calligraphy,' with Ingen's writing valued as ''moderate and sophisticated,' Muan's writing as 'vigorous and peacefully fulfilling,' and Sokuhi's writing as 'wild and broad-minded.' |
三人には共通した書風があり、隠元の「穏健高尚な書」、木庵の「雄健円成の書」、即非の「奔放闊達な書」と評され「唐風」あるいは「黄檗風の書」として珍重されている。 |