| He paid attention to this and composed music only for koto again, instead of shamisen that had no room to develop any more, which was very important and oriented the new direction of later traditional Japanese music. |
箏にいまだ開拓の余地があることに注目し、これ以上進む余地の少なくなりつつあった三味線から離れた、箏のみの音楽を再び作り出したことは特に重要で、これは後の邦楽の新たな方向付けとなった。 |